Previous winners Marlon James and Douglas Stuart shortlisted for Booker prize
The two authors are in the running for the £50,000 award alongside a Pulitzer winner, a science fiction legend, a comic writer and a debut novelist

From dynamite debuts to must-read memoirs and magical children’s fiction, here’s our selection of this year’s hottest holiday reads
A middle-aged writer returns to his college townto record the final interview with his 90-year-old intellectual mentor. But he’s broken his phone, and doesn’t seem able to confess that it’s not recording … this anxiety dream of a beginning leads us into a series of sharp insights into family, memory, inheritance and storytelling – all that it means to be human, and how smartphones are changing our sense of the world at every level.
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| Elizabeth Strout |
A guide to the Pulitzer-winning novelist’s tales of small-town life, family secrets, and fraught relationships
The Olive Kitteridge and Lucy Barton author branches out with the tale of a Massachusetts teacher haunted by trauma
Claire Adam
Monday 27 April 2026
The American author Elizabeth Stroutfamously persisted throughout years of rejection to publish her first novel when she was in her 40s, and the hard work has certainly paid off. She won a Pulitzer prize in 2009, and has been nominated multiple times for the Booker and Women’s prizes. The Things We Never Say is her 11th book.
Maggie O’Farrell, Yann Martel and Julian Barnes are among the authors publishing new novels this year
Justin Jordan
Saturday 27 December 2025
The beginning of the books calendar is usually dominated by debuts, but January 2026 sees releases from some of the year’s biggest authors. Known for his surreally bittersweet short stories, George Saunders has written only one novel so far – but that one won the Booker prize. The follow-up to 2017’s Lincoln in the Bardo, Vigil (Bloomsbury) focuses on an unquiet spirit called Jill who helps others pass over from life to whatever comes next. She is called to the deathbed of an oil tycoon who is rapidly running out of time to face up to his ecological crimes, in a rallying cry for human connection and environmental action. Ali Smith’s Glyph (Hamish Hamilton) is a companion to 2024’s Gliff, and promises to tell a story initially hidden in that previous novel. Expect fables, siblings, phantoms and horses in a typically playful shout of resistance against war, genocide and the increasingly hostile social discourse. And in Departure(s) (Jonathan Cape), Julian Barnes announces his own – this blend of memoir and fiction, exploring memory, illness, mortality and love across the decades, will be his last book. “Your presence has delighted me,” he assures the reader. “Indeed, I would be nothing without you.”

They were late.
Olive Kitteridge hated people who were late. A little after lunchtime, they had said, and Olive had the lunch things out, peanut butter and jelly for the two oldest kids, and tuna-fish sandwiches for her son, Christopher, and his wife, Ann. For the little ones, she had no idea. The baby was only six weeks old and wouldn’t be eating anything solid yet; Little Henry was over two, but what did two-year-olds eat? Olive couldn’t remember what Christopher had eaten when he was that age.
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| Elizabeth Strout |
Your story in this week’s issue, “Motherless Child,” revolves around Olive Kitteridge, who was the protagonist of your 2008 story collection, “Olive Kitteridge,” and will be the protagonist of a sequel, “Olive, Again,” which comes out this fall. What made you want to go back to Olive (or move forward with her)?
I never intended to return to Olive Kitteridge. I really thought I was done with her, and she with me. But a few years ago I was in a European city, alone for a weekend, and I went to a café, and she just showed up. That’s all I can say. She showed up with a force, the way she did the very first time, and I could not ignore her. This time, she was nosing her car into the marina, and I saw it so clearly—felt her so clearly—that I thought, Well, I should go with this.
The Pulitzer prize winner on uniting Olive Kitteridge and Lucy Barton in her new novel, her unfathomable dreams, and how she went from ‘blabbermouth’ to writer
Pulitzer prize winner Elizabeth Strout, 68, has wooed readers and critics alike with a string of bestselling novels set in Maine, where she grew up and now mostly lives. Her latest, Tell Me Everything, unites two recurring protagonists from recent books – self-effacing author Lucy Barton and abrasive nonagenarian Olive Kitteridge – with sometime lawyer Bob Burgess, who first appeared in her 2013 novel The Burgess Boys, and is now set to be hauled out of semi-retirement by a murder case. As a New England winter finally yields to spring, pathos and dry humour gild tender reflections on loneliness and connection, and the redemptive power of storytelling.