Epok Magazine Special Issue #44: Immortel ad vitam, a film by Enki Bilal (March 1, 2004)
The visual metamorphosis of Enki Bilal’s dystopian worlds
An analysis of medium transition and posthuman imagery in Immortel (ad vitam)
Iren Yildiz
16 March 2026
Having established the broader theoretical framework, this section turns to the medium itself. The transition from still images to moving images introduces a new set of challenges and possibilities. Motion not only reshapes how meaning is constructed but also alters the way audiences perceive, interpret, and emotionally engage with visual narratives.
