Friday, February 6, 2026

David Lee

 



DAVID LEE

David Lee was born in 1990 and is a self-taught artist from Galway, Ireland.He realised his passion for art early on and left university to pursue a career as a full time artist. David moved to Berlin in 2016 and was influenced by a city renowned for its freedom of expression. This influenced his abstract style, allowing him to explore his craft without limitations or boundaries. David’s solo exhibition at AKA in Berlin in April 2018 showcased his exploration of darker abstract themes.

Bogdan Zwir / Women

 

 


Bogdan Zwir
WOMEN




Jonathan Coe / ‘I was a Tory until I read Tony Benn’

 

Jonathan Coe


The 

Books

 0f my 

life



Jonathan Coe: ‘I was a Tory until I read Tony Benn’

This article is more than 1 month old

The author on getting hooked on Flann O’Brien, reassessing Kingsley Amis, and why his grandfather was outraged by Watership Down


Jonathan Coe

Friday 12 December 2025


My earliest reading memory
Not my earliest reading memory, exactly, but my earliest memory of reading with avid enjoyment: The Three Investigators mysteries, a series of kids’ books about three juvenile detectives operating in far-off California (impossibly glamorous to me at the time) under the benign direction of Alfred Hitchcock, of all people. I devoured the first 12 in the franchise.

My favourite book growing up
Like everybody else growing up in the 1970s, I had a copy of Watership Down by Richard Adams on my bedroom shelves – it was the law. I did love it, though. Whatever fondness I have for the English countryside probably comes from that book. I remember my grandfather – a real country dweller – seeing me reading it and being outraged. “A book about rabbits?” he shouted. “They’re vermin!”

The book that changed me as a teenager
Monty Python’s Flying Circus had given me a taste for comedy that deconstructed the conventions of television itself. It hadn’t occurred to me that a novel could be self-parodic in the same way until I chanced upon a copy of Flann O’Brien’s At Swim-Two-Birds in the school library. Multiple narratives nested inside each other? A group of aggrieved characters taking revenge on their own narrator? I was hooked.

The writer who changed my mind
When I arrived at Cambridge at the age of 19, just over a year after Margaret Thatcher had become PM, I may not have been a Thatcherite but I was still definitely a Tory. Conversations with new friends helped to change that, but so did the passion and lucidity of Tony Benn’s Arguments for Socialism.

The book that made me want to be a writer
I don’t know what made me want to be a writer, exactly (I started at the age of eight), but I don’t believe it was a book. Years later, one of the novels that showed me the kind of writer I might aspire to be was Joseph Heller’s Something Happened, with its combination of mordant wisecracking and overwhelming melancholy.

The author I came back to
As a student I discovered Pilgrimage by Dorothy Richardson in the four-volume Virago edition and decided she was the British feminist Proust and it was my duty to read her. Boy, it was heavy going. Years later, I realised she doesn’t have to be read in full or in sequence: it can make more sense to take random dips and scoops which mirror the narrator’s own floating, unanchored consciousness.

The book I reread
I’ve lost much of my teenage enthusiasm for Hermann Hesse, but I still occasionally return to his first novel, Peter Camenzind. It’s a lyrical Bildungsroman that combines simplicity (and brevity) with profound moral and intellectual depths, and its evocation of Swiss, German and Italian landscapes is matchless.

The book I could never read again
In my youthful quest for great comic fiction I remember reading and enjoying Kingsley Amis’s Lucky Jim. Returning to it in middle age I found the comedy laboured and its hero’s attitudes – once considered a breath of fresh air – felt simply peevish and entitled.

The book I discovered later in life
As a film snob in the 1980s, I looked down on the Merchant Ivory EM Forster adaptations. I now consider them perfect films. And a recent re-viewing of Howards End led me to the novel that turns out – who knew? – to be a masterpiece.

The book I am currently reading
Borrowed Land by Kapka Kassabova (to be published in April). No other writer’s political acuity matches her responsiveness to the natural world, whose despair at the human propensity for greed and corruption is matched by her insistence on the moral necessity for hope. “Nature writing” doesn’t do justice to her range.

My comfort read
I do believe in the concept of comfort reading. Books can and should challenge us, but they don’t all have to do that. In anxious and depressing times, we all need a steaming bath of familiar certainties. For me, it comes in the form of Arthur Conan Doyle’s Sherlock Holmes canon: warm celebrations of male friendship which also happen to be (sometimes perfunctory) detective stories.

 The Proof of My Innocence by Jonathan Coe is published by Penguin in paperback (£9.99)


THE GUARDIAN


Yael van der Wouden / ‘The Hitchhiker’s Guide to the Galaxy cured my fear of aliens’

 

Yael van der Wouden


The 

Books

 0f my 

life



Yael van der Wouden : ‘The Hitchhiker’s Guide to the Galaxy cured my fear of aliens’ 

This article is more than 1 month old

The Safekeep author on her secret childhood reading, falling in love with Elizabeth Strout and why she keeps coming back to Zadie Smith


Yael van der Wouden
Fri 19 Dec 2025 


My earliest reading memory
I had a children’s encyclopedia on the shelf above my bed – orange and brown, the cover old flaking plastic – but I retain nothing of what I read. I do remember a book of dirty jokes I was obsessed with at the age of eight. I was convinced it was off limits to me (it wasn’t) and so I waited until my parents were at work to shamefully steal it from the bookshelf. One time, my mother found it under my pillow and I was mortified. I recall her being confused and putting it back with a mumbled “I don’t judge” as she left the room.

My favourite book growing up
That must have been one of Thea Beckman’s novels, most likely Hasse Simonsdochter. Beckman was the author for young adults in 80s and 90s Netherlands.

She wrote these gorgeous, rich novels about teenagers forced into adulthood at a young age. Some people might know Crusade in Jeans – the story of a 15-year-old boy in the 70s who is accidentally transported back in time to the 13th century and ends up leading a children’s crusade ... in jeans. Amazing. 

The book that changed me as a teenager
The Hitchhiker’s Guide to the Galaxy. I grew up in the alien boom of the 90s, when every other week there were UFO sightings and all the adults in my life were talking about The X-Files. It was very scary to me. It was my dad who gave me a copy of Douglas Adams’s book. He’d loved it when he was young. It worked like exposure therapy, if exposure therapy also means making the thing you’re most afraid of (aliens) ridiculous (Zaphod Beeblebrox).

The writer who changed my mind
I was very certain for a good chunk of my youth that when I hit adulthood I’d get a nose job. I’d done the research, I knew how much it would cost, the recovery time, everything. I was 19 when Nathan Englander’s The Ministry of Special Casescame out; a devastating tragicomedy following a couple looking for their disappeared son during Argentina’s “Dirty War” in 1976. There’s a scene in that novel where the desperate parents stand before a soldier with a photograph of their son, and the soldier notes that he looks nothing like them – a different face, a different nose. This hits so intensely because the book opens with a series of events that lead to both parents getting a nose job, a barter-type payment in exchange for a service. I was heartbroken over it for weeks. I had thought the trade-off would be worth it – a stereotyped marker of my heritage in exchange for a more normative beauty standard, a less obvious way of existing – and then I read Englander’s novel and decided it was not.

The book that made me want to be a writer
As a teenager, I typed Jonathan Safran Foer a very earnest letter announcing that I had read Everything Is Illuminated and that now I, too, would be a writer!

The book I came back to
I was 20 and breathing fire, desperately looking for myself in literature, which meant I eviscerated every novel I came across that didn’t reflect myself back at me. Alan Hollinghurst’s The Line of Beautyisn’t about young queer Jewish women in the Netherlands. It is, however, gorgeous and layered and full of desire – and it’s subtle. Not fit for someone who is making their way through it with a machete. Notably, though, there were scenes in that novel that stayed with me for years. I returned to it, and to all of Hollinghurst’s work, in my late 20s, and was very happy to find I was wrong. I’m a huge fan, now. I’ve given The Sparsholt Affair to nearly everyone I know. I had the immense pleasure of meeting Alan this year, and was too flustered and confused in the moment to tell him how much I love his work, and what it’s meant to me. He, far more composed, had read mine, and kindly told me he’d enjoyed it. I very nearly died.

The book I reread
I love returning to Zadie Smith’s Changing My Mind. I first read it as an undergrad in comparative literature, as someone whose entire life revolved around the analysis of other people’s novels, and so it was the essays that unpacked others’ writing that shaped my own approach to analysis. When I started publishing my own work, my interest shifted to her essays on writing, the process of creating, editing, returning to one’s work. Every time I dive back into that collection, I find myself drawn to a different essay, and that tells me a lot about the state of mind I am in – whether I feel myself more a reader or a writer.

The book I could never read again
James Baldwin’s Giovanni’s RoomI read it in one sitting, on a six-hour train ride to Berlin, and was almost beside myself by the time we rolled into the Hauptbahnhof. That kind of devastation can only be felt once.

The book I discovered later in life
When we first started dating, my girlfriend told me that the author who most shaped her as a reader and a writer was Elizabeth Strout. She gave me her copy of My Name Is Lucy Barton. I fell in love twice over: once with the book, and once with her.

The book I am currently reading
The incomparable Zadie Smith’s latest essay collection, Dead and AliveIt’s been my entire personality over the past few weeks.

My comfort read
Austen. Forgive me, I am but one of many.

 The Safekeep by Yael van der Wouden is published by Penguin.


THE GUARDIAN