Showing posts with label Natalie Haynes. Show all posts
Showing posts with label Natalie Haynes. Show all posts

Friday, October 10, 2025

Natalie Haynes / ‘I’ll never read anything by a Brontë again’

 

Natalue Haynes

The 

Books

 0f my 

life


Natalie Haynes: ‘I’ll never read anything by a Brontë again’

This article is more than 4 months old

The author and comedian on the immortal lines of Snoopy, discovering the heart of Homer’s Iliad and her culinary comfort read


Natalie Haynes

Friday 10 October 2025

My earliest reading memory
Harvey’s Hideout by Russell Hoban, illustrated by Lillian Hoban. Harvey is a muskrat with a grievance against his awful sibling. His sister Mildred feels just the same way. I read this at four or five curled up on a yellow beanbag next to the radiator, in Bournville, where I grew up. I honestly don’t think there is a better reading spot anywhere in the world.

My favourite book growing up
Peanuts. I loved Snoopy long before I became an author. But he is an inspiration to all writers, sending a novel to his publishers with an immortal covering letter: “Gentlemen, enclosed is the manuscript of my new novel. I know you are going to like it. In the meantime, please send me some money so I can live it up.”

The book that changed me as a teenager
Thrasymachus, by CWE Peckett and AR Munday. There were newer Greek textbooks, so I have no idea why we used this. It had been written for prep school boys, I think, so the stories centred on a little boy named Thrasymachus, wandering about the Underworld, using simple constructions until we got the hang of the alphabet and the many, many verb endings (perfect, imperfect and pluperfect not enough for you? Let us throw in the aorist to keep you on your toes). I was terrible at Greek for ages, but it all worked out in the end.

The writer who changed my mind
Anyone who has ever written an instruction manual, for anything from a boiler to a board game. It took me many years to accept that I would honestly rather sit being cold than read the instructions to anything. There’s something about turning the first page that makes me feel as if I’ve been buried alive.

The books that made me want to be a writer
Cynthia Heimel. Her collected columns were so smart and funny, with their pop art covers and excellent titles – If You Can’t Live Without Me, Why Aren’t You Dead Yet?!, Get Your Tongue Out of My Mouth, I’m Kissing You Goodbye etc. I was about 20 when I first read her, and just starting to do standup, which would go on to be the next decade of my life. She made me see a different way of being funny, in print. I still think of her often when I’m writing.

The author I came back to
Homer. I hated the Iliad when I read it at school: all those loathsome, posturing men, and endless descriptions of people dying. And now I know it has worlds contained within it, about war and loss, anger and grief, love and fear.

The book I reread
Ovid’s Metamorphoses. It never migrates back from my desk to the bookshelf. We have unfinished business, I assume. I just don’t know what it is yet.

The book I could never read again
Anything by a Brontë. I just don’t need that much torment in my life, and if I do, there’s always Catullus.

The book I discovered later in life
Bleak House. The Turning Point by Robert Douglas Fairhurst – which charts the year when Dickens wrote it – made me want to read Dickens for the first time since school.

The book I am currently reading
The Politics of Apollonius Rhodius’ Argonautica by Anatole Mori. Because how else will I find out all the things I wish I’d known when I was writing about the Argo?

My comfort read
Meera Sodha’s Dinner. She’s such an open-hearted writer. She makes you feel fine about the days when you can’t face cooking, and she has a thousand great ideas for the days when you can.

THE GUARDIAN





Friday, October 20, 2023

Natalie Haynes / ‘I couldn’t stop reading Stephen King - even at the top of the Eiffel Tower’

 


Natalie Haynes.

‘I want a nice, neat world, thrown into chaos by a murder, and then made neat again by a genius detective’ … Natalie Haynes. Photograph: James Betts


The 

Books

 0f my 

life




Natalie Haynes: ‘I couldn’t stop reading Stephen King - even at the top of the Eiffel Tower’

The author and comedian on drawing comedic inspiration from Juvenal, finding clarity in Homer, and the comic strips she loved as a teenager


Natalie Haynes
Fri 20 Oct 2023 10.00 BST

My earliest reading memory
Whose Mouse Are You? by Robert Kraus. A picture book telling the story of an abandoned mouse who has lost his family in an assortment of harrowing incidents and needs to mouse up and bring them all home. I was pretty young when I read it but I learned something important: sometimes you have to fix mistakes you didn’t make.

The book that changed me as a teenager
Scientific Progress Goes Boink, a collection of Calvin and Hobbes comic strips by Bill Watterson. Hobbes the tiger is six-year-old Calvin’s sidekick and partner in crime. He is absolutely my spirit animal: usually up for an adventure, occasionally adding a note of caution, always focused on what snacks he might need. If I could own any piece of art, it would be a strip from Calvin and Hobbes.


The writer who changed my mind
Jorge Luis Borges. I didn’t really like short stories, growing up. I felt if I was going to invest the energy in characters and a voice then I wanted a whole novel. And then I started reading Labyrinths. Borges is such a cerebral writer, so fascinated by the life of the mind and by the act of creativity. Why would you ever write a novel if you could pack worlds into a few pages?

The book that made me want to be a writer
The Fran Lebowitz Reader. When I was starting out as a standup comic, Dylan Moran told me I should know my subject better and recommended Lebowitz, who I’d not heard of before. She wrote these short angry rants that reminded me of the satirical Roman poet Juvenal (without the misogyny). I think it was the first time I connected the dots between the subject I was studying (classics) and the thing I was trying to do for a living (standup). It would be a while before I had the confidence to write and then perform material about the ancient world, but that is where it began.

The book I reread
The first time I read The Iliad I was studying it for A-level. I found the posturing of Agamemnon and Achilles tedious. There were scarcely any women, and the men were just egos and petulance. I can still see why my teenage self had no patience with it, but now I think Homer is examining – with unmatched clarity and humanity – what it means to be a man in crisis.

The book I could never read again
I remember devouring Misery by Stephen King. My dad has a picture of me reading it at the top of the Eiffel Tower because I wouldn’t put it down, even for Paris. But I’m too squeamish now to read about torture; I can’t bear it.

The book I’m currently reading
Apollonius for work, and finding all kinds of strange corners of it that I’d either not previously noticed or long forgotten. When I get tired of being slow at reading Greek, I’m switching to Anne Enright’s The Wren, The Wren. I don’t think she’s ever written a bad sentence. I was at the same book festival as her a few years ago and too shy to say hello, so I’m fangirling her here, like any normal person would.

My comfort read
Agatha Christie or Dorothy L Sayers, please. I want a nice, neat world, thrown into chaos by a murder, and then made neat again by a genius detective.