Showing posts with label Short Stories by Patricia Highsmith. Show all posts
Showing posts with label Short Stories by Patricia Highsmith. Show all posts

Wednesday, February 10, 2021

Patricia Highsmith / Something the cat dragged in


Something the cat dragged in
by Patricia Highsmith




A few seconds of pondering silence in the Scrabble game was interrupted by a rustle of plastic at the cat door: Portland Bill was coming in again. Nobody paid any atten­tion. Michael and Gladys Herbert were ahead, Gladys doing a bit better than her husband. The Herberts played Scrabble often and were quite sharp at it. Colonel Edward Phelps-a neighbor and a good friend—was limping along, and his American niece Phyllis, aged nineteen, had been doing well but had lost interest in the last ten minutes. It would soon be teatime. The Colonel was sleepy and looked it.

Patricia Highsmith / The Kite

THE KITE
by Patricia Highsmith


The voices of Walter's mother and father came in jerky murmurs down the hall to his room. What were they argu¬ing about now? Walter wasn't listening. He thought of kicking his room door shut, and didn't. He could shut their words out of his ears quite well. Walter was on his knees on the floor, carefully notching a balsa wood strip which was nearly nine feet long. It would have been exactly nine feet long, but he had notched it too deeply, he thought, a few minutes ago, and had cut that little piece off and started again. This was the long center piece for the kite he was making. The cross-piece would be nearly six feet long, so only by turning the kite horizontally would he be able to get it out his room door.

Patricia Highsmith / Old folks at home


Old folks at home
by Patricia Highsmith



'Well,' Lois said finally, 'let's do it.' Her expression as she looked at her husband was serious, a little worried, but she spoke with conviction. 'Okay,' said Herbert, tensely
They were going to adopt an elderly couple to live with them. More than elderly, old probably. It was not a hasty decision on the part of the Mclntyres. They had been thinking about it for several weeks. They had no children themselves, and didn't want any. Herbert was a strategy analyst at a government-sponsored institution called Bayswater, some four miles from where they lived, and Lois was an historian, specializing in European history of the seventeenth and eighteenth centuries. Thirty-three years old now, she had three books and a score of articles to her credit. She and Herbert could afford a pleasant two-story house in Connecticut with a glass-enclosed sunroom that was Herbert's workroom and also their main library, handsome grounds and a part-time gardener all year round to look after their lawn and trees, bushes and flowers. They knew people in the neighborhood, friends and acquaintances, who had children-young children and teenagers-and the Mclntyres felt a little guilty about not fulfilling their duty in this department; and besides that, they had seen an old people's nursing home at first hand a few months ago, when Eustace Vickers, a retired inventor attached to Bayswater, had passed away. The Mclntyres, along with a few of Herbert's colleagues, had paid a visit every few days to Eustace, who had been popular and active until his stroke.

Tuesday, February 9, 2021

Patricia Highsmith / The Artist

Young Woman Drawing
Marie-Denise Villers

THE ARTIST
by Patricia Highsmith


At the time Jane got married, one would have thought there was nothing unusual about her. She was plump, pretty and practical: she could give artificial respiration at the drop of a hat or pull someone out of a faint or a nosebleed. She was a dentist’s assistant, and as cool as they come in the face of crisis or pain. But she had enthusiasm for the arts. What arts? All of them. She began, in the first year of her married life, with painting. This occupied all her Saturdays, or enough of Saturdays to prevent adequate shopping for the weekend, but her husband Bob did the shopping. He also paid for the framing of muddy, run—together odd portraits of their friends, and the sittings of the friends took up time on the weekends too. Jane at last faced the fact she could not stop her colours from running together, and decided to abandon painting for the dance.

The dance, in a black leotard, did not much improve her robust figure, only her appetite. Special shoes followed. She was studying ballet,. She had discovered an institution called The School of Arts. In this five—storey edifice they taught the piano, violin and other instruments, music composition, novel—writing, poetry, sculpture, the dance and painting.

‘You see, Bob, life can and should be made more beautiful,’ Jane said with her big smile. ‘And everyone wants to contribute, if he or she can, just a little bit to the beauty and poetry of the world.’

Meanwhile, Bob emptied the garbage and made sure they were not out of potatoes. Jane's ballet did not progress beyond a certain point, and she dropped it and took up singing.

‘I really think life is beautiful enogoh as it it,’ Bob said. ‘Anyway I'm pretty happy.’ That was during Jane's singing period, which had caused them to crowd the already small living-room with an upright piano.

For some reason, Jane stopped her singing lessons and began to study sculpture and wood-carving. This made the living room a mess of dropped bits of clay and wood chips which the vacuum could not always pick up. Jane was too tired for anything after her days's work in the dentist's office, and standing on her feet over wood or clay until midnight.

Bob came to hate The School of Arts. He had seen it a few times, when he had gone to fetch Jane at 11 p.m. (The neighbourhood was dangerous to walk in.) It seemed to Bob that the students were all a lot of misguided hopefuls, and the teachers a lot of mediocrities. It seemed a madhouse of misplaced effort. And how many homes, children and husbands were being troubled now, because the women of the households -the students were mainly women- were not at home performing a few essential tasks? It seemed to Bob that there was no inspiration in The School of Arts, only a desire to imitate people who had bee inspired, like Chopin, Beethoven and Bach, whose works he could hear being mangled as he sat on a bench in the lobby, awating his wife. People called artist mad, but madness. The students did appear insane, in a certain sense of the word, but not in the right way, somehow. Considering the time The School of Arts deprived him of his wife, Bob was ready to blow the whole building to bits.

He had not long to wait, but he did not blow the building up himself. Someone -it was later proven to have been an instructor- put a bomb under The School of Arts, set to go off at 4 p.m. It was New Year's Eve, and despite the fact it was a semi-holiday, the students of all the arts were practising diligently. The police and the some newspapers had been forewarned of the bomb. The trouble was, nobody found it, and also most people did not believe that any bomb would go off. Because of the seediness of the neighbourhood, the school had been subjected to scares and threats before. But the bomb went off, evidently from the depths of the basement, and a pretty good sized one it was.

Bob happened to be there, because he was to have fetched Jane at 5 p.m. He had heard about the bomb rumour, but did not know whether to believe it or not. With some caution, however, or a premonition, he was waiting across the street instead of in the lobby.

One piano went through the roof, a bit separated from the student who was still seated on the stool, fingering nothing. A dancer at last made a few complete revolutions without her feet touching the ground because she was a quarter of a mile high, and her toes were even pointing skyward. An art student was flung through a wall, his brush poised, ready to make the master stroke as he floated horizontally towards a true oblivion. One instructor, who had taken refuge as often as possible in the toilets of The School of Arts, was blown up in proximity to some of the plumbing.

Then came Jane, flying through the air with a mallet in one hand, a chisel in the other, and her expression was rapt. Was she stunned. Still concentrating on her work, or even dead? Bob could not tell about Jane The flying particles subsided with a gentle, diminishing clatter, and a rise of grey dust. There were a few seconds of silence, during which Bob stood still. Then he turned and walked homeward. Other Schools of Art, he knew, would arise. Oddly, this thought crossed his mind before he realized that his wife was gone forever.

Patricia Highsmith
Little Tales of Misogyny


Saturday, February 6, 2021

Little Tales of Misogyny by Patricia Highsmith / Illustrations


Little Tales of Misogyny
by Patricia Highsmith
Illustrations

Patricia Highsmith is most famous for her acclaimed novels The Talented Mr. Ripley and Strangers on a Train. I redesigned Highsmith's cult classic 'Little Tales of Misogyny', originally a paperback, as a hardback with a screen printed cloth cover and original illustrations to lend a greater feel of value and beauty to an otherwise neglected work.






RANDY



 

Saturday, January 30, 2021

The World's Champion Ball-Bouncer by Patricia Highsmith / A brilliant story unseen for 73 years


Illustration by Andrea Ucini

The World's Champion Ball-Bouncer by Patricia Highsmith – a brilliant story unseen for 73 years


In this previously uncollected short story by The Talented Mr Ripley author, a young girl struggles to adjust to life in New York

Patricia Highsmith
Saturday 9 January 2021

“Ellie, eat your breakfast,” Elspeth’s mother said from behind her, in the kind of voice she used when she was thinking about something else. “Just look how thick the cream is this morning.”

The Snail-Watcher by Patricia Highsmith






The Snail-Watcher
by Patricia Highsmith


When Mr Peter Knoppert began to make a hobby of snail-watching, he had no idea that his handful of specimens would become hundreds in no time. Only two months after the original snails were carried up to the Knoppert study, some thirty glass tanks and bowls, all teeming with snails, lined the walls, rested on the desk and windowsills, and were beginning even to cover the floor. Mrs Knoppert disapproved strongly, and would no longer enter the room. It smelled, she said, and besides she had once stepped on a snail by accident, a horrible sensation she would never forget. But the more his wife and friends deplored his unusual and vaguely repellent pastime, the more pleasure Mr Knoppert seemed to find in it.

Friday, December 7, 2012

Patricia Highsmith / The Heroine

by Gideon Rubin

The Heroine
by PATRICIA HIGHSMITH
The girl was so sure she would get the job that she had come to Westchester with her suitcase. She sat in the living room of the Christiansens' house, looking, in her plain blue coat and hat, even younger than her twenty-one years.
'Have you worked as a governess before?' Mr Christiansen asked. He sat beside his wife on the sofa. 'Any references, I mean?'
'I was a maid at Mr Dwight Howell's home in New York for the last seven months.' Lucille looked at him with suddenly wide gray eyes. 'I could get a reference from there if you like . . . But when I saw your advertisement this morning, I didn't want to wait. I've always wanted a place where there are children.'
Mrs Christiansen smiled at the girl's enthusiasm, and said, 'We might phone them, of course ... What do you say, Ronald? You wanted someone who really liked children . . .'
And fifteen minutes later Lucille Smith was standing in her room in the servants' house, at the back of the big house, putting on her new white uniform.
'You're starting again, Lucille,' she told herself in the mirror. 'You're going to forget everything that happened before.'
But her eyes grew too wide again, as though to deny her words. They looked like her mother's when they opened like that, and her mother was part of what she must forget.
There were only a few things to remember. A few silly habits,
like burning bits of paper in ashtrays, forgetting time sometimes - little things that many people did, but that she must remember not to do. With practice she would remember, because she was just like other people (hadn't the psychiatrist told her so?).
She looked out at the garden and lawn that lay between the servants' house and the big house. The garden was longer than it was wide, and there was a fountain in the center. It was a beautiful garden! And trees so high and close together that Lucille could not see through them, and did not have to admit or believe that there was another house somewhere beyond ... The Howell house in New York, tall and heavily ornamented, looking like an old wedding cake in a row of other old wedding cakes.
The Christiansen house was friendly, and alive! There were children in it! Thank God for the children. But she had not even met them yet.
She hurried downstairs and went across to the big house: What had the Christiansens agreed to pay her? She could not remember and did not care. She would have worked for nothing just to live in such a place.
Mrs Christiansen took her upstairs to the nursery where the children lay on the floor among colored pencils and picture books.
'Nicky, Heloise, this is your new nurse,' their mother said. 'Her name is Lucille.'
The little boy stood up and said, 'How do you do.'
'And Heloise,' Mrs Christiansen said, leading the second child, who was smaller, to Lucille.
Heloise stared and said, 'How do you do.'
'Nicky is nine, and Heloise six.'
Lucille could not take her eyes from them. They were the perfect children of her perfect house. They looked up at her with eyes that were curious, trusting, loving.
Mrs Christiansen smoothed the little girl's hair with a loving gentleness that fascinated Lucille. 'It's just about time for their lunch,' she said. 'You'll have your meals up here, Lucille. Lisabeth will be up with the lunch in a few minutes.' She paused at the door. 'You aren't nervous about anything, are you, Lucille?'
'Oh, no, madam,'
'Well, you mustn't be.' She seemed about to say something else, but only smiled and went out.
Lucille stared after her, wondering what that something else might have been.
'You're a lot prettier than Catherine,' Nicky told her. 'Catherine was our nurse before. She went back to Scotland. We didn't like Catherine.'
'No,' said Heloise. 'We didn't like Catherine.'
Nicky stared at his sister. 'You shouldn't say that. That's what I said!'
Lucille laughed. Then Nicky and Heloise laughed too.
A maid entered with lunch and put it on the table in the center of the room. 'I'm Lisabeth Jenkins, miss,' she said shyly.
'My name's Lucille Smith,' the girl said.
'If you need anything, just shout,' said the maid.
There were three omelets and some tomato soup. Lucille's
coffee was in a silver pot, and the children had two large glasses
of milk.
It was wonderful to be with these children. She had always been clumsy at the Howell house, but here it would not matter if she dropped a plate or a spoon. The children would only laugh.
Lucille drank some of her coffee, but the cup slipped and she spilled some of the coffee on the cloth.
'Piggy!' laughed Heloise.
'Heloise!' said Nicky, and went to fetch some paper towels from the bathroom.
They cleaned up together.
'Dad always gives us a little of his coffee,' said Nicky, as he sat down again.
Lucille had been wondering if the children would mention her spilling the coffee to their mother. She sensed that Nicky was offering her a bribe. 'Does he?' she asked.
'He pours a little in our milk,' Nicky went on.
'Like this?' Lucille poured a bit into each glass.
The children gasped with pleasure. 'Yes!'
'Catherine wouldn't give us any coffee, would she, Heloise?' said Nicky.
'Not her!' Heloise took a long, delicious drink.
A happy feeling rose inside Lucille. The children liked her, there was no doubt of that.
She remembered going to public parks in the city, during the three years she had worked as a maid in different houses, just to sit and watch the children play. But they had usually been dirty and had used bad language. Once she had seen a mother hit her own child across the face. Lucille remembered how she had run away in pain and horror.
'Why do you have such big eyes?' Heloise demanded.
Lucille jumped. 'My mother had big eyes, too,' she said deliberately, as if confessing.
Her mother had been dead three weeks now, but it seemed much longer. That was because she was forgetting all the hope of the last three years as she had waited for her mother to recover. But recover to what? The illness was something separate, something which had killed her mother. It had been stupid to hope for her mother to become sane, which she had never been. Even the doctors had told her that. And they had told her other things, about herself. Good, encouraging things; that she was as sane as her father had been.
'You haven't finished eating,' said Nicky.
'I wasn't very hungry,' said Lucille.
'We could go out to the sand-box now,' he suggested. 'I want you to see our castle.'
The sand-box was in the back corner of the house. Lucille sat on the wooden edge of the box and watched while the children built their sand-castle.
'I'm the young queen, and I'm a prisoner in the castle!' Heloise shouted. •
'Yes, and I'll rescue her, Lucille!' shouted Nicky.
When the castle was finished, Nicky put six small colored stones just inside. 'These are the good soldiers,' he said. 'They're prisoners in the castle, too.' Heloise got more small stones from the garden. She was to be the castle army as well as the queen.
As the game continued, Lucille found herself wishing for
something really dangerous to happen to Heloise, so that she
could prove her great courage and loyalty. She would be seriously
wounded herself, perhaps with a bullet or a knife, but she would
beat off the attacker. Then the Christiansens would love her
and keep her with them always.           
'O-o-ow!'
It was Heloise. Nicky had pushed one of her fingers against
the edge of the box as they struggled to get the same small stone.
Lucille was alarmed at the sight of the blood, and was wildly afraid that Lisabeth or Mrs Christiansen might see it. She took Heloise to the bathroom next to the nursery, and gently washed the finger. It was only a small scratch, and Heloise soon stopped her tears.
'Look, it's only a little scratch!' Lucille said, but it was said to calm the children. To Lucille it was not a little scratch. It was a terrible disaster which she had failed to prevent. And on her first afternoon!
Heloise smiled. 'Don't punish Nicky. He didn't mean to do it.' And she ran from the bathroom and jumped on to her bed. 'We have to have our afternoon sleep now,' she told Lucille. 'Goodbye.'
'Goodbye,' Lucille answered, and tried to smile.
She went down to get Nicky, and when they came back up Mrs Christiansen was at the nursery door.
Lucille's face went white. 'I don't think it's bad, madam. It -it's a scratch from the sand-box.'
'Heloise's finger? Oh, don't worry, my dear. They're always getting little scratches. Nicky, dear, you must learn to be more gentle. Look how you frightened Lucille!' She laughed and ruffled his hair.
While the children slept, Lucille looked at one of their story books. The hospital doctor had encouraged her reading, she remembered, and had told her to go to the cinema, too. 'Be with normal people and forget all about your mother's difficulties...'
And the psychiatrist had said, 'There's no reason why you should not be as normal as your father was. Get a job outside the city - relax, enjoy life. Forget even the house your family lived in. After a year . . .'
That, too, was three weeks ago, just after her mother had died. And what the doctor had said was true. In this house, where there was peace and love, beauty and children, she would forget for ever her mother's face.
With a little gasp of joy, she pressed her face into the pages of the story book, her eyes half closed. Slowly she rocked backwards and forwards in the chair, conscious of nothing but her own happiness.
'What are you doing?' Nicky asked, politely curious.
Lucille brought the book down from her face. She smiled like a happy but guilty child. 'Reading!' she laughed.
Nicky laughed too. 'You read very close!'
'Ye-es,' said Heloise, who had also sat up.
Nicky came over and looked at the book. 'We get up at three o'clock. Would you read to us now? Catherine always read to us until dinner.'
Lucille sat down on the floor so they could see the pictures as she read. She read for two hours, and the time slipped by. Just after five, Lisabeth brought their dinner, and when the meal was over Nicky and Heloise demanded more reading until bedtime. Lucille gladly began another book, but Lisabeth came to say that it was time for the children's bath, and that Mrs Christiansen would be up to say good night in a little while.
When the children were in bed, Lucille went downstairs with Mrs Christiansen.
'Is everything all right, Lucille?'
'Yes, madam. Except. . . can I come up once in the night to see that the children are all right?'
'That's a very kind thought, Lucille, but it really isn't necessary.'
Lucille was silent.
'I'm afraid the evenings are going to seem long to you. If you ever want to go the cinema in town, Alfred, that's the chauffeur, will be glad to take you in the car.'
'Thank you, madam.'
'Then good night, Lucille.'
Lucille went out the back way and across the garden. When she opened her door, she wished it was the nursery door; that it was morning and time to begin another day.
How good, she thought as she turned out the light, to feel pleasantly tired (although it was only nine o'clock) instead of being unable to sleep because of thinking about her mother or worrying about herself. She remembered one day not so long ago when for fifteen minutes she had been unable to think of her name. She had run in fear to the doctor.
That was past! She might even ask Alfred to buy her some cigarettes — a luxury she had denied herself for months.
The second day was like the first — except that there was no scratched hand — and so was the third and the fourth. The only thing that changed was Lucille's love for the family. A love which grew greater each day.
Saturday evening she found an envelope addressed to herself at the servants' house. Inside was $20.
It meant nothing to her. To use it she would have to go to the shops where other people were. What use had she for money if she was never to leave the Christiansen home? In a year's time she would have $1040, and in two years $2080. Eventually she would have as much as the Christiansens, and that would not be right.
Would they think it was very strange if she asked to work for nothing? Or for $10 perhaps?
She went to see Mrs Christiansen the next morning.
'It's about my pay, madam," she said. 'It's too much for me.'
Mrs Christiansen looked surprised. 'You are a funny girl, Lucille! You want to be with the children day and night. You're always talking about doing something "important" for us. And now your pay is too much!' She laughed. 'You're certainly different, Lucille!'
Lucille was listening closely. 'How do you mean different, madam?'
'I've just told you, my dear. And I refuse to pay you less because that would be treating you badly. In fact, if you ever want more—'
'Oh, no, madam! But I wish there was something more I could do for you, and the children. Something bigger—'
'Nonsense, Lucille,' Mrs Christiansen interrupted. 'Mr Christiansen and I are both very pleased with you.'
'Thank you, madam.'
Lucille went back to the nursery where the children were playing. Mrs Christiansen did not understand. If she could just explain about her mother, and her fear of herself for so many months, how she had never dared take even a cigarette, and how just being with the family in this beautiful house had made her well again . ..
That night she sat in her room with the light on until after twelve o'clock. She had her cigarette's now, and allowed herself just three in the evening, but even these were enough to relax her mind, to make her dream of being a heroine. And when the
three cigarettes were smoked and she would have liked another, she put them in her top drawer so that they could not tempt her. She noticed the $20 bill the Christiansens had given her. She took a match and lit it, and put the burning end down against the side of her ashtray. Slowly she lit the rest of the matches, one after another, and made a tiny, well controlled fire. When all the matches were burnt, she tore the $20 bill into bits and added these to the fire.
Mrs Christiansen did not understand, but if she saw this, she might. But this was not enough. Just loyal service was not enough either. Anyone would give that, for money. She was different. Mrs Christiansen had said that. Lucille remembered what else Mrs Christiansen had said: 'Mr Christiansen and I are both very pleased with you.' Lucille smiled at the memory. She felt wonderfully strong and happy. Only one thing was lacking in her happiness. She had to prove herself in a crisis.
She moved nervously around the room.
If only there were a flood .. . She imagined the water coming higher and higher around the house, until it almost rushed into the nursery. She would rescue the children and swim with them to safety.
Or if there were an earthquake ... She would rush in among falling walls and pull the children out. Perhaps she would go back for some small thing - one of Nicky's toys - and be killed! Then the Christiansens would know how much she loved them.
Of if there were a fire . . . Fires were common things. There might be a terrible fire just from the gasoline that was in the garage...
She went downstairs, through the door that opened into the garage. The gasoline tank was three feet high and completely full. Despite its weight, she got it out of the garage and rolled it across the garden, making no noise on the grass. The windows were dark, but even if there had been lights Lucille would not have stopped. Nor if Mr Christiansen himself had been standing by the fountain, because probably she would not have seen him.
She poured some gasoline on a comer of the house, rolled the tank further, and poured some more. She went on like this until she reached the far corner. Then she lit a match and walked back the way she had come, touching it against the wet places. Without looking back, she went to stand by the door of the servants' house to watch.
At first the flames were pale and eager, then they became yellow with bits of red. Lucille began to relax. She would let the flames grow tall, even to the nursery window, before she rushed in, so that the danger would be at its highest.
A smile came to her mouth, and her face was bright in the light of the fire. Anyone seeing her there would certainly have thought her a beautiful young woman.
She had lit the fire at five places, and now it was creeping up the house like the fingers of a hand, warm and gentle. Lucille smiled, but made herself wait.
Suddenly the gasoline tank, having grown too warm, exploded with a sound like a huge gun and lit up the whole garden for an instant.
As though this was the sign for which she had been waiting, Lucille went confidently forward.