Friday, May 29, 2026

Leïla Slimani / ‘Salman Rushdie’s books made me feel I could become a writer’

Leïla Slimani

The 

Books

 0f my 

life


Leïla Slimani: ‘Salman Rushdie’s books made me feel I could become a writer’

This article is more than 2 years old

The Lullaby author on identifying with Jo in Little Women, being terrified of Dr Jekyll and Mr Hyde, and why we’re still in debt to Steinbeck


Leïla Slimani
Friday 10 May 2024 10.00 BST


My earliest reading memory
Nils Holgersson’s Wonderful Journey Through Sweden by Selma Lagerlöf. My grandmother, who grew up in Germany, read it to me when I was a child and then, when I was eight, she gave me a copy that I still have. I, too, dreamed of travelling and escaping, just like that little boy.

My favourite book growing up
Little Women by Louisa May Alcott. Because we were three girls, our mother was a doctor and my sisters and I liked to identify with the characters in the book. Of course, I was Jo!

The book that changed me as a teenager
The Unbearable Lightness of Being by Milan Kundera. It was an erotic and spiritual shock. I didn’t understand everything when I read it – I must have been 16 – but it really moved me physically, as if the words were entering me.

The writer who changed my mind
Simone de Beauvoir, whose The Second Sex I borrowed from the library when I was 16. Suddenly, I realised that there was no point in responding to injustice with anger or violence. The best way to fight, for a woman, was knowledge.

The book that made me want to be a writer
All the books by Marguerite Duras, and Écrire in particular, because her passion for literature, for freedom, for the absolute, matched everything I was looking for in life.

The book or author I came back to
John Steinbeck. I had read him at school and didn’t understand him at all. I reread The Grapes of Wrath a few years ago and it was a shock. It’s a real masterpiece, with a staggeringly modern take on capitalism, social violence and migration.

The book I reread
The Unbearable Lightness of Being. I read it every year and I always find something different. It’s an unclassifiable book: part novel, part treatise on philosophy and music, part essay. I don’t think a lifetime will be enough to unravel its mystery.

The book I could never read again
The Strange Case of Dr Jekyll and Mr Hyde by Robert Louis Stevenson. I don’t know why, but this book terrified me and I’ve never been able to open it again.

The book I discovered later in life
Le Cahier Interdit (The Forbidden Notebook) by Alba de Céspedes. I read it recently and it moved me enormously. It’s the story of an Italian housewife who buys herself a notebook in which she writes down her thoughts and is terrified at the thought of it being found. From the moment she starts writing, she yearns more and more for freedom.

The book I am currently reading
Knife by Salman Rushdie. I’ve admired him ever since I was a child, and his books have carried me along, giving me the feeling that maybe one day I too could become a writer.

 Watch Us Dance by Leïla Slimani is published in paperback by Faber.


https://www.theguardian.com/books/article/2024/may/10/leila-slimani-salman-rushdies-books-made-me-feel-i-could-become-a-writer

THE GUARDIAN


‘Writing is exactly like love – you need to do it in the dark’: novelist Leila Slimani on starting a new chapter in her life





Interview

‘Writing is exactly like love – you need to do it in the dark’: novelist Leila Slimani on starting a new chapter in her life

Now in residence at the Madrid Prado, the author talks about its dark, inspirational Goyas, the clandestine nature of her writing – and why she finally wrote about her jailed then posthumously exonerated father

Nadia Khomami
27 May 2026

It is a bright, chilly spring morning in Madrid, and the Museo del Prado doesn’t open to the public for another hour. Without the crowds, the museum is amorphous and eerily silent. A pale light pools in the corners and casts long shadows around the paintings, as if the figures inside them have slipped quietly into the room. It is here that I meet the French-Moroccan writer Leïla Slimani, who has spent the past two weeks using the space as inspiration for her work.

Thursday, May 28, 2026

Banksy "Limitless" in London

 


Exhibition overview of Banksy: Limitless in Old Brompton Road, London UK 2025 © Banksy / the Author 2025
Exhibition overview of Banksy: Limitless in Old Brompton Road, London UK 2025 © Banksy / the Author 2025


Banksy "Limitless" in London

A critical look at how street rebellion changes within a gallery space

3 DECEMBER 2025, 


The irony of encountering a Banksy exhibition behind the classical doors in one of London’s most affluent postcodes is almost too neat. “Limitless,” staged in a simply vast, Tardis-like building on South Ken’s Old Brompton Road, is an expansive, crowd-drawing display of reproductions and reimaginings of the artist’s best-known works. But while the exhibition’s allure is to enable access to Banksy’s rebellious world, it also exposes the tensions that have long haunted his trajectory: the uneasy marriage between street-level art/political dissent and the art world’s appetite for commodification.

Inferno & paradiso

 

From the exhibition Inferno & paradiso. Courtesy of Photo Elysée ©Hannah Reyes Morales
From the exhibition Inferno & paradiso. Courtesy of Photo Elysée ©Hannah Reyes Morales


Inferno & paradiso

26 Jun — 1 Nov 2026 at the Photo Elysée in Lausanne, Switzerland

15 MAY 2026


Inferno & paradiso is an immersive installation created by Alfredo Jaar (b. 1956), a fixture in the international contemporary art world. In this groundbreaking project, Jaar posits that the onslaught of images of human suffering is dulling our sensitivity.

Wednesday, May 27, 2026

Review / A Room Above a Shop by Anthony Shapland

 



Fiction

A striking story of concealed love

A Room Above a Shop

by Anthony Shapland

A Room Above a Shop opens in south Wales in the late 1980s, where a young man, B, is feeling excited, about to make a big decision. It will take him away from the sense of provisionality that’s embodied by his council house with its “doors with weightless cardboard interiors and hollow aluminium handles”. He’s going to meet an older man, M, to view the sun from a hill on New Year’s Eve.

Review / Audition by Katie Kitamura

 


Audition

by Katie Kitamura


The opening pages of Katie Kitamura’s fifth novel establish a nervy, fraught physicality. The narrator is meeting a man at a restaurant. She is anxious, hyper-vigilant.

Review / Seascraper by Benjamin Wood

 


Seascraper

by Benjamin Wood


You don’t think you need a novella about a folk-singing shrimp fisher living with his mother on a fictional stretch of isolated coast until you read Benjamin Wood’s Booker-longlisted fifth novel, Seascraper. Wood conjures wonders from this unlikely material in a tale so richly atmospheric you can almost taste the tang of brine and inhale the sea fog.

Tuesday, May 26, 2026

Review / Rejection by Tony Tulathimutte


Cover of Rejection

Rejection

Tony Tulathimutte


In 2019, the Brooklyn-based literary magazine n+1 published a short story that went viral. Titled The Feminist, it follows the life of a man who turns from a bell hooks-reading Supporter of Women into a bitter moderator in an online forum about how feminism is a cancer. Rejection has hardened him over the years.