The 100 best novels: No 26 – The Sign of Four by Arthur Conan Doyle (1890)
Sherlock Holmes's second outing sees Conan Doyle's brilliant sleuth – and his bluff sidekick Watson – come into their own
Robert McCrum
Mon 17 Mar 2014
I
n the summer of 1889, the managing editor of the American magazine Lippincott's visited London to commission new fiction from some up-and-coming authors. On 30 August, he held a dinner at the Langham hotel attended by Oscar Wilde and Arthur Conan Doyle, among others. The upshot was an unprecedented and remarkable double: Dorian Gray and a new Sherlock Holmes novel, originally titled The Sign of the Four.
The influence of The Moonstone (No 19 in this series) is unmistakable from the moment Holmes's client, Mary Morstan, presents herself in Baker Street. Her father, an Indian army captain, has gone missing. As a second puzzle, she reports that over the last several years, on 7 July, she has received six pearls in the mail from an unknown source. Mary Morstan can offer the great detective only one clue, a map of a fort found in her father's desk, with the names of three Sikhs, and a certain Jonathan Small. It is, of course, enough.
The story that Holmes swiftly unravels will involve some potent aspects of India in all its mystery and romance: the "mutiny" of 1857; stolen jewels from Agra; and a Sikh plot. On only his second outing in a full-length novel, Holmes is on top form throughout, stimulated by injections of cocaine and his celebrated deductive method ("How often have I said to you that when you have eliminated the impossible, whatever remains, however improbable, must be the truth?") Here, unmistakably, is the voice of the master.
Conan Doyle had stumbled on the idea of the brilliant detective and his stolid sidekick (a variation on a theme best known to literature in a double act like Don Quixote and Sancho Panza) in A Study in Scarlet (1888). In The Sign of Four he deepens the Holmes-Watson relationship and has the good doctor (also the narrator) fall in love with Mary Morstan ("A wondrous subtle thing is love," declares Watson). They will eventually get married.
As a novel about a crime, The Sign of Four is inferior to The Moonstone, though superbly constructed and compelling, complete with poison darts, a disputed legacy, and an exciting chase down the Thames. It also marks the reappearance of the "Baker Street Irregulars" and an important step in the evolution of Holmes and Watson, the most successful and popular literary duo in Victorian magazine fiction.
Doyle was a keen cricketer who used to play with other writers, including the young PG Wodehouse. They became friends and Wodehuse eventually paid homage to his mentor when he created English literature's supreme double act in his Jeeves and Wooster stories.
A note on the text
In his memoirs, Conan Doyle describes how he was commissioned to write this story over a dinner at the Langham hotel with Joseph M Stoddart, managing editor of Lippincott's on 30 August 1889. Stoddart's first idea was to produce an English version of his magazine with local, British contributors. In the end, only Doyle, with typical professionalism and efficiency, delivered his copy on time for its British publication in February 1890. On its first magazine appearance, the novel was titled The Sign of the Four, following the description of the fatal symbol of murder in the text of the story. Thereafter, during several second serialisations in a variety of regional journals, the novel became known as The Sign of Four.
Eventually, Conan Doyle's second Sherlock Holmes novel would appear in volume form in October 1890 from the publisher Spencer Blackett, again with the title The Sign of Four. Later editions have varied between the two versions of the title, with most editions adopting the four-word form. The actual text in the novel nearly always uses "the Sign of the Four" (the five-word phrase) to describe the symbol in the story.
Like its prequel, A Study in Scarlet, published in 1888, The Sign of th e Fourwas not an overnight success. It was Conan Doyle's Sherlock Holmes stories, published in the Strand magazine after 1890 that made Sherlock Holmes a literary immortal.
Three more from Sir Arthur Conan Doyle
The Adventures of Sherlock Holmes (1892); The Hound of the Baskervilles(1902); The Case-Book of Sherlock Holmes (1927).
THE 100 BEST NOVELS WRITTEN IN ENGLISH
001 The Pilgrim's Progress by John Bunyan (1678)
002 Robinson Crusoe by Danie Defoe (1719)
003 Gulliver's Travels by Jonathan Swift (1726)
004 Clarissa by Samuel Richardson (1748)
005 Tom Jones by Henry Fielding (1749)
007 Emma by Jane Austen (1816)
008 Frankenstein by Mary Shelley (1818)
009 Nightmare Abbey by Thomas Love Peacock(1818)
011 Sybil by Benjamin Disraeli (1845)
012 Jane Eyre by Charlotte Brontë (1847)
013 Wuthering Heights by Emily Brontë (1847)
014 Fair by William Thackeray (1848)
015 David Copperfield by Charles Dickens (1850)
016 The Scarlet Letter by Nathaniel Hawthorne (1850)
017 Moby-Dick by Herman Melville (1851)
019 The Moonstone by Wilkie Collins (1868)
020 Little Women by Louisa May Alcott (1868-9)
021 Middlemarch by George Eliot (1871-2)
023 The Adventures of Huckleberry Finn by Mark Twain (1884/5)
024 Kidnapped by Robert Louis Stevenson (1886)
025 Three Men in a Boat by Jerome K Jerome (1889)
026 The Sign of Four by Arthur Conan Doyle (1890)
027 The Picture of Dorian Gray by Oscar Wilde (1891)
028 New Grub Street by George Gissing (1891)
029 Jude the Obscure by Thomas Hardy (1895)
030 The Red Badge of Courage by Stephen Crane (1895)
031 Dracula by Bram Stoker (1897)
032 Heart of Darkness by Joseph Conrad (1899)
033 Sister Carrie by Theodore Dreiser (1900)
034 Kim by Rudyard Kipling (1901)
035 The Call of the Wild by Jack London (1903)036 The Golden Bowl by Henry James (1904)
037 Hadrian the Seventh by Frederick Rolfe (1904)
038 The Wind in the Willows by Kenneth Grahame (1908)
039 The History of Mr Polly by HG Wells (1910)040 Zuleika Dobson by Max Beerbohm (1915)
041 The Good Soldier by Ford Madox Ford (1915)
042 The Thirty-Nine Steps by John Buchan (1915)
043 The Rainbow by DH Lawrence (1915)
044 Of Human Bondage by W Somerset Waugham (1915)
045 The Age of Innocence by Edith Warthon (1920)
046 Ulysses by James Joyce (1922)
047 Babbitt by Sinclair Lewis (1922)
048 A Pasage to India by EM Forster (1922)
049 Gentlemen Prefer Blondes by Anita Loss ( 1925)
050 Mrs Dalloway by Virginia Woolf (1925)
051 The Great Gatsby by F Scott Fitzgerald (1925)
053 The Sun Also Rises by Ernest Hemingway (1926)
055 As I Lay Dying by William Faulkner (1930)
070 Nineteen Eighty-Four by George Orwell (1949)
071 The End of the Affair by Graham Greene (1951)
072 The Catcher in the Rye by Salinger (1951)
073 The Adventures of Augie March by Saul Bellow (1953)
074 Lord of the Flies by William Golding (1954)
075 Lolita by Vladimir Nabokov (1955)
076 On the Road by Jack Kerouac (1957)
077 Voss by Patrick White (1957)
078 To Kill a Mockingbird by Harper Lee (1960)
080 Catch-22 by Joseph Heller (1961)
081 The Golden Notebook by Doris Lessing (1962)
082 A Clockwork Orange by Anthony Burgess (1962)
083 A Single Man by Christopher Isherwood (1964)
084 In Cold Blood by Truman Capote (1966)085 The Bell Jar by Sylvia Plath (1966)
086 Portnoy's Complaint by Philip Roth (1969)
088 Rabbit Redux by John Updike (1971)
089 Song of Solomon by Toni Morrison (1977)
090 A Bend in the River by VS Naipaul (1979)
091 Midnight’s Children by Salman Rushdie (1981)
095 The Beginning of Spring by Penelope Fitzgerald (1988)
095 The Beginning of Spring by Penelope Fitzgerald (1988)
No comments:
Post a Comment