The 100 best novels
written in English
No 95
The Beginning of Spring
by Penelope Fitzgerald
(1988)
Robert McCrum
Monday 13 July 2015
Fitzgerald’s story, set in Russia just before the Bolshevik revolution, is her masterpiece: a brilliant miniature whose peculiar magic almost defies analysis
Penelope Fitzgerald published her first novel in 1977 and won the Booker prize with Offshore in 1979, aged 63. Not since Daniel Defoe (No 2 in this series) has a writer, and self-styled outsider, enjoyed such a remarkable late flowering of imaginative creativity. Before she died, at 83, in 2000, Fitzgerald had published nine novels in about 20 years. In the US, The Blue Flower(1995) is her best-known book, but The Beginning of Spring is probably her masterpiece. Like many of the greatest novels in this series, its peculiar magic almost defies analysis. The closer you get to it, the more elusive its mystery and technique. It remains a brilliant miniature, spanning just a few weeks in 1913, a short book with a sly and gentle sensibility, that somehow comprehends a whole world, and many lives.
Frank Reid, from a Salford printing family, has grown up in czarist Russia in the dangerous decades before the revolution. When the novel opens (the first line is like a stage direction: “In 1913 the journey from Moscow to Charing Cross, changing at Warsaw, cost fourteen pounds, six shillings and threepence and took two and a half days”), Frank’s English wife, Nellie, has inexplicably left her husband and gone back to England. This is the breakup that now dominates Frank’s life, much as the impending revolution hangs over imperial Russia.
Frank, inveterately English, is stoic in his distress. The printing business must carry on; his young children must be cared for; he must await Nellie’s return – and the end of winter. Fitzgerald is an instinctively humorous writer whose intuition of life’s tragedies never oppresses her delight in the human comedy. When Lisa Ivanovna, with her “pale, broad, patient, dreaming Russian face”, joins the Reid household to help out, Frank falls hopelessly in love. But then, a Russian enigma who is not what she seems, Lisa mysteriously disappears. With all of Frank’s future suddenly up in the air again, spring has come. “A horse-and-cab pulled up outside,” Fitzgerald concludes, with one final, tantalising revelation still up her sleeve.
The audacity of The Beginning of Spring, and its greatness, is its cheerful willingness to trespass on a literary terrain already made famous, and familiar, through the works of Turgenev, Chekhov and even late Tolstoy. With extraordinary and lyrical brevity, Fitzgerald creates a whole world, but from the inside out, so that all her English and Russian characters become united and universal in a shared humanity.
A note on the text
According to Hermione Lee, whose Penelope Fitzgerald: A Life (London, 2013) is an indispensable guide, the author worked on the novel that was to have been called “The Greenhouse” throughout 1986 and 1987.
The idea, she later said, “first came to me from a friend of mine who was Swiss but had been brought up in Russia… they had a greenhouse and stayed in Moscow all through the first world war, the Bolshevik revolution, arrival of Lenin… and all this time [were] allowed fuel (coal, wood, birch bark, newspaper) because Russian officials have [a] passion for flowers”. What appealed to Fitzgerald was “a sort of noble absurdity in carrying on in unlikely circumstances”.
She was also very interested in the period 1912-13, just before the first world war. It was, she said, “a time of very great hope… of the coming of the 20th century, hopes of a New Life, a new world, the New Woman, a new relationship between the artist and the craftsman”. Needless to say, almost all this historical background is ruthlessly subordinated to the tale Fitzgerald eventually tells, a story that finds its course by indirections, comic asides and odd scenes like an interlude with a bear. Fitzgerald’s Russia is both completely authentic, yet firmly located deep in her imagination.
In fact, Fitzgerald only made one trip to Russia (in 1975), but the experience stayed with her and she supplemented her memories with Baedeker’s Russia 1914 and the Russian supplements of the Times. She also researched railway stations, train timetables, merchants’ houses, ministries, churches, birch trees, dachas and mushrooms, and came to know exactly what was involved in the running of a small printing house in pre-revolutionary Moscow.
When she had finished, Fitzgerald toyed with calling the novel “Nellie and Lisa”, but was dissuaded by her editor Stuart Proffitt at Harper Collins in London, who offered “The Coming of Spring”, a phrase that his author swiftly improved upon.
It was, she would say later, her favourite book, and she liked to tease by telling some admirers that she had never been to Russia in her life, and others by saying she’d often been there. Proffitt remembers the mischievous way in which Fitzgerald projected versions of herself on friends and acquaintances. Her work is similarly multifaceted, with a fascination for the world’s flotsam and jetsam – the oddball, the outcast and the marginal.
The reviews for The Beginning of Spring were good: “marvellous, intelligent and beautifully crafted” (Daily Telegraph), “one of the outstanding novels of the year” (Times Literary Supplement); “a complete success” (Guardian); and “a tour de force” (London Review of Books). Jan Morris, writing in the Independent, captured the novel’s essential magic: “How is it done?” wrote Morris. “How could she know so much about the minutiae of dacha housekeeping or the rituals of hand-printing craft, or the habits of Moscow nightwatchmen, or the nature of the entertainment at the Merchants’ Club? The plot may be inexplicit, but it is told with a virtuouso storyteller’s technique, is illuminated by classic moments of comedy and keeps one guessing from the first page to the very last line.”
The Beginning of Spring was shortlisted for the Booker (she had already won with Offshore), but it lost out to Oscar and Lucinda by Peter Carey.
Penelope Fitzgerald died in 2000. An edition of her letters, So I Have Thought of You, edited by Terence Dooley (London, 2008), is the perfect complement to her nine novels.
Three more from Penelope Fitzgerald
Offshore (1979); At Freddie’s (1982); The Blue Flower (1995).
001 The Pilgrim's Progress by John Bunyan (1678)
002 Robinson Crusoe by Danie Defoe (1719)
003 Gulliver's Travels by Jonathan Swift (1726)
004 Clarissa by Samuel Richardson (1748)
005 Tom Jones by Henry Fielding (1749)
007 Emma by Jane Austen (1816)
008 Frankenstein by Mary Shelley (1818)
009 Nightmare Abbey by Thomas Love Peacock(1818)
011 Sybil by Benjamin Disraeli (1845)
012 Jane Eyre by Charlotte Brontë (1847)
013 Wuthering Heights by Emily Brontë (1847)
014 Fair by William Thackeray (1848)
015 David Copperfield by Charles Dickens (1850)
016 The Scarlet Letter by Nathaniel Hawthorne (1850)
017 Moby-Dick by Herman Melville (1851)
019 The Moonstone by Wilkie Collins (1868)
020 Little Women by Louisa May Alcott (1868-9)
021 Middlemarch by George Eliot (1871-2)
023 The Adventures of Huckleberry Finn by Mark Twain (1884/5)
024 Kidnapped by Robert Louis Stevenson (1886)
025 Three Men in a Boat by Jerome K Jerome (1889)
026 The Sign of Four by Arthur Conan Doyle (1890)
027 The Picture of Dorian Gray by Oscar Wilde (1891)
028 New Grub Street by George Gissing (1891)
029 Jude the Obscure by Thomas Hardy (1895)
030 The Red Badge of Courage by Stephen Crane (1895)031 Dracula by Bram Stoker (1897)
032 Heart of Darkness by Joseph Conrad (1899)
033 Sister Carrie by Theodore Dreiser (1900)
034 Kim by Rudyard Kipling (1901)
035 The Call of the Wild by Jack London (1903)036 The Golden Bowl by Henry James (1904)
037 Hadrian the Seventh by Frederick Rolfe (1904)
038 The Wind in the Willows by Kenneth Grahame (1908)
039 The History of Mr Polly by HG Wells (1910)040 Zuleika Dobson by Max Beerbohm (1915)
041 The Good Soldier by Ford Madox Ford (1915)
042 The Thirty-Nine Steps by John Buchan (1915)
043 The Rainbow by DH Lawrence (1915)
044 Of Human Bondage by W Somerset Waugham (1915)
045 The Age of Innocence by Edith Warthon (1920)
046 Ulysses by James Joyce (1922)
047 Babbitt by Sinclair Lewis (1922)
048 A Pasage to India by EM Forster (1922)
049 Gentlemen Prefer Blondes by Anita Loss ( 1925)
050 Mrs Dalloway by Virginia Woolf (1925)
051 The Great Gatsby by F Scott Fitzgerald (1925)
052 Lolly Willowes by Sylvia Townsend Warner (1926)
053 The Sun Also Rises by Ernest Hemingway (1926)
054 The Maltese Falcon by Dashiell Hammett (1929)
055 As I Lay Dying by William Faulkner (1930)
056 Brave New World by Aldous Huxley (1932)
057 Cold Comfort Farm by Stella Gibbons (1932)
058 Nineteen Nineteen by John Dos Passos (1932)
059 Tropic of Cancer by Henry Miller (1934)
060 Scoop by Evelyn Waugh (1938)
061 Murphy by Samuel Beckett ( 1938)
062 The Big Sleep by Raymond Chandler (1939)
063 Party Going by Henry Green (1939)
064 At Swim-Two-Birds by Flann O'Brien (1939)
065 The Grapes of Wrath by John Steinbeck (1939)
066 Joy in the Morning by PG Wodehouse (1946)
067 All the King's Men by Robert Penn Warren (1946)
068 Under the Volcano by Malcolm Lowry (1947)
069 The Heat of the Day by Elizabeth Bowen (1948)
061 Murphy by Samuel Beckett ( 1938)
062 The Big Sleep by Raymond Chandler (1939)
063 Party Going by Henry Green (1939)
064 At Swim-Two-Birds by Flann O'Brien (1939)
065 The Grapes of Wrath by John Steinbeck (1939)
066 Joy in the Morning by PG Wodehouse (1946)
067 All the King's Men by Robert Penn Warren (1946)
068 Under the Volcano by Malcolm Lowry (1947)
069 The Heat of the Day by Elizabeth Bowen (1948)
071 The End of the Affair by Graham Greene (1951)
072 The Catcher in the Rye by Salinger (1951)
073 The Adventures of Augie March by Saul Bellow (1953)
074 Lord of the Flies by William Golding (1954)075 Lolita by Vladimir Nabokov (1955)
076 On the Road by Jack Kerouac (1957)
077 Voss by Patrick White (1957)
078 To Kill a Mockingbird by Harper Lee (1960)
080 Catch-22 by Joseph Heller (1961)
081 The Golden Notebook by Doris Lessing (1962)
082 A Clockwork Orange by Anthony Burgess (1962)
083 A Single Man by Christopher Isherwood (1964)
084 In Cold Blood by Truman Capote (1966)085 The Bell Jar by Sylvia Plath (1966)
086 Portnoy's Complaint by Philip Roth (1969)
088 Rabbit Redux by John Updike (1971)
089 Song of Solomon by Toni Morrison (1977)
090 A Bend in the River by VS Naipaul (1979) 091 Midnight’s Children by Salman Rushdie (1981)
092 Housekeeping by Marilynne Robinson (1981)
093 Money: A Suicide Note by Martin Amis (1984)
094 An Artist of the Floating World by Kazuo Ishiguro (1986)095 The Beginning of Spring by Penelope Fitzgerald (1988)
096 Breathing Lesson by Anne Tyler (1988)
097 Amongst Women by John McGahem (1990)
098 Underwold by Don DeLillo (1997)
099 Disgrace by JM Coetzee (1999)
096 Breathing Lesson by Anne Tyler (1988)
097 Amongst Women by John McGahem (1990)
098 Underwold by Don DeLillo (1997)
099 Disgrace by JM Coetzee (1999)
100 True Story of the Kelly Gang by Peter Carey (2000)
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