Ahead of ourPoetry Prize, which closes 30th June, we spoke to judge Rebecca Perry about prizes, publication and what she’ll be looking for from this year’s entries.
Rebecca, It’s lovely to have you as a judge, particularly as your 2012 pamphlet little armoured was published by Seren after winning the Poetry Wales Purple Moose Poetry Prize. What was your reaction to winning the Prize and how did it help you in your development as a poet?
She is a curator, who spends her time dressing the rooms of historic buildings to bring them to life. A replica pie, half-eaten, perched on a small desk in the servant's quarters. A fruit bowl, filled with artificial apples, pomegranates and pears, with one piece missing. It should feel as though her subject has just left the room; the air should be alive with their energy. But in the great halls and lush private quarters of a medieval palace, she finds herself so transfixed by the reign of an almost-forgotten King that the edges of her life begin to blur.
May We Feed the King by Rebecca Perry review – a dazzling puzzle-box of a debut
This article is more than 6 months old
The plight of a reluctant medieval king is glimpsed through scattered pieces of the past, in an ingenious novel that asks how much we can really know about history
Melissa Harrinson
23 January 2026
In a medieval palace an unnamed king chafes under the new and unsought burden of power. His uncertain fate plays out in the present-day imagination of an unnamed curator of unspecified gender, who has been employed by the palace to dress some of its rooms for public viewing in the wake of an undescribed personal tragedy.
‘An author to be seriously excited about’ … Rebecca Perry.Photograph: Robin Christian/Waterstones Debut Fiction Prize/PA
Rebecca Perry wins Waterstones debut fiction prize for ‘delicious and dream-like’ novel
EMMA LOFFHAGENJuly 16 2026
Author and poet Rebecca Perry has won the 2026 Waterstones debut fiction prize for May We Feed the King, praised as a “delicious and dream-like tale”.
Chosen from a shortlist of six novels, May We Feed the King follows a present-day curator whose job is to dress rooms in historic houses. (“When you see a replica feast scene in the great hall of an old building, I am the person who placed the pomegranates beside the pie.”) They become increasingly obsessed by the subject of their latest commission, a medieval king whose own story about his reluctance to rule unfolds in parallel.
It is “a highly wrought puzzle-box of a book which deliberately wrongfoots the reader at every turn” and “richly rewards those who approach it with curiosity”,Melissa Harrison wrote in her Guardian review.
Perry will receive £5,000 and a “promise of ongoing commitment” to her writing career. The award, voted for by Waterstones booksellers, recognises the year’s outstanding work of debut fiction across all genres.
Waterstones head of books Bea Carvalho praised Perry’s “crisp, cool prose” and described the novel as “a delicious and dream-like tale steeped in curiosity and nostalgia”.
“With a poet’s eye for detail and a keen sense of humour, Perry grapples with the slippery nature of memory and the burden of power,” Carvalho said. “Rebecca Perry is an author to be seriously excited about and we can’t wait to see what she does next.”
Perry, who is from London, has published two poetry collections, Beauty/Beauty and Stone Fruit, alongside several pamphlets and a work of creative nonfiction, On Trampolining. Her poetry has been shortlisted for the TS Eliot prize, while her debut collection won the Michael Murphy memorial prize.
Writing We Feed the King, Perry wanted to explore “historical fiction as a genre, and how we narrate history” as well as “the capacities of loneliness and imagination, and ultimately what happens when a person defies what is expected of them, refusing to step into the tyranny of power”.
This year’s other shortlisted novels wereLost Lambs by Madeline Cash,Honey in the Wound by Jiyoung Han,Under Water by Tara Menon,A Private Man by Stephanie Sy-Quia andThe Infamous Gilberts by Angela Tomaski.
Waterstones launched the prize in 2022. Previous winners include Tess Gunty’s The Rabbit Hutch, Alice Winn’s In Memoriam and Ferdia Lennon’s Glorious Exploits. Last year’s winner wasLucy Steeds’ The Artist.
‘My mother could be very critical of my books.’Photograph: David Levene/
The big interview
Interview
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Warning: this article contains descriptions of sexual abuse and violence
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Sirin Kale
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From the outside, it looked like the sort of happy family home a child might draw. Red brick, surrounded by rolling countryside, in Curdridge, near Winchester. Here lived the true crime writer Christopher Berry-Dee, with his second wife, Tracey Dee, and their two young daughters, Zoe and Sasha, in the early 1990s. Inside, it was a house of horrors, full of murder memorabilia. In a wardrobe were the clothes a nine-year-old girl had been murdered in. One afternoon, Zoe was playing when she found them. The now 38-year-old council worker from Romsey says she remembers “putting it all on … going downstairs and everyone being absolutely traumatised”. Later, another gruesome memento was added to the collection: the Austin Metro that convicted murderer Michael Sams had used to transport a body in 1991. Bloodied sections of the seatbelts had been cut out for forensic tests.
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