Showing posts with label Jane Russell. Show all posts
Showing posts with label Jane Russell. Show all posts

Friday, November 25, 2022

Book Review 049 / Gentlemen Prefer Blondes by Anita Loos


 


Gentlemen Prefer Blondes 

by Anita Loos

1925

What a marvellous novella this turned out to be. Smart, engaging and uproariously funny – another great summer read for me.

Gentlemen Prefer Blondes was the debut novel of the American screenwriter and author Anita Loos. (You can read a little more about her career here.) The book was an instant success on its release in 1925 – the individual sections had previously been published in Harper’s Bazaar, so the market was ripe for its appearance as a complete text.

Tuesday, November 26, 2019

Marilyn Monroe / Gentlemen Prefer Blondes

Gentlemen Prefer Blondes

Marilyn Monroe and Jane Russell make a fantastic double act in Howard Hawks's sparkling 1953 comedy, writes Peter Bradshaw

Peter Bradshaw
Thu 25 February 2010

"D
on't you know a man being rich is like a girl being pretty? You may not marry a girl just because she's pretty, but my goodness, doesn't it help?" Marilyn Monroe's unimprovably droll line ­epitomises the pizzazz of Howard Hawks's tremendous musical ­comedy. Monroe and Jane Russell play ­Lorelei and Dorothy, hot showgirls and cool ­customers. Lorelei has a fiercely ­idealistic commitment to marrying rich so that the pure concept of love is not sullied by money worries; Dorothy pragmatically wishes only to follow her heart. Those two faces are incredible in ­juxtaposition: Russell is worldly, amused, intensely in touch: Monroe is sublimely unfocused and ­beatific. A joy.


THE GUARDIAN




Monday, August 25, 2014

The 100 best novels / No 49 / Gentlemen Prefer Blondes by Anita Loos (1925)



The 100 best novels

written in English

No 49

   Gentlemen Prefer Blondes 

by Anita Loos (1925)


A guilty pleasure it may be, but it is impossible to overlook the enduring influence of a tale that helped to define the jazz age

Robert McCrum
Monday 25 August 2014



A
nita Loos, a screenwriting Hollywood wunderkind, says she began to draft Gentlemen Prefer Blondes, a jazz age classic, on the American railroad, as she crossed from New York to LA in the early 1920s. Travelling on the celebrated Santa Fe Chief with the movie star Douglas Fairbanks and his brainless leading lady, the young Loos became exasperated that a woman so stupid could "so far outdistance me in feminine allure". Could this girl's secret, Loos wondered, possibly be rooted in her hair? "She was a natural blonde and I was a brunette."




Lorelei Lee (aka Mabel Minnow from Little Rock, Arkansas) was born in that nano-second of female rivalry. Whipping out her yellow pad, Loos began drafting The Illuminating (originally Intimate) Diary of a Professional Lady, teasing fact and fantasy into an intoxicating depiction of "the lowest possible mentality" in prohibition America, a gold-digging blonde who is not – surprise, surprise – quite as dumb as she looks. No wonder that the part burst into life when Marilyn Monroe starred in the 1953 film version.
Later, Loos joked that the plot of Gentlemen Prefer Blondes was "almost as gloomy" as a Dostoevsky novel. Indeed, without Lorelei's faux-naif interior monologue, her tale is replete with hints of rape, actual murder, seduction, gangsterism, and courtesanship, spun into airy nothing. When her diary begins, Lorelei is "under the protection" of the millionaire Gus Eisman, a Chicago button manufacturer, but in danger of falling in love with an impecunious British writer who wants to divorce his wife and marry the woman he believes to be his true love.

When Eisman gets wind of this, he sends his mistress on a European tour with her hard-boiled friend Dorothy. Quickly bored with London, despite a dance with the Prince of Wales, they head for Paris ("devine") and its romantic attractions, especially "the Eyeful Tower". Yet the longer Lorelei's sentimental education continues, the more she recognises the truth: continental men are no match for Americans. "I really think," she writes, "that American gentlemen are the best after all, because kissing your hand may make you feel very, very good but a diamond-and-safire [sic] bracelet lasts for ever."
Marilyn Monroe

This novella (it is barely 150 pages in my battered Penguin edition) falls into the category of "guilty pleasure", but I think it earns its place on this list, if only for the roll call of its distinguished contemporary fans, its lasting influence, and intensely quotable lines. Long before Helen Fielding's Bridget Jones, Loos hit on a young woman's diary as the perfect medium for satirical romance. Gentlemen Prefer Blondes, serialised in Harper's Bazaar, became cult reading. Edith Wharton, probably tongue in cheek, hailed it as "the great American novel". Loos, an unreliable witness, claimed that James Joyce, who was losing his sight, saved his reading for Lorelei Lee. Who knows? It's a little book with a broad smile, and a deceptively big heart.

A note on the text

In her prime, in the 1920s, Anita Loos was "the Soubrette of Satire"and also boasted that her first screen credit was for an adaptation of Macbeth in which her billing followed immediately after Shakespeare's.
The roaring success of Gentlemen Prefer Blondes owes an important debt to the celebrated critic and columnist, HL Mencken, a friend of Loos's. "Menck", as she called him, had just left the editorship of The Smart Set for The American Mercury, and correctly saw that "making fun of sex" was the kind of risque novelty that would work better in a popular middlebrow publication like Harper's Bazaar. So Loos took her Lorelei material to the Harper's editor, Henry Sell, who encouraged Loos to extract maximum advantage from Lorelei's European trip. In just a few months, Gentleman Prefer Blondes became a magazine sensation. Newsstand sales of Harper's doubled, tripled and quadrupled.


Then the publishers Boni and Liveright came calling, and made a contract for a slim hardback, illustrated by Ralph Barton. Blondes sold out at once as a runaway bestseller, becoming the second highest-selling book of 1926, and helping to define the jazz age for ever. A second edition of 60,000 copies was exhausted almost as quickly. Some 45 editions later (in the end, 80-plus), the book had passed into classic status. It would be translated into 14 languages, including Chinese. Eventually, Lorelei's most memorable obiter dicta found their way into the Oxford Dictionary of Quotations. The idea that "diamonds are a girl's best friend" passed into popular culture, and is now repeated without irony too often to be diverting. Loos herself lived long enough (she died in 1981) to describe her book as a "period piece" for the grandchildren of its first fans. "May they be diverted by the adventures of Lorelei Lee", she wrote, "and take courage from the words of her favourite philosopher: 'Smile, smile, smile.'"

Anita Loos

Three more from Anita Loos

But Gentlemen Marry Brunettes (1928); A Girl like I (1966); Kiss Hollywood Goodbye (1974).


THE 100 BEST NOVELS WRITTEN IN ENGLISH
007 Emma by Jane Austen (1816)
014 Fair by William Thackeray (1848)  
031 Dracula by Bram Stoker  (1897)
035 The Call of the Wild by Jack London (1903)
036 The Golden Bowl by Henry James (1904)
039 The History of Mr Polly by HG Wells (1910)
040 Zuleika Dobson by Max Beerbohm (1915)
041 The Good Soldier by Ford Madox Ford (1915)
042 The Thirty-Nine Steps by John Buchan (1915)
043 The Rainbow by DH Lawrence (1915)
044 Of Human Bondage by W Somerset Waugham (1915)
045 The Age of Innocence by Edith Warthon (1920)
046 Ulysses by James Joyce (1922)
047 Babbitt by Sinclair Lewis (1922)
048 A Pasage to India by EM Forster (1922)
049 Gentlemen Prefer Blondes by Anita Loss ( 1925)
050 Mrs Dalloway by Virginia Woolf (1925)

Friday, December 30, 2011

The passing scene of 2011


Elizabeth Taylor

THE PASSING SCENE OF 2011


Friday, December 30, 2011


Two of the sure things in life are taxes and death, and sadly with each passing year we seem to lose talented and gifted entertainers. These great people in front of and behind the scenes have all left lasting imprints in our lives and should not be forgotten. Here are some (not all) of the great people in entertainment that we lost in 2011...

Actress Elizabeth Taylor died of heart failure at the age of 79. In the 1940s, she became one of MGM's leading child stars. By the 1950s she graduated into more mature roles and eventually became a leading sex symbol. Her personal life was often more exciting that her movies.

Actress Susannah York died at the age of 72. She was a gifted actress that appeared in such films as Tom Jones and Superman. She died after a long battle with bone marrow cancer.

Singer Georgia Carroll died at the age of 91. She was the widow of bandleader Kay Kyser, whom she met when she was a vocalist with the band. She also was a model and socialite.

Actor David Nelson died of colon cancer at the age of 74. He was the son of Ozzie and Harriet Nelson who appeared on the Adventures of Ozzie and Harriet, which was a television fixture in the 1950s and 1960s.

Singer Margaret Whiting died at the age of 86. She was one of the most successful girl singers of the 1940s. The daughter of songwriter Richard Whiting, she had numerous record hits such as "A Tree In The Meadow" and "Moonlight In Vermont".

Actress Anne Francis died at the age of 80. She was a huge television actress, who starred in the series Honey West. She also made her mark on such television shows as The Twilight Zone and movies like The Forbidden Planet.

Actress Jane Russell died at the age of 89. Discovered by Howard Hughes, she was one of the leading sex symbols of the 1940s and 1950s. She appeared in such great films as The Outlaw, The Paleface, and Gentlemen Prefer Blondes. She died of resipatory illnesses.

Betty Garrett

Actress Betty Garrett died at the age of 91 from an aneurysm. She started out in MGM musicals of the 1940s like Words And Music with Mickey Rooney and On The Town with Gene Kelly and Frank Sinatra. Married to black listed actor Larry Parks, she emerged as a television star in the 1970s on All In The Family and Laverne & Shirley.

Actor Farley Granger died at the age of 84. He was a well respected actor in such films as Strangers On The Train and The Rope. Granger came out as a homosexual after the studio system of Hollywood ended.

Songwriter Hugh Martin died at the age of 96. Probably he most beloved song was Have Yourself A Merry Little Christmas which he wrote for Judy Garland in the MGM musical Meet Me In St. Louis (1944).

Screenwriter Madelyn Pugh died at the age of 90. She was the writer for all three of Lucille Ball's television series - I Love Lucy, The Lucy Show, and Here's Lucy. She was was the producer on the series Alice.

Bandleader Orrin Tucker died at the age of 100. He was one of the last surviving big band leaders of the big band era (1936-1945). His famous hit was Oh Johnny, which he recorded with vocalist Wee Bonnie Baker in 1939.

Jackie Cooper

Actor Jackie Cooper died at the age of 88. He was a child star who appeared in classic movies such as The Champ (1931) and the Our Gang series of shorts. He also acted into adulthood, appearing as the newspaper editor in the Superman movie series with Christopher Reeves.

Actress Edith Fellows died at the age of 88. She started out as a child star appearing with Bing Crosby in Pennies From Heaven (1936). She was one of the first child stars to fight for independent rights against her mother.

Actor Peter Falk died at the age of 83, after a long battle with dementia. He was most known for his television role in the Columbo series. However, he was a gifted actor who appeared in such films as A Pocketful Of Miracles, Robin And The Seven Hoods, and The Princess Bride.

Actor James Arness died at the age of 88. He was the brother of actor Peter Graves, who passed away in 2010. Arness was best known from the television series Gunsmoke, which he starred in for twenty years.

Singer Ross Barbour died at the age of 82 of lung cancer. He was one of the founding members of the Four Freshmen. He was also the last original surviving member.

Actor Francesco Quinn died of a heart attack at the age of 48. He was an Italian born American actor in films such as Platoon. Francesco was also the son of actor Anthony Quinn.

Actor Jack Garner died at the age of 84. He was the older brother of James Garner. While Jack did not receive the fame his brother did, he appeared with his brother on television in The Rockford Files, and on the screen in My Fellow Americans (1995).

Cliff Robertson

Actor Cliff Robertson died at the age of 88. He won wide acclaim for playing President John F. Kennedy in the film PT 109 (1963), and in later years he played the uncle in the Spiderman movie series.

Actress Mary Fickett died at the age of 83 of dementia. She had a long career on the soap opera All My Children. In films she played Bing Crosby's ex-wife in the tense drama Man On Fire (1957).

Silent screen actress Barbara Kent died at the age of 103. She was one of the last adult actresses in silent films. She left movies in 1935 and refused to give interviews later in life.

Actress and author Judy Lewis died at the age of 76. She acted on television on the soap opera General Hospital. Judy also was the secret love child of Loretta Young and Clark Gable. Young kept the secret of who her father was for years. Judy later wrote a book about her life which exposed the truth.

Musician Tony Martin Jr died at the age of 60. He was the only child of dancer Cyd Charisse and singer Tony Martin. Tony Jr had been in increasing poor health due to a car accident. His mother Cyd Charisse died in 2008.

Actor Harry Morgan died at the age of 96. He was a legendary television actor whose career spanned decades. Morgan was best known for his television roles on Dragnet and Mash, but he also appeared on radio during its golden age and movies as well.

Singer Russ Carlyle died at the age of 96. He never became a famous vocalist like other band singers of the day, but he was a dependable vocalist who sang with the Blue Barron Orchestra from 1936 to 1941.

Dolores Hope (with Bob Hope)

Singer Dolores Hope died at the age of 102. She was the widow of Bob Hope. They met while she was a young vocalist and were married from 1934 until Bob's death in 2003. Dolores resumed her singing career in the 1980s and 1990s.

Child star Sybil Jason died at the age of 84. She was a child actress in the early days of the talkies and appeared alongside some of the greats like: Kay Francis in I Found Stella Parish (1935), Al Jolson in The Singing Kid (1936), and Pat O'Brien and Humphrey Bogart in The Great O'Malley (1937).

Author Arthur Marx died at the age of 89. He was the son of Groucho Marx, and Arthur was very controversial and open in his books he wrote on the actors he knew, including his father as well as Bob Hope and Mickey Rooney.

Singer Lucy Ann Polk died at the 84. She was a big band singer that was famous for replacing Doris Day in the Les Brown Orchestra. Polk stayed with Les Brown through the mid 1950s. Polk had a great jazz style but only made three solo records before retiring from the music industry.

These entertainers, personalities, and icons in their respective fields are gone now, but hopefully they will never be forgotten...

A trip down memory lane



Sunday, February 28, 2010

Marilyn Monroe and Jane Russell / Gentlemen Prefer Blondes

Jane Russell and Marilyn Monroe in Gentlemen Prefer Blondes (1953)


Marilyn Monroe and Jane Russell star in this musical comedy which lacks the wit of the original novel




Philip French
Sunday 28 February 2010


T
his 1953 musical comedy, among the last of its kind to be made before the coming of the widescreen, features a golddigging Monroe and a man-eating Russell as busty girls en route by sea from the States to Paris, France. There are a couple of well-staged numbers but less wit and style than are to be found in Anita Loos's demotic classic on which it's based. Released the year Playboy was launched, it features much characteristic 50s coarseness and leering. Gentleman Prefer Blondes is among the weaker works of a great filmmaker, whose two finest comedies (Bringing Up Baby, His Girl Friday) were made before the war and whose greatest film (Rio Bravo) was yet to come.


THE GUARDIAN