The 100 best novels
written in English
No 77
Voss
by Patrick White (1957)
Voss
by Patrick White (1957)
A love story set against the disappearance of an explorer in the outback, Voss paved the way for a generation of Australian writers to shrug off the colonial past
Robert McCrum
Monday 9 March 2015 05.45 GMT
T
he lone rider on his journey to self-realisation, the plot of many westerns, is perfectly suited to the Australian outback, and it gives Patrick White’s monumental novel an archetypal power that still dominates the Australian literary landscape. Only Christina Stead (The Man Who Loved Children) rivals White’s achievement.
Voss is based on the story of Ludwig Leichhardt, the Prussian naturalist who made several explorations of the Australian interior in the mid-1840s. Leichhardt aimed to pioneer an overland route from Brisbane to Perth but he vanished without trace in the infinite vastness of the interior.
White focuses on two characters: Voss, the German explorer, and Laura, a naive and lovely orphan recently arrived in New South Wales, who meet for the first time in the house of Laura’s uncle, the patron of Voss’s expedition. Their complex and passionate relationship, a mutual obsession based on separation, is set against the merciless landscape of Voss’s trek towards oblivion.
White, who in 1973 became the first Australian to win the Nobel prize for literature, was a difficult man, notorious for his abrasive relationship with a society that, high and low, did its best to alienate him. Much of White’s prickly rage went into Voss, who is misanthropic, wilful and doomed. “The map?” says the explorer, when asked about navigation. “I will first make it.”
White was a literary map-maker, too. He is both of his time (sharing many preoccupations with Saul Bellow and William Golding, 73 and 74 in this series), and a cultural pioneer, asserting the need for a richer and more complex understanding of a great country. Until the 1950s Australian poetry and fiction, like American literature in the 19th century, was in thrall to dusty English models. Angry and often obscure, deeply intellectual and gay, Patrick White liberated his readers from a cultural prison. Parts of Voss, notably the treatment of Indigenous Australians – “black swine” to the explorer – remain contentious but White is a founding father of the literary independence movement that followed in the 1970s and 80s. His work paved the way for David Malouf, Murray Bail, Peter Carey, Tim Winton, Christos Tsiolkas, Julia Leigh and many more. He is also a pioneer in “Commonwealth Literature”, a genre that’s now virtually redundant, having been overtaken by the influence of global media and global English.
A note on the text
Voss was published by Eyre & Spottiswoode, a London-based imprint with strong Australian connections, in 1957. The first edition had jacket art by Sidney Nolan, and although it was the novel that established White’s profound originality, not everyone was convinced. One hostile newspaper review declared White to be “Australia’s most unreadable novelist”. The distinguished Australian poet AD Hope once said of White that, although he “shows on every page some touch of the born writer”, he nevertheless lacked style, choosing “as his medium this pretentious and illiterate verbal sludge”. To the end of his life, White would never quite shake off a reputation for “difficulty”.
The indispensable study of Patrick White and his work comes from David Marr inPatrick White: A Life (1991). Voss has also been adapted into an opera with a David Malouf libretto. White himself wanted Voss to be produced for the cinema, directed by Ken Russell and, later, Joseph Losey, but the film was never made.
Three more from Patrick White
The Tree of Man (1955); Riders in the Chariot (1961); The Solid Mandala (1966).
THE 100 BEST NOVELS WRITTEN IN ENGLISH
001 The Pilgrim's Progress by John Bunyan (1678)
002 Robinson Crusoe by Danie Defoe (1719)
003 Gulliver's Travels by Jonathan Swift (1726)
004 Clarissa by Samuel Richardson (1748)
005 Tom Jones by Henry Fielding (1749)
007 Emma by Jane Austen (1816)
008 Frankenstein by Mary Shelley (1818)
009 Nightmare Abbey by Thomas Love Peacock(1818)
011 Sybil by Benjamin Disraeli (1845)
012 Jane Eyre by Charlotte Brontë (1847)
013 Wuthering Heights by Emily Brontë (1847)
014 Fair by William Thackeray (1848)
015 David Copperfield by Charles Dickens (1850)
016 The Scarlet Letter by Nathaniel Hawthorne (1850)
017 Moby-Dick by Herman Melville (1851)
019 The Moonstone by Wilkie Collins (1868)
020 Little Women by Louisa May Alcott (1868-9)
021 Middlemarch by George Eliot (1871-2)
023 The Adventures of Huckleberry Finn by Mark Twain (1884/5)
024 Kidnapped by Robert Louis Stevenson (1886)
025 Three Men in a Boat by Jerome K Jerome (1889)
026 The Sign of Four by Arthur Conan Doyle (1890)
027 The Picture of Dorian Gray by Oscar Wilde (1891)
028 New Grub Street by George Gissing (1891)
029 Jude the Obscure by Thomas Hardy (1895)
030 The Red Badge of Courage by Stephen Crane (1895)
031 Dracula by Bram Stoker (1897)
032 Heart of Darkness by Joseph Conrad (1899)
033 Sister Carrie by Theodore Dreiser (1900)
034 Kim by Rudyard Kipling (1901)
035 The Call of the Wild by Jack London (1903)036 The Golden Bowl by Henry James (1904)
037 Hadrian the Seventh by Frederick Rolfe (1904)
038 The Wind in the Willows by Kenneth Grahame (1908)
039 The History of Mr Polly by HG Wells (1910)040 Zuleika Dobson by Max Beerbohm (1915)
041 The Good Soldier by Ford Madox Ford (1915)
042 The Thirty-Nine Steps by John Buchan (1915)
043 The Rainbow by DH Lawrence (1915)
044 Of Human Bondage by W Somerset Waugham (1915)
045 The Age of Innocence by Edith Warthon (1920)
046 Ulysses by James Joyce (1922)
047 Babbitt by Sinclair Lewis (1922)
048 A Pasage to India by EM Forster (1922)
049 Gentlemen Prefer Blondes by Anita Loss ( 1925)
050 Mrs Dalloway by Virginia Woolf (1925)
051 The Great Gatsby by F Scott Fitzgerald (1925)
053 The Sun Also Rises by Ernest Hemingway (1926)
055 As I Lay Dying by William Faulkner (1930)
070 Nineteen Eighty-Four by George Orwell (1949)
071 The End of the Affair by Graham Greene (1951)
072 The Catcher in the Rye by Salinger (1951)
073 The Adventures of Augie March by Saul Bellow (1953)
074 Lord of the Flies by William Golding (1954)
075 Lolita by Vladimir Nabokov (1955)
076 On the Road by Jack Kerouac (1957)
077 Voss by Patrick White (1957)
078 To Kill a Mockingbird by Harper Lee (1960)
080 Catch-22 by Joseph Heller (1961)
081 The Golden Notebook by Doris Lessing (1962)
082 A Clockwork Orange by Anthony Burgess (1962)
083 A Single Man by Christopher Isherwood (1964)
084 In Cold Blood by Truman Capote (1966)085 The Bell Jar by Sylvia Plath (1966)
086 Portnoy's Complaint by Philip Roth (1969)
088 Rabbit Redux by John Updike (1971)
089 Song of Solomon by Toni Morrison (1977)
090 A Bend in the River by VS Naipaul (1979)
091 Midnight’s Children by Salman Rushdie (1981)
095 The Beginning of Spring by Penelope Fitzgerald (1988)
095 The Beginning of Spring by Penelope Fitzgerald (1988)
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