The 100 best novels
written in English
No 49
Gentlemen Prefer Blondes
by Anita Loos (1925)
A guilty pleasure it may be, but it is impossible to overlook the enduring influence of a tale that helped to define the jazz age
Robert McCrum
Monday 25 August 2014
THE 100 BEST NOVELS WRITTEN IN ENGLISH
036 The Golden Bowl by Henry James (1904)
040 Zuleika Dobson by Max Beerbohm (1915)
041 The Good Soldier by Ford Madox Ford (1915)
042 The Thirty-Nine Steps by John Buchan (1915)
043 The Rainbow by DH Lawrence (1915)
044 Of Human Bondage by W Somerset Waugham (1915)
045 The Age of Innocence by Edith Warthon (1920)
046 Ulysses by James Joyce (1922)
047 Babbitt by Sinclair Lewis (1922)
048 A Pasage to India by EM Forster (1922)
049 Gentlemen Prefer Blondes by Anita Loss ( 1925)
050 Mrs Dalloway by Virginia Woolf (1925)
051 The Great Gatsby by F Scott Fitzgerald (1925)
070 Nineteen Eighty-Four by George Orwell (1949)
085 The Bell Jar by Sylvia Plath (1966)
A
nita Loos, a screenwriting Hollywood wunderkind, says she began to draft Gentlemen Prefer Blondes, a jazz age classic, on the American railroad, as she crossed from New York to LA in the early 1920s. Travelling on the celebrated Santa Fe Chief with the movie star Douglas Fairbanks and his brainless leading lady, the young Loos became exasperated that a woman so stupid could "so far outdistance me in feminine allure". Could this girl's secret, Loos wondered, possibly be rooted in her hair? "She was a natural blonde and I was a brunette."
Lorelei Lee (aka Mabel Minnow from Little Rock, Arkansas) was born in that nano-second of female rivalry. Whipping out her yellow pad, Loos began drafting The Illuminating (originally Intimate) Diary of a Professional Lady, teasing fact and fantasy into an intoxicating depiction of "the lowest possible mentality" in prohibition America, a gold-digging blonde who is not – surprise, surprise – quite as dumb as she looks. No wonder that the part burst into life when Marilyn Monroe starred in the 1953 film version.
Later, Loos joked that the plot of Gentlemen Prefer Blondes was "almost as gloomy" as a Dostoevsky novel. Indeed, without Lorelei's faux-naif interior monologue, her tale is replete with hints of rape, actual murder, seduction, gangsterism, and courtesanship, spun into airy nothing. When her diary begins, Lorelei is "under the protection" of the millionaire Gus Eisman, a Chicago button manufacturer, but in danger of falling in love with an impecunious British writer who wants to divorce his wife and marry the woman he believes to be his true love.
When Eisman gets wind of this, he sends his mistress on a European tour with her hard-boiled friend Dorothy. Quickly bored with London, despite a dance with the Prince of Wales, they head for Paris ("devine") and its romantic attractions, especially "the Eyeful Tower". Yet the longer Lorelei's sentimental education continues, the more she recognises the truth: continental men are no match for Americans. "I really think," she writes, "that American gentlemen are the best after all, because kissing your hand may make you feel very, very good but a diamond-and-safire [sic] bracelet lasts for ever."
Marilyn Monroe |
This novella (it is barely 150 pages in my battered Penguin edition) falls into the category of "guilty pleasure", but I think it earns its place on this list, if only for the roll call of its distinguished contemporary fans, its lasting influence, and intensely quotable lines. Long before Helen Fielding's Bridget Jones, Loos hit on a young woman's diary as the perfect medium for satirical romance. Gentlemen Prefer Blondes, serialised in Harper's Bazaar, became cult reading. Edith Wharton, probably tongue in cheek, hailed it as "the great American novel". Loos, an unreliable witness, claimed that James Joyce, who was losing his sight, saved his reading for Lorelei Lee. Who knows? It's a little book with a broad smile, and a deceptively big heart.
A note on the text
In her prime, in the 1920s, Anita Loos was "the Soubrette of Satire"and also boasted that her first screen credit was for an adaptation of Macbeth in which her billing followed immediately after Shakespeare's.
The roaring success of Gentlemen Prefer Blondes owes an important debt to the celebrated critic and columnist, HL Mencken, a friend of Loos's. "Menck", as she called him, had just left the editorship of The Smart Set for The American Mercury, and correctly saw that "making fun of sex" was the kind of risque novelty that would work better in a popular middlebrow publication like Harper's Bazaar. So Loos took her Lorelei material to the Harper's editor, Henry Sell, who encouraged Loos to extract maximum advantage from Lorelei's European trip. In just a few months, Gentleman Prefer Blondes became a magazine sensation. Newsstand sales of Harper's doubled, tripled and quadrupled.
Then the publishers Boni and Liveright came calling, and made a contract for a slim hardback, illustrated by Ralph Barton. Blondes sold out at once as a runaway bestseller, becoming the second highest-selling book of 1926, and helping to define the jazz age for ever. A second edition of 60,000 copies was exhausted almost as quickly. Some 45 editions later (in the end, 80-plus), the book had passed into classic status. It would be translated into 14 languages, including Chinese. Eventually, Lorelei's most memorable obiter dicta found their way into the Oxford Dictionary of Quotations. The idea that "diamonds are a girl's best friend" passed into popular culture, and is now repeated without irony too often to be diverting. Loos herself lived long enough (she died in 1981) to describe her book as a "period piece" for the grandchildren of its first fans. "May they be diverted by the adventures of Lorelei Lee", she wrote, "and take courage from the words of her favourite philosopher: 'Smile, smile, smile.'"
Anita Loos |
Three more from Anita Loos
But Gentlemen Marry Brunettes (1928); A Girl like I (1966); Kiss Hollywood Goodbye (1974).
THE 100 BEST NOVELS WRITTEN IN ENGLISH
001 The Pilgrim's Progress by John Bunyan (1678)
002 Robinson Crusoe by Danie Defoe (1719)
003 Gulliver's Travels by Jonathan Swift (1726)
004 Clarissa by Samuel Richardson (1748)
005 Tom Jones by Henry Fielding (1749)
007 Emma by Jane Austen (1816)
008 Frankenstein by Mary Shelley (1818)
009 Nightmare Abbey by Thomas Love Peacock(1818)
011 Sybil by Benjamin Disraeli (1845)
012 Jane Eyre by Charlotte Brontë (1847)
013 Wuthering Heights by Emily Brontë (1847)
014 Fair by William Thackeray (1848)
015 David Copperfield by Charles Dickens (1850)
016 The Scarlet Letter by Nathaniel Hawthorne (1850)
017 Moby-Dick by Herman Melville (1851)
019 The Moonstone by Wilkie Collins (1868)
020 Little Women by Louisa May Alcott (1868-9)
021 Middlemarch by George Eliot (1871-2)
023 The Adventures of Huckleberry Finn by Mark Twain (1884/5)
024 Kidnapped by Robert Louis Stevenson (1886)
025 Three Men in a Boat by Jerome K Jerome (1889)
026 The Sign of Four by Arthur Conan Doyle (1890)
027 The Picture of Dorian Gray by Oscar Wilde (1891)
028 New Grub Street by George Gissing (1891)
029 Jude the Obscure by Thomas Hardy (1895)
030 The Red Badge of Courage by Stephen Crane (1895)
031 Dracula by Bram Stoker (1897)
032 Heart of Darkness by Joseph Conrad (1899)
033 Sister Carrie by Theodore Dreiser (1900)
034 Kim by Rudyard Kipling (1901)
035 The Call of the Wild by Jack London (1903)036 The Golden Bowl by Henry James (1904)
037 Hadrian the Seventh by Frederick Rolfe (1904)
038 The Wind in the Willows by Kenneth Grahame (1908)
039 The History of Mr Polly by HG Wells (1910)040 Zuleika Dobson by Max Beerbohm (1915)
041 The Good Soldier by Ford Madox Ford (1915)
042 The Thirty-Nine Steps by John Buchan (1915)
043 The Rainbow by DH Lawrence (1915)
044 Of Human Bondage by W Somerset Waugham (1915)
045 The Age of Innocence by Edith Warthon (1920)
046 Ulysses by James Joyce (1922)
047 Babbitt by Sinclair Lewis (1922)
048 A Pasage to India by EM Forster (1922)
049 Gentlemen Prefer Blondes by Anita Loss ( 1925)
050 Mrs Dalloway by Virginia Woolf (1925)
051 The Great Gatsby by F Scott Fitzgerald (1925)
053 The Sun Also Rises by Ernest Hemingway (1926)
055 As I Lay Dying by William Faulkner (1930)
070 Nineteen Eighty-Four by George Orwell (1949)
071 The End of the Affair by Graham Greene (1951)
072 The Catcher in the Rye by Salinger (1951)
073 The Adventures of Augie March by Saul Bellow (1953)
074 Lord of the Flies by William Golding (1954)
075 Lolita by Vladimir Nabokov (1955)
076 On the Road by Jack Kerouac (1957)
077 Voss by Patrick White (1957)
078 To Kill a Mockingbird by Harper Lee (1960)
080 Catch-22 by Joseph Heller (1961)
081 The Golden Notebook by Doris Lessing (1962)
082 A Clockwork Orange by Anthony Burgess (1962)
083 A Single Man by Christopher Isherwood (1964)
084 In Cold Blood by Truman Capote (1966)085 The Bell Jar by Sylvia Plath (1966)
086 Portnoy's Complaint by Philip Roth (1969)
088 Rabbit Redux by John Updike (1971)
089 Song of Solomon by Toni Morrison (1977)
090 A Bend in the River by VS Naipaul (1979)
091 Midnight’s Children by Salman Rushdie (1981)
095 The Beginning of Spring by Penelope Fitzgerald (1988)
095 The Beginning of Spring by Penelope Fitzgerald (1988)
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