The 100 best novels
written in English
No 39
The History of Mr Polly
by HG Wells
(1910)
The choice is great, but Wells's ironic portrait of a man very like himself is the novel that stands out
Monday 16 June 2014
THE 100 BEST NOVELS WRITTEN IN ENGLISH
036 The Golden Bowl by Henry James (1904)
040 Zuleika Dobson by Max Beerbohm (1915)
041 The Good Soldier by Ford Madox Ford (1915)
042 The Thirty-Nine Steps by John Buchan (1915)
043 The Rainbow by DH Lawrence (1915)
044 Of Human Bondage by W Somerset Waugham (1915)
045 The Age of Innocence by Edith Warthon (1920)
046 Ulysses by James Joyce (1922)
047 Babbitt by Sinclair Lewis (1922)
048 A Pasage to India by EM Forster (1922)
049 Gentlemen Prefer Blondes by Anita Loss ( 1925)
050 Mrs Dalloway by Virginia Woolf (1925)
051 The Great Gatsby by F Scott Fitzgerald (1925)
070 Nineteen Eighty-Four by George Orwell (1949)
085 The Bell Jar by Sylvia Plath (1966)
H
G Wells is often catalogued as a pioneer of science fiction (which he was) with bestselling books like The Invisible Man and The First Men in the Moon. But he was also a great Edwardian writer of immense fame and influence who deserves to be remembered as a major literary figure, now somewhat eclipsed in the posterity stakes.
But which of his 50 novels to choose? The Sleeper Awakes (a far-sighted portrait of a world enslaved by money and machines)? Love and Mr Lewisham (the tale of a schoolteacher who becomes a socialist but subordinates politics to family life)? Tono-Bungay (a brilliant satire on advertising and the popular press)? Kipps (a Dickensian comedy about one ordinary man's struggle for self-improvement)?
Wells's fans will have their favourites. But I have chosen The History of Mr Polly, a novel from Wells's early middle age (he wrote it when he was 44), a delightful comedy of everyday Edwardian England that draws inspiration from its author's own life. Moreover, as Wells put it in the preface to "the Atlantic Edition" of 1924, "a small but influential group of critics maintain that The History of Mr Polly is the writer's best book". If he could not quite accept that, he said, he would still concede that "certainly it is his happiest book, and the one he cares for most".
I've always liked it (I've never been much of a sci-fi enthusiast) because it is, in many ways, so un-Wellsian. The story – still strikingly modern – is a comedy about a midlife crisis. Alfred Polly has a routine job as a gentlemen's outfitter in the small, provincial town of Fishbourne, a location widely agreed to be modelled on Sandgate in Kent, where Wells himself lived for several years. The tone is established at the outset: "He hated Fishbourne, he hated his shop and his wife and his neighbours. But most of all Mr Polly "hated himself".
When he becomes threatened with bankruptcy, Mr Polly decides that the only way to liberate himself from his hateful predicament is to burn down his shop and commit suicide. But he makes a hash of his "bit of arson" and cannot find the courage to cut his throat with a razor. So then, acknowledging that "Fishbourne wasn't the world", Mr Polly takes off "on the tramp" and walks himself into a better future through what he calls his "exploratious menanderings".
For me, there are three elements to The History of Mr Polly that unite to give the book an enduring appeal, and to place it at the top of Wells's extraordinary output. First, Wells's picture of Mr Polly – an ironic self-portrait – is deliciously appealing. In the literary tradition of Mrs Malaprop, and many minor Dickens characters, Mr Polly has an "innate sense of epithet" that inspires a teeming vocabulary: "intrudacious", "jawbacious" and "retrospectatiousness".
Second, Mr Polly (who could have stepped from the pages of Dickens) is a "little man" of a kind typical of late Victorian and Edwardian England, a man painfully, even doggedly, liberating himself from an oppressive class-ridden society. The debt to Dickens is unequivocal. Alfred Polly is descended from Joe Gargery, Bob Cratchit and Mr Wemmick. He's also related, as it were, to Mr Pooter, is contemporary with EM Forster's Leonard Bast, and will subsequently inspire many Kingsley Amis protagonists, as well as Billy Liar.
Finally, The History of Mr Polly is a comedy of ordinary, provincial life, rooted in the everyday, with countless brilliantly observed details. In part of the long flashback that composes the middle part of Mr Polly's "history", there's a hilarious wedding which commits him to Miriam, an event that inspires one of Wells's best lines: "He had a curious feeling that it would be very satisfying to marry and have a wife – only somehow he wished it wasn't Miriam."
In later life, Wells became one of Britain's most famous writers, courted by US presidents, and rarely out of one political scrape or another. His meeting with Lenin (1920) and his interview with Stalin (1934) made world news. By the end of his long life, Wells had published 150 books and pamphlets, including 50 works of fiction. In this bibliography The History of Mr Polly has a special charm as a novel in which, for once, Wells became carefree and relaxed, and described the thing he could never find for himself – peace of mind.
A note on the text
HG Wells wrote The History of Mr Polly in 1909, simultaneously with the completion and publication of his novel Ann Veronica, and published it, with Thomas Nelson, in 1910, while an American edition was published by Duffield & Co. In both these first editions there were some small, but significant, errors which were subsequently corrected. Mr Polly's age, on first mention, is given as 35 but later as 37. In the US edition chapter 5, "Mr Polly takes a Vacation", replaces the original "Romance". And so on. Today, the MS for The History of Mr Polly is held in the HG Wells archive at the University of Illinois at Urbana-Champaign.
Three more from HG Wells
The Time Machine (1895); The Invisible Man (1897); The War of the Worlds (1898).
THE 100 BEST NOVELS WRITTEN IN ENGLISH
001 The Pilgrim's Progress by John Bunyan (1678)
002 Robinson Crusoe by Danie Defoe (1719)
003 Gulliver's Travels by Jonathan Swift (1726)
004 Clarissa by Samuel Richardson (1748)
005 Tom Jones by Henry Fielding (1749)
007 Emma by Jane Austen (1816)
008 Frankenstein by Mary Shelley (1818)
009 Nightmare Abbey by Thomas Love Peacock(1818)
011 Sybil by Benjamin Disraeli (1845)
012 Jane Eyre by Charlotte Brontë (1847)
013 Wuthering Heights by Emily Brontë (1847)
014 Fair by William Thackeray (1848)
015 David Copperfield by Charles Dickens (1850)
016 The Scarlet Letter by Nathaniel Hawthorne (1850)
017 Moby-Dick by Herman Melville (1851)
019 The Moonstone by Wilkie Collins (1868)
020 Little Women by Louisa May Alcott (1868-9)
021 Middlemarch by George Eliot (1871-2)
023 The Adventures of Huckleberry Finn by Mark Twain (1884/5)
024 Kidnapped by Robert Louis Stevenson (1886)
025 Three Men in a Boat by Jerome K Jerome (1889)
026 The Sign of Four by Arthur Conan Doyle (1890)
027 The Picture of Dorian Gray by Oscar Wilde (1891)
028 New Grub Street by George Gissing (1891)
029 Jude the Obscure by Thomas Hardy (1895)
030 The Red Badge of Courage by Stephen Crane (1895)
031 Dracula by Bram Stoker (1897)
032 Heart of Darkness by Joseph Conrad (1899)
033 Sister Carrie by Theodore Dreiser (1900)
034 Kim by Rudyard Kipling (1901)
035 The Call of the Wild by Jack London (1903)036 The Golden Bowl by Henry James (1904)
037 Hadrian the Seventh by Frederick Rolfe (1904)
038 The Wind in the Willows by Kenneth Grahame (1908)
039 The History of Mr Polly by HG Wells (1910)040 Zuleika Dobson by Max Beerbohm (1915)
041 The Good Soldier by Ford Madox Ford (1915)
042 The Thirty-Nine Steps by John Buchan (1915)
043 The Rainbow by DH Lawrence (1915)
044 Of Human Bondage by W Somerset Waugham (1915)
045 The Age of Innocence by Edith Warthon (1920)
046 Ulysses by James Joyce (1922)
047 Babbitt by Sinclair Lewis (1922)
048 A Pasage to India by EM Forster (1922)
049 Gentlemen Prefer Blondes by Anita Loss ( 1925)
050 Mrs Dalloway by Virginia Woolf (1925)
051 The Great Gatsby by F Scott Fitzgerald (1925)
053 The Sun Also Rises by Ernest Hemingway (1926)
055 As I Lay Dying by William Faulkner (1930)
070 Nineteen Eighty-Four by George Orwell (1949)
071 The End of the Affair by Graham Greene (1951)
072 The Catcher in the Rye by Salinger (1951)
073 The Adventures of Augie March by Saul Bellow (1953)
074 Lord of the Flies by William Golding (1954)
075 Lolita by Vladimir Nabokov (1955)
076 On the Road by Jack Kerouac (1957)
077 Voss by Patrick White (1957)
078 To Kill a Mockingbird by Harper Lee (1960)
080 Catch-22 by Joseph Heller (1961)
081 The Golden Notebook by Doris Lessing (1962)
082 A Clockwork Orange by Anthony Burgess (1962)
083 A Single Man by Christopher Isherwood (1964)
084 In Cold Blood by Truman Capote (1966)085 The Bell Jar by Sylvia Plath (1966)
086 Portnoy's Complaint by Philip Roth (1969)
088 Rabbit Redux by John Updike (1971)
089 Song of Solomon by Toni Morrison (1977)
090 A Bend in the River by VS Naipaul (1979)
091 Midnight’s Children by Salman Rushdie (1981)
095 The Beginning of Spring by Penelope Fitzgerald (1988)
095 The Beginning of Spring by Penelope Fitzgerald (1988)
No comments:
Post a Comment