Showing posts with label Short Stories by García Márquez. Show all posts
Showing posts with label Short Stories by García Márquez. Show all posts

Tuesday, April 22, 2014

García Márquez / Night of the Stone-Curlews


Night of the Stone-Curlews
by Gabriel García Márquez
BIOGRAPHY


LA NOCHE DE LOS ALCARAVANES (A short story in Spanish)


The three of us were sitting around a table when someone slid a coin into the jukebox, and the Wurlitzer replayed the record all night long. The rest of us did not have time to think about it. It happened before we were able to remember where we were; before we could regain our bearings. One of us put a hand on top of the counter to search for the others (We couldn’t see the hand. We heard it.). It bumped into a glass and remained still afterwards. Now two hands rested on the hard surface. Then the three of us searched for each other in the darkness and met there, on the tabletop, in a pile of thirty fingers. One said:
“Let’s go.”
And so we stood up as if nothing had happened. We had not had a chance to feel confused.

Monday, April 21, 2014

García Márquez / The Torment of Three Sleepwalker


The Torment of Three Sleepwalkers
By Gabriel García Márquez

Now we had her there, resigned to one corner of the house. Someone told us, before we moved her things – her fragrant clothing smelling of fresh wood, her weightless shoes for the clay ground – that she could not get accustomed to the slow life, without sweet tastes, without any other charm than the impenetrable, marble solitude always pressing down on her. Someone told us – and much time had passed before we would remember it – that she too had a childhood. Maybe we did not believe it then. But now, seeing her sitting in the corner with eyes like saucers and one finger placed over her lips, maybe we recognized that once she had a childhood. That at one time she could sense the early freshness of rain. Yet her body always bore the silhouette of an unexpected shadow.

Sunday, April 20, 2014

García Márquez / Miss Forbes's summer of happiness


Miss Forbes's summer 
of happiness
by Gabriel García Márquez
BIOGRAPHY


EL VERANO FELIZ DE LA SEÑORA FORBES (A short story in Spanish)
O Verão Feliz da Senhora Forbes (A short story in Portuguese)


WHEN WE CAME back to the house in the afternoon, we found an enormous sea serpent nailed by the neck to the door frame. Black and phosphorescent, with its eyes still alive and its sawlike teeth in gaping jaws, it looked like a gypsy curse. I was going on for nine years old at the time, and at that nightmare apparition I felt a terror so intense I lost my voice. But my brother, who was two years younger, dropped the oxygen tanks, the masks and the flippers, and fled, screaming in panic. Miss Forbes heard him from the twisting stone steps that wind up the rocks from the dock to the house, and she ran to us, pale and panting, but she had only to see the beast crucified on the door to understand our horror. She always said that when two children were together they were both guilty of what each one did, and so she scolded the two of us for my brother's screams and went on to reprimand us for our lack of self-control. She spoke German, not the English stipulated in her tutor's contract, perhaps because she was frightened too and refused to admit it. But as soon as she caught her breath she returned to her stony English and her pedagogical obsession.
'It is a muraena helena,' she told us, 'so called because it was a sacred animal to the ancient Greeks.'

Saturday, April 19, 2014

García Márquez / The Handsomest Drowned Man In The World


The Handsomest Drowned Man 
In The World 
by Gabriel García Márquez

EL AHOGADO MÁS HERMOSO DEL MUNDO (A short story in Spanish)

    THE FIRST CHILDREN who saw the dark and slinky bulge approaching through the sea let themselves think it was an enemy ship. Then they saw it had no flags or masts and they thought it was a whale. But when it washed up on the beach, they removed the clumps of seaweed, the jellyfish tentacles, and the remains of fish and flotsam, and only then did they see that it was a drowned man.
    They had been playing with him all afternoon, burying him in the sand and digging him up again, when someone chanced to see them and spread the alarm in the village. The men who carried him to the nearest house noticed that he weighed more than any dead man they had ever known, almost as much as a horse, and they said to each other that maybe he'd been floating too long and the water had got into his bones. When they laid him on the floor they said he'd been taller than all other men because there was barely enough room for him in the house, but they thought that maybe the ability to keep on growing after death was part of the nature of certain drowned men. He had the smell of the sea about him and only his shape gave one to suppose that it was the corpse of a human being, because the skin was covered with a crust of mud and scales.
    They did not even have to clean off his face to know that the dead man was a stranger. The village was made up of only twenty-odd wooden houses that had stone courtyards with no flowers and which were spread about on the end of a desert-like cape. There was so little land that mothers always went about with the fear that the wind would carry off their children and the few dead that the years had caused among them had to be thrown off the cliffs. But the sea was calm and bountiful and all the men fitted into seven boats. So when they found the drowned man they simply had to look at one another to see that they were all there.

Friday, April 18, 2014

García Márquez / The Airplane of Sleeping Beauty


The Airplane of Sleeping Beauty
By Gabriel García Márquez
BIOGRAPHY


She was beautiful, elastic, with tender skin the color of bread and green almond-shaped eyes. Her hair was straight and black and reached her waist, and she had an aura of rich ancestry, the kind that could have been from Indonesia or the Andes. She dressed in fine taste: a linen jacket, a natural silk blouse with pale flowers, rough linen pants, and high heeled shoes the color of bougainvillea flowers. “This is the most beautiful woman that I have ever seen in my life,” I thought, when I saw her pass with her stealthy, long, lioness strides while I got in line to board the plane to New York at the Charles de Gaulle airport in Paris. She was a supernatural apparition that lasted only an instant, then disappeared into the crowd in the lobby.  

García Márquez / Ghosts of August


Ghosts of August
By Gabriel García Márquez
BIOGRAPHY


ESPANTOS DE AGOSTO (A short story in Spanish)
Assombrações de Agosto (A short story in Portuguese)

We got to Arezzo a little before midday, and we wasted more than two hours looking for the Renaissance castle that Miguel Otero Silva, a Venezuelan writer, had bought in the idyllic bends of the Tuscan countryside. It was a Sunday in early August, burning and bustling. With the streets filled with tourists, it was almost impossible to find someone who knew their way around. After many fruitless attempts, we returned to the automobile and left the city on a path lined with lifeless cypresses. An old woman watching the geese told us exactly where the castle was. Before leaving she asked if we planned to sleep there. So we answered that we were only going for lunch, as we had planned.
“Thank goodness,” she said, “because that house is haunted.”

García Márquez / Artificial Roses


Artificial Roses
By Gabriel García Márquez
BIOGRAPHY



Groping her way in the half-light of dawn, Mina put on the sleeveless dress that she had hung next to her bed the night before and rummaged through her trunk for her fake sleeves. Then she searched for them on the nails in the wall and behind the door, trying not to make a sound so as not to wake her blind grandmother who slept in the same room. When her eyes adjusted to the darkness, she realized that her grandmother had gotten up. So she went to thekitchen to ask her about the sleeves.
“They’re in the bathroom,” said the blind woman. “I washed them yesterday afternoon.”

Friday, March 14, 2014

García Márquez / Blacaman the Good, Vendor of Miracles



Blacaman the Good, Vendor of Miracles
By Gabriel García Márquez
BIOGRAPHY
Translated by Gregory Rabassa



From the first Sunday I saw him he reminded me of a bullring mule, with his white suspenders that were backstitched with gold thread, his rings with colored stones on every finger, and his braid of jingle bells, standing on a table by the docks of Santa Maria del Darien in the middle of the flasks of specifics and herbs of consolation that he prepared himself and hawked through the towns along the Caribbean with his wounded shout, except that at that time he wasn't trying to sell any of that Indian mess but was asking them to bring him a real snake so that he could demonstrate on his own flesh an antidote he had invented, the only infallible one, ladies and gentlemen, for the bites of serpents, tarantulas, and centipedes plus all manner of poisonous animals. Someone who seemed quite impressed by his determination managed to get a bushmaster of the worst kind somewhere (the snake that kills by poisoning the respiration) and brought it to him in a bottle, and he uncorked it with such eagerness that we all thought he was going to eat it, but as soon as the creature felt itself free it jumped right out of the bottle and struck him on the neck, leaving him right then and there without any wind for his oratory and with barely enough time to take the antidote, and the vest-pocket pharmacist tumbled down into the crowd and rolled about on the ground, his huge body wasted away as if he had nothing inside of it, but laughing all the while with all of his gold teeth. The hubbub was so great that a cruiser from the north that had been docked there for twenty years on a goodwill mission declared a quarantine so that the snake poison wouldn't get on board, and the people who were sanctifying Palm Sunday came out of church with their blessed palms, because no one wanted to miss the show of the poisoned man, who had already begun to puff up with the air of death and was twice as fat as he'd been before, giving off a froth of gall from his mouth and panting through his pores, but still laughing with so much life that the jingle bells tinkled all over his body. The swelling snapped the laces of his leggings and the seams of his clothes, his fingers grew purple from the pressure of the rings, he turned the color of venison in brine, and from his rear end came a hint of the last moments of death, so that everyone who had seen a person bitten by a snake knew that he was rotting away before dying and that he would be so crumpled up that they'd have to pick him up with a shovel to put him into a sack,but they also thought that even in his sawdust state he'd keep on laughing. It was so incredible that the marines came up on deck to take colored pictures of him with long-distance lenses, but the women who'd come out of church blocked their intentions by covering up the dying man with a blanket and laying blessed palms on top of him, some because they didn't want the soldiers to profane the body with their Adventist instruments, others because they were afraid to continue looking at that idolater who was ready to die dying with laughter, and others because in that way perhaps his soul at least would not be poisoned. Everybody had given him up for dead when he pushed aside the palms with one arm, still half-dazed and not completely recovered from the bad moment he'd had, but he set the table up without anyone's help, climbed on it like a crab once more, shouting that his antidote was nothing but the hand of God in a bottle, as we had all seen with our own eyes, but it only cost two cuartillos because he hadn't invented it as an item for sale but for the good of all humanity, and as soon he said that, ladies and gentlemen, I only ask you not to crowd around, there's enough for everybody.

Thursday, March 13, 2014

Monologue of Isabel Watching It Rain in Macondo


Monologue of Isabel Watching It Rain in Macondo
By Gabriel García Márquez 
BIOGRAPHY

Translated by Gregory Rabassa


MONÓLOGO DE ISABEL VIENDO LLOVER EN MACONDO

Winter fell one Sunday when people were coming out of church. Saturday night had been suffocating. But even on Sunday morning nobody thought it would rain. After mass, before we women had time to find the catches on our parasols, a thick, dark wind blew, which with one broad, round swirl swept away the dust and hard tinder of May. Someone next to me said: "It's a water wind." And I knew it even before then. From the moment we came out onto the church steps I felt shaken by a slimy feeling in my stomach. The men ran to the nearby houses with one hand on their hats and a handkerchief in the other, protecting themselves against the wind and the dust storm. Then it rained. And the sky was a gray, jellyfish substance that flapped its wings a hand away from our heads.

Wednesday, March 12, 2014

García Márquez / Light Is Like Water


Light Is Like Water
By Gabriel Garcia Marquez
BIOGRAPHY


LA LUZ ES COMO EL AGUA (A short story in Spanish)
LA LUMIÈRE EST COMME L'EAU (A short story in French)
A LUZ É COMO A ÁGUA (A short story in Portuguese)

At Christmas the boys asked again for a rowboat.
"Okay," said their papa, "we'll buy it when we get back to Cartagena."
Toto, who was nine years old, and Joel, who was seven, were more determined than their parents believed.
"No," they said in chorus. "We need it here and now."
"To begin with," said their mother, "the only navigable water here is what comes out of the shower."
She and her husband were both right. Their house in Cartagena de Indias had a yard with a dock on the bay, and a shed that could hold two large yachts. Here in Madrid, on the other hand, they were crowded into a fifth-floor apartment at 47 Paseo de la Castellana. But in the end neither of them could refuse, because they had promised the children a rowboat complete with sextant and compass if they won their class prizes in elementary school, and they had. And so their papa bought everything and said nothing to his wife, who was more reluctant than he to pay gambling debts. It was a beautiful aluminum boat with a gold stripe at the water line.
"The boat's in the garage," their papa announced at lunch. "The problem is, there's no way to bring it up in the elevator or by the stairs, and there's no more space available in the garage."
On the following Saturday afternoon, however, the boys invited their classmates to help bring the boat p the stairs and they managed to carry it as far as the maid's room.
"Congratulations," said their papa. "Now what?"
"Now nothing," said the boys. "All we wanted was to have the boat in the room, and now it's here."
On Wednesday night, as they did every Wednesday, the parents went to the movies. The boys, lords and masters of the house, closed the doors and windows and broke the glowing bulb in one of the living room lamps. A jet of golden light as cool as water began to pour out of the broken bulb, and they let it run to a depth of almost three feet. Then they turned off the electricity, took out the rowboat, and navigated at will among the islands in the house.
This fabulous adventure was the result of a frivolous remark I made while taking part in a seminar on the poetry of household objects. Toto asked me why the light went on with just a touch of a switch, and I did not have the courage to think about it twice.
"Light is like water," I answered. "You turn the tap and out it comes."
And so they continued sailing every Wednesday night, learning how to use the sextant and the compass, until their parents came home from the movies and found them sleeping like angels on dry land. Months later, longing to go farther, they asked for complete skin-diving outfits: masks, fins, tanks, and compressed air rifles.
"It's bad enough you've put a rowboat you can't use in the maid's room," said their father. "To make it even worse, now you want diving equipment too."
"What if we win the Gold Gardenia Prize for the first semester?" said Joel.
"No," said their mother in alarm. "That's enough."
Their father reproached her for being intransigent.
"These kids don't win so much as a nail when it comes to doing what they're supposed to," she said, "but to get what they want they're capable of taking it all, even the teacher's chair."
In the end the parents did not say yes or no. But in July, Toto and Joel each won a Gold Gardenia and the public recognition of the headmaster. That same afternoon, without having to ask again, they found the diving outfits in their original packing in their bedroom. And so the following Wednesday, while their parents were at the movies seeing Last Tango in Paris, they filled the apartment to a depth of two fathoms, dove like tame sharks under furniture, including the beds and salvaged from the bottom of the light things that had been lost in darkness for years.
At the end-of-the-year awards ceremony, the brothers were acclaimed as examples for the entire school and received certificates of excellence. This time they did not have to ask for anything, because their parents asked them what they wanted. They were so reasonable that all they wanted was a party at home as a treat for their classmates.
Their papa, when he was alone with his wife, was radiant.
"It's a proof of their maturity, "he said.
"From your lips to God's ear," said their mother.
The following Wednesday, while their parents were watching The Battle of Algiers, people walking along the Paseo de la Castellana saw a cascade of light falling from an old building hidden among the trees. It spilled over the balconies, poured in torrents down the facade, and rushed along the great avenue in a golden flood that lit the city all the way to the Guadarrama.
In response to the emergency, firemen forced the door on the fifth floor and found the apartment brimming with light all the way to the ceiling. The sofa and easy chairs covered in leopard skin were floating at different levels in the living room, among the bottles from the bar and the grand piano with its Manila shawl that fluttered half submerged like a golden manta ray. Household objects, in the fullness of their poetry, flew with their own wings through the kitchen sky. The marching band instruments that the children used for dancing drifted among the bright-colored fish freed from their mother's aquarium, which were the only creatures alive and happy in the vast illuminated marsh. Everyone's toothbrush floated in the bathroom, along with Papa's condoms and Mama's jars of creams and her spare bridge, and the television set from the master bedroom floated on its side, still tuned to the final episode of the midnight movie for adults only.
At the end of the hall, moving with the current and clutching the oars, with his mask on and only enough air to reach port, Tonto sat in the stern of the boat searching for the lighthouse, and Joel, floating in the prow, still looked for the north star with the sextant, and floating through the entire house were their thirty-seven classmates, eternalized in the moment of peeing into the pot of geraniums, singing the schools song with the words changed to make fun of the headmaster, sneaking a glass of brandy from Papa's bottle. For they had turned on so many lights at the same time that the apartment had flooded, and two entire classes at the elementary school of Saint Julian the Hospitaler drowned on the fifth floor of 47 Paseo de la Castellana. In Madrid, Spain, a remote city of burning summers and icy winds, with no ocean or river, whose land-bound indigenous population had never mastered the science of navigating on light.


“Light Is Like Water” as published in the collection of short stories 'Strange Pilgrims'





Tuesday, March 11, 2014

García Márquez / A Very Old Man With Enormous Wings


A Very Old Man With Enormous Wings
by Gabriel García Márquez
BIOGRAPHY



On the third day of rain they had killed so many crabs inside the house that Pelayo had to cross his drenched courtyard and throw them into the sea, because the newborn child had a temperature all night and they thought it was due to the stench. The world had been sad since Tuesday. Sea and sky were a single ash-gray thing and the sands of the beach, which on March nights glimmered like powdered light, had become a stew of mud and rotten shellfish. The light was so weak at noon that when Pelayo was coming back to the house after throwing away the crabs, it was hard for him to see what it was that was moving and groaning in the rear of the courtyard. He had to go very close to see that it was an old man, a very old man, lying face down in the mud, who, in spite of his tremendous efforts, couldn't get up, impeded by his enormous wings.

Monday, March 10, 2014

García Márquez / Tuesday Siesta

Tuesday Siesta
By Gabriel García Márquez
BIOGRAPHY

Translated by Lean Franco
The train came out of a shifting corridor of bright, red rock and rushed on across the unending regular lines of the banana plantations. The air turned damp and there was no sea- breeze. A stifling cloud of smoke blew in through the carriage window. Along the narrow road that ran parallel to the railway line were ox-carts loaded with green hands of bananas. By the side of the road, in unexpected clearings, were offices with electric fans, red-brick barracks and houses with white chairs and tables on terraces among dusty palm trees and rose bushes. It was eleven in the morning and the heat had not yet become intense.

Sunday, March 9, 2014

García Márquez / Eyes of a blue dog


EYES OF A BLUE DOG
By Gabriel García Márquez
BIOGRAPHY


Ojos de perro azul (A short story in Spanish)
Olhos de cão azul (A short story in Portuguese)

Then she looked at me. I thought that she was looking at me for the first time. But then, when she turned around behind the lamp and I kept feeling her slippery and oily look in back of me, over my shoulder, I understood that it was I who was looking at her for the first time. I lit a cigarette. I took a drag on the harsh, strong smoke, before spinning in the chair, balancing on one of the rear legs. After that I saw her there, as if she'd been standing beside the lamp looking at me every night. For a few brief minutes that's all we did: look at each other. I looked from the chair, balancing on one of the rear legs. She stood, with a long and quiet hand on the lamp, looking at me. I saw her eyelids lighted up as on every night. It was then that I remembered the usual thing, when I said to her: "Eyes of a blue dog." Without taking her hand off the lamp she said to me: "That. We'll never forget that." She left the orbit, sighing: "Eyes of a blue dog. I've written it everywhere."

García Márquez / Eva is inside her cat

Fotografía de Natalia Deprina

EVA IS INSIDE HER CAT
By Gabriel García Márquez
BIOGRAPHY



EVA ESTÁ DENTRO DE SU GATO

ALL OF A SUDDEN SHE NOTICED that her beauty had fallen all apart on her, that it had begun to pain her physically like a tumor or a cancer. She still remembered the weight of the privilege she had borne over her body during adolescence, which she had dropped now--who knows where?--with the weariness of resignation, with the final gesture of a declining creature. It was impossible to bear that burden any longer. She had to drop that useless attribute of her personality somewhere; as she turned a corner, somewhere in the outskirts. Or leave it behind on the coatrack of a second-rate restaurant like some old useless coat. She was tired of being the center of attention, of being under siege from men's long looks. At night, when insomnia stuck its pins into her eyes, she would have liked to be an ordinary woman, without any special attraction. Everything was hostile to her within the four walls of her room. Desperate, she could feel her vigil spreading out under her skin, into her head, pushing the fever upward toward the roots of her hair. It was as if her arteries had become peopled with hot, tiny insects who, with the approach of dawn, awoke each day and ran about on their moving feet in a rending subcutaneous adventure in that place of clay made fruit where her anatomical beauty had found its home. In vain she struggled to chase those terrible creatures away. She couldn't. They were part of her own organism. They'd been there, alive, since much before her physical existence. They came from the heart of her father, who had fed them painfully during his nights of desperate solitude. Or maybe they had poured into her arteries through the cord that linked her to her mother ever since the beginning of the world. There was no doubt that those insects had not been born spontaneously inside her body. She knew that they came from back there, that all who bore hersurname had to bear them, had to suffer them as she did when insomnia held unconquerable sway until dawn. It was those very insects who painted that bitter expression, that unconsolable sadness on the faces of her forebears. She had seen them looking out of their extinguished existence, out of their ancient portraits, victims of that same anguish. She still remembered the disquieting face of the greatgrandmother who, from her aged canvas, begged for a minute of rest, a second of peace from those insects who there, in the channels of her blood, kept on martyrizing her, pitilessly beautifying her. No. Those insects didn't belong to her. They came, transmitted from generation to generation, sustaining with their tiny armor all the prestige of a select caste, a painfully select group. Those insects had been born in the womb of the first woman who had had a beautiful daughter. But it was necessary, urgent, to put a stop to that heritage. Someone must renounce the eternal transmission of that artificial beauty. It was no good for women of her breed to admire themselves as they came back from their mirrors if during the night those creatures did their slow, effective, ceaseless work with a constancy of centuries. It was no longer beauty, it was a sickness that had to be halted, that had to be cut off in some bold and radical way.

Wednesday, September 14, 2011

Gabriel García Márquez / One of These Days



ONE OF THESE DAYS
By Gabriel García Márquez
BIOGRAPHY


Monday dawned warm and rainless. Aurelio Escovar, a dentist without a degree, and a very early riser, opened his office at six. He took some false teeth, still mounted in their plaster mold, out of the glass case and put on the table a fistful of instruments which he arranged in size order, as if they were on display. He wore a collarless striped shirt, closed at the neck with a golden stud, and pants held up by suspenders He was erect and skinny, with a look that rarely corresponded to the situation, the way deaf people have of looking.
When he had things arranged on the table, he pulled the drill toward the dental chair and sat down to polish the false teeth. He seemed not to be thinking about what he was doing, but worked steadily, pumping the drill with his feet, even when he didn't need it.
After eight he stopped for a while to look at the sky through the window, and he saw two pensive buzzards who were drying themselves in the sun on the ridgepole of the house next door. He went on working with the idea that before lunch it would rain again. The shrill voice of his eleven year-old son interrupted his concentration.
"Papa."
"What?
"The Mayor wants to know if you'll pull his tooth."
"Tell him I'm not here."
He was polishing a gold tooth. He held it at arm's length, and examined it with his eyes half closed. His son shouted again from the little waiting room.
"He says you are, too, because he can hear you."
The dentist kept examining the tooth. Only when he had put it on the table with the finished work did he say:
"So much the better."
He operated the drill again. He took several pieces of a bridge out of a cardboard box where he kept the things he still had to do and began to polish the gold.
"Papa."
"What?"
He still hadn't changed his expression.
"He says if you don't take out his tooth, he'll shoot you."
Without hurrying, with an extremely tranquil movement, he stopped pedaling the drill, pushed it away from the chair, and pulled the lower drawer of the table all the way out. There was a revolver.
"O.K.," he said. "Tell him to come and shoot me."
He rolled the chair over opposite the door, his hand resting on the edge of the drawer. The Mayor appeared at the door. He had shaved the left side of his face, but the other side, swollen and in pain, had a five-day-old beard. The dentist saw many nights of desperation in his dull eyes. He closed the drawer with his fingertips and said softly:
"Sit down."
"Good morning," said the Mayor.
"Morning," said the dentist.
While the instruments were boiling, the Mayor leaned his skull on the headrest of the chair and felt better. His breath was icy. It was a poor office: an old wooden chair, the pedal drill, a glass case with ceramic bottles. Opposite the chair was a window with a shoulder-high cloth curtain. When he felt the dentist approach, the Mayor braced his heels and opened his mouth.
Aurelio Escovar turned his head toward the light. After inspecting the infected tooth, he closed the Mayor's jaw with a cautious pressure of his fingers.
"It has to be without anesthesia," he said.
"Why?"
"Because you have an abscess."
The Mayor looked him in the eye.
"All right," he said, and tried to smile. The dentist did not return the smile. He brought the basin of sterilized instruments to the worktable and took them out of the water with a pair of cold tweezers, still without hurrying. Then he pushed the spittoon with the tip of his shoe, and went to wash his hands in the washbasin. He did all this without looking at the Mayor. But the Mayor didn't take his eyes off him.
It was a lower wisdom tooth. The dentist spread his feet and grasped the tooth with the hot forceps. The Mayor seized the arms of the chair, braced his feet with all his strength, and felt an icy void in his kidneys, but didn't make a sound. The dentist moved only his wrist. Without rancor, rather with a bitter tenderness, he said:
"Now you'll pay for our twenty dead men."
The Mayor felt the crunch of bones in his jaw, and his eyes filled with tears. But he didn't breathe until he felt the tooth come out. Then he saw it through his tears. It seemed so foreign to his pain that he failed to understand his torture of the five previous nights. Bent over the spittoon, sweating, panting, he unbuttoned his tunic and reached for the handkerchief in his pants pocket.  The dentist gave him a clean cloth.
"Dry your tears," he said.
The Mayor did.  He was trembling.  While the dentist washed his hands, he saw the crumbling ceiling and a dusty spider web with spider's eggs and dead insects.  The dentist returned, drying his hands.  "Go to bed," he said, "and gargle with salt water."  The Mayor stood up, said goodbye with a casual military salute, and walked toward the door, stretching his legs, without buttoning up his tunic.
"Send the bill," he said.
"To you or the town?"
The Mayor didn't look at him.  He closed the door and said through the screen:
"It's the same damn thing."

(1962)




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SHORT STORIES