
Andy Warhol violated a photographer’s copyright on image of Prince, Supreme Court rules
The court sided 7-2 with photographer Lynn Goldsmith. The case involved images Warhol created of Prince as part of a 1984 commission for ‘Vanity

The court sided 7-2 with photographer Lynn Goldsmith. The case involved images Warhol created of Prince as part of a 1984 commission for ‘Vanity
Hornby draws parallels between the Victorian novelist and the musician in this heartfelt homage to these brilliant, driven individuals
At the start of this heartfelt exercise in hero worship, Nick Hornby gathers together a throng of what he calls “My People” and ushers them into a VIP room in his head. They make up an eclectic pantheon, with Arsène Wenger jostling Joan Didion and the sitcom scriptwriters Galton and Simpson next to the gloomy painter Edward Hopper. Dickens and Prince are “two among many” in the gilded crowd, but Hornby singles them out for special homage. Dickens rescued him from the stupor of adolescence by showing that books were an escape route for the mind; Prince, with his keening falsetto, the prestidigitation of his guitar-playing and his hyperkinetic dance moves, delivered a physical excitement that is music’s special prerogative. Dickens made Hornby laugh, while Prince thrilled him by seeming to offer “hours of erotic ecstasy”.