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| Deborah Eisenberg Poster by T.A. |
Saturday, October 17, 2026
Deborah Eisenberg / A writer´s life
Good Offices by Evelio Rosero / Review
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| Evelio Rosero Bogotá 2013 Photo by Triunfo Arciniegas |
Good Offices by Evelio Rosero – review
A satire of the Colombian Catholic church incorporates humour, pathos and power
Maya Jaggi
Friday 7 October 2011 22.55 BST
Pablo García / Writers
Friday, October 16, 2026
How Grace Gummer, Meryl Streep’s daughter, is carving out her own niche: ‘Her mother’s gift is now also hers’

How Grace Gummer, Meryl Streep’s daughter, is carving out her own niche: ‘Her mother’s gift is now also hers’
In an era of nepotism, the actress has built her own career, most recently dazzling audiences with her portrayal of Caroline Kennedy. Approaching her 40th birthday, critics are already touting her as an Emmy favorite
‘God, life is so strange’: Diane Keaton interviewed in 2023 on dogs, doors, wine and why she’s ‘really fancy’
The Oscar-winning actor is back for the Book Club sequel. But what she really wants to talk about is big cars, her love for Woody Allen – and her unexpected passion
Catherine Shoard
Friday 5 May 2023
Even before her dog almost dies, my call with Diane Keaton is chaotic. There’s a delay on the line. Conversation stops and starts like a milk float. I’d emailed questions but she hasn’t read them. She wants to talk about doors. Every answer comes stacked with caveats. It’s fun and stressful – and smart. She wants to escape her own interview.
Thursday, October 15, 2026
Cameron Diaz and Jared Leto
CAMERON DIAZ AND JARED LETO
1999 was a year that captured the height of both Cameron Diaz and Jared Leto’s careers, with the pair making headlines not only for their work but also for their romantic relationship. By this time, Diaz was one of Hollywood’s leading actresses, having achieved stardom with roles in The Mask (1994), There’s Something About Mary (1998), and Being John Malkovich (1999). Leto, meanwhile, was carving out a dual path as an actor and musician, known for his performance in My So-Called Life (1994-1995) and his rising band, Thirty Seconds to Mars. Together, their relationship symbolized the intersection of Hollywood glamour and alternative edge, a pairing that perfectly encapsulated the eclectic energy of the late 1990s.
Chelsea Lopez

Red Jacket by 3.1 Phillip Lim, Black Boot by Gianvito Rossi, Nude Dress by Spanx
CHELSEA LOPEZ
Actress Chelsea Lopez plays in front of the camera while giving us a peak into her minimal world of art and object. Chelsea changes the context of each prop through her interaction with them, and her personality shines as a character amongst objects. Peak inside her white box stage.
Wednesday, October 14, 2026
Tuesday, October 13, 2026
‘Sometimes she publishes notes she’s scribbled on her hand’ / Édouard Louis on 10 reasons to love Anne Carson
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| Carson doesn’t try to ‘make literature’ … Louis on the Nobel-winning writer. Photograph: Golli/ |
‘Sometimes she publishes notes she’s scribbled on her hand’: Édouard Louis on 10 reasons to love Anne Carson
The French author discovered Carson on a bus while stranded in a snowstorm and has been enthralled by her fearless imagination ever since
Édouard Louis
Friday 9 October 2026
1. Anne Carson is one of the greatest writers of our time. I discovered her work on a Peter Pan bus from New York to New England. I’d bought Antigonick in a bookstore a few days earlier, almost randomly. From the very first lines, I was enthralled. While we were on the bus, a snowstorm suddenly blanketed the roads, and the other passengers and I found ourselves stuck for 10 hours in rural America, surrounded by an entirely white landscape. I took my computer out of my backpack and started to translate Antigonick into French. Spontaneously. I was so absorbed by the power of Carson’s text that I didn’t notice the hours pass.
Digested week / Don’t worry about the plague, go and read some Anne Carson
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| ‘I went hiking with the Nobel prize winner Anne Carson in Iceland last year … OK, it was a short walk up a rocky incline.’ Photograph: TT News Agency |
Digested week: Don’t worry about the plague, go and read some Anne Carson
Monday
“Anyone worried about pneumonic plague?” This is a friend – a medic – texting me after reading reports at the weekend of the 28-year-old Russian woman who died while working at a “plague research lab” in Siberia. Relying on details from the famously open Russian state guaranteed the presence of a certain dark subtext to the tantalisingly short news item. Namely: lab-grown disease cultivated for reasons unknown and with a 100% mortality rate escapes Russian facility into general population, eight hours’ flying time from London. In other words, we’re all going to die.
Nox by Anne Carson / Family Album

Family Album
Few things in this world have the power to make me clean my desk. One of them, it turns out, is Anne Carson’s new book-in-a-box, Nox. Before I even opened it, I felt an irresistible urge to spend twenty minutes purging my worktable of notes, napkins, magazines, forks, check stubs, unpaid bills, and fingernail clippings. The urge struck me, I think, for a couple of reasons. For one, Nox is unwieldy. It is, very deliberately, a literary object—the opposite of an e-reader designed to vanish in your palm as you read on a train. It comes in a box the size of my external hard drive, and its pages fold out, accordion-style, to colonize all your available space. More than that, though, the book radiates a kind of holy vibe that seems to demand some gesture of ritual cleansing. It’s a public facsimile of a deeply private object: a scrapbook Carson put together as a memorial to her older brother, Michael, who died unexpectedly in 2000. New Directions has reproduced this unique collage lushly, in full color, with such thorough devotion that some pages show nothing but the backs of staples. Processing it, as a reader, seems to require several acres of clear space—mental, physical, emotional, attentional—every inch of which Carsonfills, immediately, with her own special brand of clutter.
Monday, October 12, 2026
On Rosalía by Anne Carson
On Rosalía
Anne Carson
Ihave a Rosalía hangover. We climbed a giant day to reach her, all twenty thousand Chicago fans. Strutting and grinning and asterisking her eyes she held their shrieking out around her like a magic cloak and changed them all to rabbits or a vase of tulips inside its folds. The white crinolines. The shrieking. So much to understand. At her every inhalation of breath the entire audience screamed as if she were raking their individual spines with her fingernail, each spine. That voice can do anything. And the persona blooms out to contain it. Imagine seducing twenty thousand people like this every night on a tour of God knows how many cities, I can’t.
Gloves on! by Anne Carson
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| Anne Carson |
Gloves on!
Anne Carson
So, your life. There it is before you – possibly a road, a ribbon, a dotted line, a map – let’s say you’re 25, then you make some decisions, do things, have setbacks, have triumphs, become someone, a bus driver, a professor of Indo-European linguistics, a pirate, a cosmetologist, years pass, maybe in a family maybe not, maybe happy maybe not, then one day you wake up and you’re seventy. Looking ahead you see a black doorway. You begin to notice the black doorway is always there, at the edge, whether you look at it or not. Most moments contain it, most moments have a sort of sediment of black doorway at the bottom of the glass. You wonder if other people are seeing it too. You ask them. They say no. You ask why. No one can tell you.
Sunday, October 11, 2026
Fox and Hedgehog / The myths of Anne Carson

Fox and Hedgehog
The myths of Anne Carson4 June 2024
Be Canadian. Be zany. Be moody. Be relatable. Write about your mother. Write about desire. Write about trauma. Write about loneliness. Write about grief. Write about nature. Write about the body. Invoke universals. Make it mythic. Tell it slant. Do not use rhyme. Do not use meter. Use short lines. Leave a lot of space on the page. Juxtapose your words with quivery line drawings in ink or paint or collage.
Friday, October 9, 2026
‘Infinite genius’ / Yiyun Li on Anne Carson
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| ‘She does not subjugate or manipulate her words. She lets them be’ … Anne Carson. Photograph: TT News Agency |
‘Infinite genius’: Yiyun Li on Anne Carson
When her sons died the Book of Goose author turned to Grief Lessons, Carson’s translation of four plays by Euripides. She reflects on the ‘life sustaining’ work of an extraordinary writer
Yiyun Li
Friday 9 October 2026
It is preposterous to agree to write a short piece on Anne Carson’s work. The task is impossible, akin to that of solving the mathematical problem of dividing zero by zero. If one had the power to solve it, perhaps one would have some confidence in attempting to write about Anne Carson’s work. Attempting, I say, not succeeding. In attempting to do so, I shall emphasise that all words fall short in extreme situations, which not only include unfathomable losses (of children, in my case) but also include articulating anything about Anne Carson’s work.
Where to start with / Anne Carson
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| Anne Carson Photograph: Peter Power |
Where to start with: Anne Carson
From essays on sexual jealousy to retellings of classical Greek tragedies, here’s a guide to the Nobel prize-winning writer’s catalogue of work
Fiona Sampson
Thursday 8 October 2026

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