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David Lynch |
My hero:
David Lynch by Paul Murray
'He's violent and original, but most of all he's brave'
Paul Murray
Sat 14 Aug 2010
I
was 15 when Twin Peaks, David Lynch's surreal murder-mystery-soap-opera, first aired on TV. Until then, I'd found the suburbs of Dublin where I grew up almost terminally boring. They were art-proof; there was nothing interesting you could say about them – or so I thought. Lynch's dreamlike vision of suburbia uncovered the violence, mystery and dark magic of a world that I, in my naivety, had dismissed. Spectral white horses appeared in living rooms, detectives practised Zen; in the bravura opening sequence of one episode, a terrifying journey down a network of fibrous tunnels was revealed to be a close-up of an ordinary ceiling tile. Everything held an unknowable secret; for me, that was an invaluable lesson.
Beneath the surrealism, Lynch's work abides by fiercely held principles. While in some ways he is an old-school romantic, with a fondness for beautiful ingénues and the kind of clean-cut heroes you find only on the screen, his films are defiantly unconventional. For all our postmodernity, we remain quite traditional in our regard for logic, and a film such as Lost Highway, whose antihero, without explanation, turns into someone else halfway through, is genuinely shocking.
Look Lynch up on YouTube and you'll find a polite, soft-eyed man with a carefully swirled quiff and a dark suit, probably making a speech about Transcendental Meditation. I don't know much about his life, but he seems a good example of Flaubert's dictum about being regular and orderly in your life so you can be violent and original in your work. He's violent and original, but most of all he's brave. It takes real courage not to make sense. The scariest thing about making art is that you don't know what you're doing; the temptation to fall back on established forms is a strong one. Lynch has the ability to trust in nothing but his vision, and for all its weirdness, that vision is one of great beauty – the expression of an almost childlike fascination with and love for the world.
2009
001 My hero / Oscar Wilde by Michael Holroyd
002 My hero / Harley Granville-Barker by Richard Eyre
003 My hero / Edward Goldsmith by Zac Goldsmith
004 My hero / Fridtjof Nansen by Sara Wheeler
005 My hero / Mother Mercedes Lawler IBVM by Antonia Fraser
006 My hero / Ted Hughes by Michael Morpurgo (KISS)
002 My hero / Harley Granville-Barker by Richard Eyre
003 My hero / Edward Goldsmith by Zac Goldsmith
004 My hero / Fridtjof Nansen by Sara Wheeler
005 My hero / Mother Mercedes Lawler IBVM by Antonia Fraser
006 My hero / Ted Hughes by Michael Morpurgo (KISS)
2010
036 My hero / Rober Lowell by Jonathan Raban (Kiss)
2011
095 My hero / Les Murray by Daljit Nagra (KISS)
100 My hero / Tomas Tranströmer (Kiss)
2012
2013
2014