Wednesday, March 4, 2026

Rumaan Alam / ‘Reading JD Salinger now is like running into that particular ex at a cafe’

 

The 

Books

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Rumaan Alam: ‘Reading JD Salinger now is like running into that particular ex at a cafe’

This article is more than 5 months old

The US author on his early love of Salinger’s Catcher in the Rye, the genius of Judy Blume, and finding perfection in Agatha Christie and Gustave Flaubert


Rumaan Alam

Friday 5 September 2025


My earliest reading memory
I recall lying in the bath, age seven or eight, reading the final page of Judy Blume’s Starring Sally J Freedman As Herself, then turning to the novel’s opening and beginning again. Memory is untrustworthy, but Blume is a genius who has that effect on her reader.

My favourite book growing up
We’re always growing up; we’re always choosing a new favourite. For me, once, this was Louise Fitzhugh’s Harriet the Spy. Later I’d have said JD Salinger’s Nine Stories. Later, still, John Cheever’s Collected Stories, Lorrie Moore’s Self-Help, Thomas Mann’s The Magic Mountain, my favourite changing as I did. Maybe I’m finally old enough to understand that favourite is impossible to designate. Or maybe I’d say my current favourite is Don DeLillo’s Underworld.

The book that changed me as a teenager
I encountered Salinger at 13. I began with The Catcher in the Rye (as most do) and read through his (too small) oeuvre. I wrote bad stories ripping him off; he somehow made me believe that I could be a writer, too.

The writer who changed my mind
I think reading William Faulkner – I’d have been 16 or so – was the first time I understood that the pleasure one finds in a book might not be in its ease. I think that’s what I most loved (and still value!) about the favourites of my childhood: being swept up in story and character and action. Faulkner showed me that there could be delight in wrestling with a sentence, a pure joy in language itself, a thrill in being challenged and confused by a work of art.

The author that made me want to be a writer
My early writing education was just mimicry. And the first writer I remember imitating was Agatha Christie. How I wanted to write a perfect whodunit, with a stately home, a party of interesting people and a dead body. That’s easier said than done.

The authors I come back to
There’s no shortage of these – Don DeLillo, Anita Brookner, Patrick Modiano, Philip Roth, Willa Cather. These are but a few of the writers I can go back to and be thrilled by whenever I need.

The books I could never read again
My relationship with Salinger was like a heated youthful romance. Reading his fiction now is a bit like running into that particular ex at a cafe. I’d rather remember Salinger’s work as meaningful to my 14-year-old self than actually read it as I tiptoe toward 50.

The book I discovered later in life
I’m all for discovery whenever it happens. Books have no sell-by date. They’re always there, waiting for their readers, and it’s silly to carry around a sense of embarrassment for not having got to Moby-Dick or what have you. This summer I read Gustave Flaubert’s Madame Bovary for the first time. A perfect novel! Why did I wait so long? It doesn’t matter.

The book I am currently reading
Gertrude Stein’s The Autobiography of Alice B Toklas. My first time with Stein, and I’m reading it slowly while lying on the beach; a luxury, a joy.

My comfort read
Comfort can be different things. In times of stress, I might want something funny, or I might want something that mirrors the tumult I’m feeling in life. The comfort derives, in large part, from knowing that it’s new, that I’m in search of something, that I might discover something other than what I’m looking for. That’s what I love about books – a journey without a map.

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Hans Christian Andersen / The Snow Queen



The Snow Queen
A short story by Hans Christian Andersen


FIRST STORY
Which Treats of a Mirror and of the Splinters


Now then, let us begin. When we are at the end of the story, we shall know more than we know now: but to begin.

Tuesday, March 3, 2026

Nick Harkaway / ‘I loathed Charles Dickens – it nearly turned me off reading for ever’

 

Nick Harkaway

The 

Books

 0f my 

life



Nick Harkaway: ‘I loathed Charles Dickens – it nearly turned me off reading for ever’

This article is more than 5 months old

The author on his secret theories about Tolkien, the most perfect and terrifying Moomin book, and how his father, John le Carré, inspired him


Nick Harkaway

Friday 19 September 2025

My earliest reading memory
I read The Lord of the Rings by JRR Tolkien at seven, in my bedroom in the deep west of Cornwall. I secretly believed that Rivendell was based on that house, which it clearly wasn’t.

My favourite book growing up
Impossible. I’m inconstant, so it was whatever I was reading at the time. Let’s say Finn Family Moomintroll, which is the most perfect of Tove Jansson’s lovely (and occasionally frankly terrifying) Moomin books.

The book that changed me as a teenager
Great Expectations by Charles Dickens, at 14. I loathed it. It nearly turned me off reading for ever. Everyone kept telling me it was a masterpiece and I just couldn’t understand why [school would] set a book about being an alienated child for a bunch of teenagers. “Yes, I know adults are incomprehensible and other people make no sense and loneliness is awful. Why do I need to read about it?”

The writer who changed my mind
Tan Twan Eng. The Garden of Evening Mists is a stunning novel – jaw-dropping, beautiful, intricate, elegant, powerful, touching – and made me see how books about terrible things can be uplifting to the point of transcendent. As I type that it seems obvious, but it wasn’t obvious to me then.

The book that made me want to be a writer
Ah. That one’s a little bit tricky, because I’ve always been immersed in writing. I can tell you that Cloud Atlas by David Mitchell is so good that it infuriated me into starting a new novel, and that everything I’ve read by Michael Chabon has filled me with a furious creative envy that makes me work harder. Jeanette Winterson is some kind of perfect dreamer; Anne Carson and Colson Whitehead always make me feel like I should be wilder, wiser and better. But perhaps the honour has to go to A Murder of Quality by John le Carré. My father gave me a leather-bound copy when I was very young, and the smell of the pages and the beauty of the object itself made me believe in the magic of words.

The book I came back to
We’re back with Great Expectations. It really is a brilliant book, but we shouldn’t force it on teenagers. That’s not to say they shouldn’t read it if they want to. But just because it’s about young people doesn’t mean it’s written for them; it’s written for the rest of us remembering who we were.

The book I reread
The Hound of the Baskervilles by Arthur Conan Doyle. I read it as a child and scared myself sleepless, then at university and chuckled at my tween fear, and again more recently, conscious at last not of the monstrosity of the hound, but the astounding cruelty of its master.

The book I could never read again
Almost every book I read for fun between seven and 17. I actually don’t remember what they were, so I can’t name and shame, but that is some kind of judgment in itself. To highlight instead some of the notable exceptions: Susan Cooper’s Dark Is Rising sequence, Patricia McKillip’s harpist trilogy, and all things William Gibson.

The book I discovered later in life
Labyrinths by Jorge Luis Borges.

The book I am currently reading
Matt Wixey’s Basilisk. And, with my kids, I’m reading the latest Amari Peters book, Amari and the Despicable Wonders by BB Alston. It’s very tense and I don’t know how she can possibly win through!

My comfort read
Spook Country by William Gibson, who I mentioned earlier, of course, but this is one of his later books and for me it’s just superb. The audiobook, read by Robertson Dean, is also a gem. The texture of the prose, the encounter between mundane and strange, the magic of story … it’s a good place to spend an evening.

 Karla’s Choice by Nick Harkaway is published by Penguin. 


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Joelle Taylor: ‘I picked up The Weirdstone of Brisingamen in a swoon of nine-year-old despair’

 

Joelle Taylor

The 

Books

 0f my 

life


Joelle Taylor: ‘I picked up The Weirdstone of Brisingamen in a swoon of nine-year-old despair’

This article is more than 4 months old

The poet and playwright on queer classics, cinematic TS Eliot and the comforts of a ghost story


Joelle Taylor

Friday 17 October 2025


My earliest reading memory
I was around five when my mum first pulled out Clement C Moore’s The Night Before Christmas, a bumper blue book with vivid illustrations. There was such suspense in the poem, such inexorable music, the sonic possibilities matching the mystery.

My favourite book growing up
The Weirdstone of Brisingamen by Alan Garner. I used to spend every spare moment in Bacup library, Lancashire, bag of sweets to the right and a book open before me. I had read all of Enid Blyton’s Secret Seven books, thought Famous Five were all a bit dry, and picked up Weirdstone in a swoon of nine-year-old despair. The darkness was delicious, exciting because many of the landmarks in the story were from my local area.

The book that changed me as a teenager
I was the first of my family to attend university, where I was introduced to books by black female writers for the first time. The one that has influenced my writing the most is probably For Colored Girls Who Have Considered Suicide / When the Rainbow Is Enuf by Ntozake Shange. Its fusion of narrative, poetry and choreography is seismic. Both political and personal, it left its watermark on me, hinting at the sheer possibilities of poetry and literature.

The writers who changed my mind
They were the ones who published in fanzines like Shocking Pink or in the feminist magazine Spare Rib.

The book that made me want to be a writer
There was never a moment when I didn’t want to be a writer but The Dream of a Common Language by Adrienne Rich showed me how.

The book I came back to
The Waste Land by TS Eliot. As a young woman I couldn’t understand how anyone could connect with these old white men of poetry – and then a couple of years ago I finally sat alone with it. I was astonished at the immediacy and expansiveness of the world building: it’s cinematic imagery.

The book I reread
Another Mother Tongue by Judy Grahn. I shoplifted this book in the late 1980s, compelled by discovering the etymological origins of the words used to describe the queer community.

The book I could never read again
The Well of Loneliness by Radclyffe Hall, a classic lesbian text (you must read it to get your certificate). While it seemed incredible in my mid-teens to find women like me, the book itself is harrowing, formed mainly of striding across moors and thrilling unhappiness. I’d like us to have more positive introductions to queer culture.

The book I discovered later in life
To Kill a Mockingbird by Harper Lee.

The book I am currently reading
RABBITBOX by Wayne Holloway-Smith, which is out next year and will change everything we believe is possible in poetry.

My comfort read
Strangely, ghost stories of any kind. I’m particularly drawn to the English ghost story, the idea of the phantom as the past constantly intruding on the now, the mythic weather, the intricate architecture, the tweed. I like a story that follows me.

 Maryville by Joelle Taylor is published by Bloomsbury Poetry on 6 November


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