The 100 best novels
written in English
No 53
The Sun Also Rises
by Ernest Hemingway (1926)
Hemingway’s first and best novel makes an escape to 1920s Spain to explore courage, cowardice and manly authenticity
Robert McCrum
Mon 22 Sep ‘14 05.45 BST
I
n Woody Allen’s Midnight in Paris, Corey Stoll makes a scene-stealing appearance as the young Ernest Hemingway, tough-guy modernist and friend of Gertrude Stein. It’s a cameo grounded in the truth that, for one of America’s 20th-century greats, Paris in the 20s was a source of artistic liberation. It was also the setting for the first section of Hemingway’s first, and best, novel (published in the UK as Fiesta).
The novel, a roman à clef describing an anguished love affair between the expatriate American war veteran Jake Barnes and Lady Brett Ashley, a femme fatale representative in the writer’s mind of 1920s womanhood, is mostly located in Spain, Hemingway’s favourite country. For some critics, the heart of the novel is the bullfight, and how each character responds to the experience of the corrida. At the same time, the escape into the wild is a great American theme that recurs in the works of Hawthorne, Melville, and Twain (Nos 16, 17 and 23 in this series). In addition, The Sun Also Rises, like most novels of the 1920s, is a response to the author’s recent wartime service.
The key to Hemingway, the thing that unlocks the most important doors to his creative life, was a deeper, more personal darkness, his complicated experience of the first world war. There are two versions. Either he was rejected for poor eyesight; or he failed to enlist and instead joined up as an ambulance driver. Each way, in the short-term, he was wounded by the shame of rejection and cowardice.
However, once with the Red Cross, Hemingway got as badly injured as if he’d been in combat. Thereafter, throughout his life, he craved the company of risk-takers – bullfighters or big-game hunters – and longed to be accepted by them. Courage, cowardice and manly authenticity in extremis became his themes.
Perhaps this is also the inspiration for his famously hard-boiled prose. The best of Hemingway’s fiction, at its purest and most influential, is found in his stories, but this first novel is also a literary landmark that earns its reputation as a modern classic.
A note on the text
Hemingway began writing the novel with the working title of Fiesta on his birthday, 21 July, in 1925. He completed the draft manuscript about eight weeks later, in September, and went on to revise it further during the winter of 1926.
The novel is based on a trip he made from Paris to Pamplona, Spain in 1924 with his wife, Hadley Richardson, and the American writer John Dos Passos. Hemingway returned again in June 1925 with another group of American and British expats. Their experiences and complex romantic entanglements became absorbed into the manuscript of The Sun Also Rises.
In the US, Scribner’s published the novel on 22 October 1926. Its first edition, just over 5,000 copies, sold well. The Hellenistic-style cover illustration by Cleonike Damianakes showed a seated, robed woman, head bent, eyes closed, shoulders and thigh exposed. Hemingway’s editor, the celebrated Maxwell Perkins, wrote that “Cleon’s respectably sexy” artwork was designed to attract “the feminine readers who control the destinies of so many novels”. Within two months, The Sun Also Rises was in a second printing, with many subsequent printings to follow. In 1927 the novel was published in the UK by Cape under the title Fiesta. In fact, The Sun Also Rises has been in print continuously since its publication in 1926, and is said to be one of the most translated titles in the world.
Three more from Ernest Hemingway
A Farewell to Arms (1929); For Whom the Bell Tolls (1940); A Moveable Feast(1964).
THE 100 BEST NOVELS WRITTEN IN ENGLISH
001 The Pilgrim's Progress by John Bunyan (1678)
002 Robinson Crusoe by Danie Defoe (1719)
003 Gulliver's Travels by Jonathan Swift (1726)
004 Clarissa by Samuel Richardson (1748)
005 Tom Jones by Henry Fielding (1749)
007 Emma by Jane Austen (1816)
008 Frankenstein by Mary Shelley (1818)
009 Nightmare Abbey by Thomas Love Peacock(1818)
011 Sybil by Benjamin Disraeli (1845)
012 Jane Eyre by Charlotte Brontë (1847)
013 Wuthering Heights by Emily Brontë (1847)
014 Fair by William Thackeray (1848)
015 David Copperfield by Charles Dickens (1850)
016 The Scarlet Letter by Nathaniel Hawthorne (1850)
017 Moby-Dick by Herman Melville (1851)
019 The Moonstone by Wilkie Collins (1868)
020 Little Women by Louisa May Alcott (1868-9)
021 Middlemarch by George Eliot (1871-2)
023 The Adventures of Huckleberry Finn by Mark Twain (1884/5)
024 Kidnapped by Robert Louis Stevenson (1886)
025 Three Men in a Boat by Jerome K Jerome (1889)
026 The Sign of Four by Arthur Conan Doyle (1890)
027 The Picture of Dorian Gray by Oscar Wilde (1891)
028 New Grub Street by George Gissing (1891)
029 Jude the Obscure by Thomas Hardy (1895)
030 The Red Badge of Courage by Stephen Crane (1895)
031 Dracula by Bram Stoker (1897)
032 Heart of Darkness by Joseph Conrad (1899)
033 Sister Carrie by Theodore Dreiser (1900)
034 Kim by Rudyard Kipling (1901)
035 The Call of the Wild by Jack London (1903)036 The Golden Bowl by Henry James (1904)
037 Hadrian the Seventh by Frederick Rolfe (1904)
038 The Wind in the Willows by Kenneth Grahame (1908)
039 The History of Mr Polly by HG Wells (1910)040 Zuleika Dobson by Max Beerbohm (1915)
041 The Good Soldier by Ford Madox Ford (1915)
042 The Thirty-Nine Steps by John Buchan (1915)
043 The Rainbow by DH Lawrence (1915)
044 Of Human Bondage by W Somerset Waugham (1915)
045 The Age of Innocence by Edith Warthon (1920)
046 Ulysses by James Joyce (1922)
047 Babbitt by Sinclair Lewis (1922)
048 A Pasage to India by EM Forster (1922)
049 Gentlemen Prefer Blondes by Anita Loss ( 1925)
050 Mrs Dalloway by Virginia Woolf (1925)
051 The Great Gatsby by F Scott Fitzgerald (1925)
052 Lolly Willowes by Sylvia Townsend Warner (1926)
053 The Sun Also Rises by Ernest Hemingway (1926)
070 Nineteen Eighty-Four by George Orwell (1949)
071 The End of the Affair by Graham Greene (1951)
072 The Catcher in the Rye by Salinger (1951)
073 The Adventures of Augie March by Saul Bellow (1953)
074 Lord of the Flies by William Golding (1954)
075 Lolita by Vladimir Nabokov (1955)
076 On the Road by Jack Kerouac (1957)
077 Voss by Patrick White (1957)
078 To Kill a Mockingbird by Harper Lee (1960)
081 The Golden Notebook by Doris Lessing (1962)
082 A Clockwork Orange by Anthony Burgess (1962)
083 A Single Man by Christopher Isherwood (1964)
084 In Cold Blood by Truman Capote (1966)085 The Bell Jar by Sylvia Plath (1966)
086 Portnoy's Complaint by Philip Roth (1969)
088 Rabbit Redux by John Updike (1971)
089 Song of Solomon by Toni Morrison (1977)
090 A Bend in the River by VS Naipaul (1979)
091 Midnight’s Children by Salman Rushdie (1981)
095 The Beginning of Spring by Penelope Fitzgerald (1988)
095 The Beginning of Spring by Penelope Fitzgerald (1988)
No comments:
Post a Comment