Showing posts with label Patrick White. Show all posts

Saturday, November 19, 2022

Book Review 077 / Voss by Patrick White

VOSS

BY PATRICK WHITE

‧ RELEASE DATE: N/A

The 100 best novels written in English / The full list

Book Review

The 100 best novels / No 77 / Voss by Patrick White (1957)

There is immense challenge in the substance of this novel of Australia's wilderness and the strange, tortured man, Voss, who-back in 1850- led an ill-assorted expedition into the unknown. Voss was a German, a mystery man who managed to win backing without trust or liking. His chief backer was a rancher-promoter named Bonner- and it is here the story starts. Here, too, are planted the seeds of the story within the story, the strange, remote romance between Bonner's impecunious niece, Laura Trevelyan, and the man Voss. Bonner was a resident of Sydney, a busy colonial town, where the women were absorbed in the petty details of a self conscious social whirl. While this went on, the plans grew for the expedition into the uncharted wilderness; the applicants were accepted, the equipment collected, and finally the expedition sets forth. Bit by bit one gets to know the eccentricities, the lack of adaptability of one after another. There's a stopover for supplies at one elaborately equipped ranch- at another sparsely equipped one- and at each new members join the group. Hardshipe, dangers, insecurities bring out the worst, until the group splits into two sectors, separates, and all is lost. Only two natives-and one white- make a modicum of escape. While back in Sydney, the backers are fed sparse information and Laura lives for the rare letters- senses disaster- and accepts a future of unwedded widowhood...One needs perspective to grasp the achievement of this book, for- in even greater degree than I felt it in The Tree of Man White has chosen to tell his story in the most involuted, oblique fashion, often seeming awkward and confused, so that the process of reading it is a burden. That he has been accepted as Australia's foremost novelist is somewhat baffling to our public. This has been chosen as August Book of the Month-which may take it over the first hurdle.

KIRKUS

Thursday, July 12, 2018

Lost Man Booker Prize / The Vivisector by Patrick White

LOST MAN BOOKER PRIZE

Looking back at the Lost Booker: The Vivisector by Patrick White

It's ugly, loaded with implausible love affairs and often plays out in the toilet, but Patrick White's depiction of the life of fictional Australian artist Hurtle Duffield does credit to the Lost Booker shortlist

Sam Jordison
Thu 18 May 2010

It is a good general rule that any novel which discusses "urgent matters of the spirit" should be treated with caution. Patrick White's The Vivisector does so at length, "in a chaste slit of a room overlooking the luminous sea". It is not for the faint-hearted.

The 100 best novels / No 77 / Voss by Patrick White (1957)

The 100 best novels

written in English

No 77
Voss
by Patrick White (1957)

A love story set against the disappearance of an explorer in the outback, Voss paved the way for a generation of Australian writers to shrug off the colonial past

Robert McCrum
Monday 9 March 2015 05.45 GMT

he lone rider on his journey to self-realisation, the plot of many westerns, is perfectly suited to the Australian outback, and it gives Patrick White’s monumental novel an archetypal power that still dominates the Australian literary landscape. Only Christina Stead (The Man Who Loved Children) rivals White’s achievement.

Voss is based on the story of Ludwig Leichhardt, the Prussian naturalist who made several explorations of the Australian interior in the mid-1840s. Leichhardt aimed to pioneer an overland route from Brisbane to Perth but he vanished without trace in the infinite vastness of the interior.

White focuses on two characters: Voss, the German explorer, and Laura, a naive and lovely orphan recently arrived in New South Wales, who meet for the first time in the house of Laura’s uncle, the patron of Voss’s expedition. Their complex and passionate relationship, a mutual obsession based on separation, is set against the merciless landscape of Voss’s trek towards oblivion.

White, who in 1973 became the first Australian to win the Nobel prize for literature, was a difficult man, notorious for his abrasive relationship with a society that, high and low, did its best to alienate him. Much of White’s prickly rage went into Voss, who is misanthropic, wilful and doomed. “The map?” says the explorer, when asked about navigation. “I will first make it.”

White was a literary map-maker, too. He is both of his time (sharing many preoccupations with Saul Bellow and William Golding, 73 and 74 in this series), and a cultural pioneer, asserting the need for a richer and more complex understanding of a great country. Until the 1950s Australian poetry and fiction, like American literature in the 19th century, was in thrall to dusty English models. Angry and often obscure, deeply intellectual and gay, Patrick White liberated his readers from a cultural prison. Parts of Voss, notably the treatment of Indigenous Australians – “black swine” to the explorer – remain contentious but White is a founding father of the literary independence movement that followed in the 1970s and 80s. His work paved the way for David Malouf, Murray Bail, Peter Carey, Tim Winton, Christos Tsiolkas, Julia Leigh and many more. He is also a pioneer in “Commonwealth Literature”, a genre that’s now virtually redundant, having been overtaken by the influence of global media and global English.

A note on the text

Voss was published by Eyre & Spottiswoode, a London-based imprint with strong Australian connections, in 1957. The first edition had jacket art by Sidney Nolan, and although it was the novel that established White’s profound originality, not everyone was convinced. One hostile newspaper review declared White to be “Australia’s most unreadable novelist”. The distinguished Australian poet AD Hope once said of White that, although he “shows on every page some touch of the born writer”, he nevertheless lacked style, choosing “as his medium this pretentious and illiterate verbal sludge”. To the end of his life, White would never quite shake off a reputation for “difficulty”.

The indispensable study of Patrick White and his work comes from David Marr inPatrick White: A Life (1991). Voss has also been adapted into an opera with a David Malouf libretto. White himself wanted Voss to be produced for the cinema, directed by Ken Russell and, later, Joseph Losey, but the film was never made.