Thursday, August 27, 2026

‘I fight pain and fear with art’: how Yayoi Kusama blazed a trail for neurodivergent artists


An enduring influence … Yayoi Kusama as a young woman.


‘I fight pain and fear with art’: how Yayoi Kusama blazed a trail for neurodivergent artists

The pioneering Japanese artist talked openly about how her mental health and neurodivergence informed her creativity, paving the way for the likes of Turner prize winner Nnena Kalu

BIOGRAPHY


Rhiannon Lucy Cosslett

Thrusday 27 August 2026


Yayoi Kusama – who has died at the age of 97 – was 10 when she first started experiencing vivid hallucinations consisting of visual and aural disturbances, which she described as “flashes of light, auras, or dense fields of dots”. A drawing from 1939, of a woman in a kimono assumed to be her mother, shows her obliterated by those dots; they would become Kusama’s artistic obsession. She hallucinated flowers, too. “I was looking at the red flower patterns of the tablecloth on a table, and when I looked up I saw the same pattern covering the ceiling, the windows and the walls, and finally all over the room, my body and the universe”, she once said, when asked about that recurring motif. “I felt as if I had begun to self-obliterate, to revolve in the infinity of endless time and the absoluteness of space, and be reduced to nothingness.”

Yayoi Kusama’s psychedelic art was at its best when taken in high doses

 


Yayoi Kusama’s psychedelic art was at its best when taken in high doses

With dots that dizzied the viewer, the giddy sensory overload of seeing the grandest installations of her octopuses and giant pumpkins was hard to resist

BIOGRAPHY

Jonathan Jones
Thrusday 27 August 2026

Ionce had an argument about Yayoi Kusama with Peter Gabriel. Not in person – I’ve never met the prog rock hero. But after I recorded some critical comments on her work for the BBC, I watched the segment only to see Gabriel passionately defending her. My onscreen cynicism seemed harsh indeed compared with his soulful appreciation of all those dots.


My scepticism about Kusama started the first time I saw her work at the Museum of Modern Art in New York. The context is significant because after a big dose of Jackson Pollock’s looping, tangled forests of colour and line (colour as line), Piet Mondrian’s pulsing Broadway Boogie Woogie and other great abstract art, Kusama’s dots appeared to me static, planned, predictable. I wasn’t excited or moved.

Obituaries / Yayoi Kusama


Yayoi Kusama creating a work from her My Eternal Soul series displayed in Cologne, Germany, 2026. Photograph: Sonja Blom/Alamy


Yayoi Kusama obituary

Artist known for her dazzling polka-dotted paintings and infinity mirror room installations

BIOGRAPHY

Christopher Masters
Thursday 27 August 2026


The Japanese artist Yayoi Kusama, who has died aged 97, created an exhilarating oeuvre of polka-dotted paintings, stuffed cloth phalloi and provocative happenings, films and installations, as well as a curate’s egg of novels and poetry. Kusama’s autobiography, Infinity Net (2002), relates her work directly to the obsessions and neuroses from which she suffered throughout her life: “From my very earliest memories, I have felt imprisoned by the walls of my eyes and ears and heart, upon which have been emblazoned all manner of things – nature, the universe, people and blood and flowers…. The only way for me to elude these furtive appearances is to recreate them visually with paint, pen or pencil in an attempt to decipher what they are.”

Tuesday, August 25, 2026

Living with the dead / Indonesian death rituals

 


The Ma'nene Ritual is a traditional ceremony in Tana Toraja where the bodies of ancestral family members are exhumed, carefully cleaned, and dressed in new clothes as a way to honor and show respect for the deceased
The Ma'nene Ritual is a traditional ceremony in Tana Toraja where the bodies of ancestral family members are exhumed, carefully cleaned, and dressed in new clothes as a way to honor and show respect for the deceased


Living with the dead: Indonesian death rituals

The sacred rituals of Ma’nene in Tana Toraja

Orsolya Antoni
12 July 2025

The experience of losing loved ones is a universal aspect of life that we all confront. Whether it's family, friends, or acquaintances, the grief that accompanies death is something we all share. In my culture, the sorrow associated with death is profound, as we often view it as the end of existence, resulting in a cycle of tears and mourning. This perspective can create a heavy atmosphere that lingers long after a loved one has passed.

A brush with emotion / The art of Tanya Gomelskaya

 

Tanya Gomelskaya uses rich colors and bold contrasts to enhance the visual drama of her art
Tanya Gomelskaya uses rich colors and bold contrasts to enhance the visual drama of her art

A brush with emotion: the art of Tanya Gomelskaya

An artist who turns emotion into three-dimensional beauty


Orsolya Antoni
12 September 2025

In this dreamlike and hectic world, so overwhelmed by the incessant rhythm of the internet and the compulsive fascination of social media, we are ubiquitously exposed to an entire collection of bad influences that seep into our existence. However, in the midst of the chaos of this world, I stumbled upon an oasis of positive energy while scrolling randomly through Instagram. There, I discovered a great artist, Tanya Gomelskaya, whose artistic vision transcends all the traditional boundaries with her mesmerizing three-dimensional paintings. Not only is her art perception-stimulating, but it also transports viewers to a realm of a kaleidoscope of creativity and inspiration. I was attracted to her work immediately and have been a fan ever since.

The emotional legacy of Mihály Munkácsy


Mihály Munkácsy was a Hungarian painter. He earned international reputation with his genre pictures and large-scale biblical paintings
Mihály Munkácsy was a Hungarian painter. He earned international reputation with his genre pictures and large-scale biblical paintings


The emotional legacy of Mihály Munkácsy

A glimpse into Hungarian art and history

Orsolya Antoni
12 June 2025

I would like to discuss the renowned Hungarian painter Mihály Munkácsy, whose influence permeates the lives of many Hungarians. Munkácsy, known for his remarkable talent and the profound emotional depth in his artworks, has left an indelible mark on Hungarian culture. His paintings often depicted scenes of everyday life and historical moments, resonating with the experiences of ordinary people and moving them with their emotional depth.

Monday, August 24, 2026

Rebecca Perry / ‘Lorca hit me like a bolt of lightning’

Rebecca Perry
Photo by Ross Jones

The 

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life


Rebecca Perry: ‘Lorca hit me like a bolt of lightning’

The poet and novelist on the power of fairytales, being inspired by Frank O’Hara and the joys of Doris Lessing


Rebecca Perry

Friday 14 August 2026

Rebecca Perry / Interview



Rebecca Perry
INTERVIEW


Ahead of our Poetry Prize, which closes 30th June, we spoke to judge Rebecca Perry about prizes, publication and what she’ll be looking for from this year’s entries.

Rebecca, It’s lovely to have you as a judge, particularly as your 2012 pamphlet little armoured was published by Seren after winning the Poetry Wales Purple Moose Poetry Prize. What was your reaction to winning the Prize and how did it help you in your development as a poet?

May We Feed the King by Rebecca Perry /2026 Book Prize Longlist

Rebecca Perry

 

May We Feed the King 

by Rebecca Perry

2026 Book Prize Longlist!


She is a curator, who spends her time dressing the rooms of historic buildings to bring them to life. A replica pie, half-eaten, perched on a small desk in the servant's quarters. A fruit bowl, filled with artificial apples, pomegranates and pears, with one piece missing. It should feel as though her subject has just left the room; the air should be alive with their energy. But in the great halls and lush private quarters of a medieval palace, she finds herself so transfixed by the reign of an almost-forgotten King that the edges of her life begin to blur.

May We Feed the King by Rebecca Perry review – a dazzling puzzle-box of a debut



 Review

May We Feed the King by Rebecca Perry review – a dazzling puzzle-box of a debut

This article is more than 6 months old

The plight of a reluctant medieval king is glimpsed through scattered pieces of the past, in an ingenious novel that asks how much we can really know about history


Melissa Harrinson

23 January 2026


In a medieval palace an unnamed king chafes under the new and unsought burden of power. His uncertain fate plays out in the present-day imagination of an unnamed curator of unspecified gender, who has been employed by the palace to dress some of its rooms for public viewing in the wake of an undescribed personal tragedy.

Beauty / Beauty by Rebecca Perry




Rebecca Perry

BEAUTY/BEAUTY


Winner of the Michael Murphy Memorial Prize 2017

Shortlisted for the 2015 T.S. Eliot Prize

Shortlisted for the 2015 Fenton Aldeburgh First Collection Prize

Shortlisted for the Seamus Heaney Centre for Poetry Prize for First Full Collection 2016

Poetry Book Society Recommendation

Rebecca Perry wins Waterstones debut fiction prize for ‘delicious and dream-like’ novel


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‘An author to be seriously excited about’ … Rebecca Perry.Photograph: Robin Christian/Waterstones Debut Fiction Prize/PA









Rebecca Perry wins Waterstones debut fiction prize for ‘delicious and dream-like’ novel

EMMA LOFFHAGEN
July 16 2026


Author and poet Rebecca Perry has won the 2026 Waterstones debut fiction prize for May We Feed the King, praised as a “delicious and dream-like tale”.

Chosen from a shortlist of six novels, May We Feed the King follows a present-day curator whose job is to dress rooms in historic houses. (“When you see a replica feast scene in the great hall of an old building, I am the person who placed the pomegranates beside the pie.”) They become increasingly obsessed by the subject of their latest commission, a medieval king whose own story about his reluctance to rule unfolds in parallel.

It is “a highly wrought puzzle-box of a book which deliberately wrongfoots the reader at every turn” and “richly rewards those who approach it with curiosity”, Melissa Harrison wrote in her Guardian review.

Perry will receive £5,000 and a “promise of ongoing commitment” to her writing career. The award, voted for by Waterstones booksellers, recognises the year’s outstanding work of debut fiction across all genres.

Waterstones head of books Bea Carvalho praised Perry’s “crisp, cool prose” and described the novel as “a delicious and dream-like tale steeped in curiosity and nostalgia”.

“With a poet’s eye for detail and a keen sense of humour, Perry grapples with the slippery nature of memory and the burden of power,” Carvalho said. “Rebecca Perry is an author to be seriously excited about and we can’t wait to see what she does next.”

Perry, who is from London, has published two poetry collections, Beauty/Beauty and Stone Fruit, alongside several pamphlets and a work of creative nonfiction, On Trampolining. Her poetry has been shortlisted for the TS Eliot prize, while her debut collection won the Michael Murphy memorial prize.

Writing We Feed the King, Perry wanted to explore “historical fiction as a genre, and how we narrate history” as well as “the capacities of loneliness and imagination, and ultimately what happens when a person defies what is expected of them, refusing to step into the tyranny of power”.

This year’s other shortlisted novels were Lost Lambs by Madeline Cash, Honey in the Wound by Jiyoung Han, Under Water by Tara Menon, A Private Man by Stephanie Sy-Quia and The Infamous Gilberts by Angela Tomaski.

Waterstones launched the prize in 2022. Previous winners include Tess Gunty’s The Rabbit Hutch, Alice Winn’s In Memoriam and Ferdia Lennon’s Glorious Exploits. Last year’s winner was Lucy Steeds’ The Artist.