Showing posts with label Michelangelo Antonioni. Show all posts
Showing posts with label Michelangelo Antonioni. Show all posts
Friday, July 19, 2024
Monday, July 10, 2023
Michelangelo Antonioni / The Playboy Interview
MICHELANGELO ANTONIONI: THE PLAYBOY INTERVIEW (1967)
by Curtis Pepper
As the creator of such meticulously crafted and psychologically penetrating films as L‘Avventura, Red Desert and Blow-Up, 55-year-old Michelangelo Antonioni has earned a lofty but controversial niche among cinematic chroniclers of the problems that beset modern man. With an intellectual’s detachment and a prophet’s conviction, he has explored the alienation of man in a depersonalized world the fragility and ambivalence of his emotions and, above all, the impermanence of his love. Gaunt as a Giacometti sculpture, Antonioni himself presents a mask to the world. He claims to have little interest in material rewards, still less in critical acclaim or abuse; but he is no stranger to affluence—nor to the world of spiritually bankrupt overprivilege inhabited by his lonely characters.
Wednesday, May 29, 2019
Blow-Up / Behind the Most Famous Film on Photography
Blow-Up: Behind the Most Famous Film on Photography
Zoom in on Michelangelo Antonioni’s 1966 cult classic
By Eugene Reznik
24 de febrero de 2015
Tuesday, May 28, 2019
Michelangelo Antonioni / La notte
LA NOTTE
by Michelangelo Antonioni
Directed by Michelangelo Antonioni
Starring Marcello Mastroianni, Jeanne Moreau and Monica Vitti
NEW RESTORATION
(1961) “I no longer have ideas. Only memories.” A day and a night in the life of a troubled marriage, set against Milan’s gleaming modern buildings, its gone-to-seed older quarters, and a sleek modern estate, all shot in razor-sharp b&w crispness by the great Gianni di Venanzo. Writer Marcello Mastroianni and his wife Jeanne Moreau visit a dying friend; drop by a night club with an amazing Black contortionist dancer; then wind up at an all-night party at a suburban villa, where Mastroianni flirts with seeming playgirl Monica Vitti, while Moreau tries for a sports car affair of her own, until a tormented dawn encounter at a deserted golf course. Perhaps Antonioni’s most compassionate examination of the emptiness of the rich and the difficulties of modern relationships (minority naysayer Pauline Kael’s review was headlined “The Come-Dressed-As-the-Sick-Soul-of-Europe Parties”); while its tour-de-force, Moreau’s walk through the streets of Milan, “has its place in any film anthology” (Mira Liehm). DCP Restoration. Approx. 122 mins.
Subscribe to:
Posts (Atom)






