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| Harry Crews |
KEVIN WILSON CONSIDERS WHAT IT MEANS TO BE A SOUTHERN WRITER
Kevin Wilson
MARCH 21, 2022
I was initially drawn to Harry Crews because he had a mohawk and a tattoo of a skull, and I was twenty years old and had neither. I read Harry Crews because I wanted to figure out how, if you were a Southern writer, you didn’t simply cover the same terrain that writers like Faulkner and Welty and O’Connor and McCullers had already exhausted. I wanted to know how you leaned into what it meant to be Southern when you weren’t even sure what that meant, exactly. And I came away from Harry Crews knowing, on some level, that I wouldn’t ever write like him, could never open the wounds with the kind of ferocity that came only from knowing you’d survive it, because you’d survived much worse. And I remain a fan of Harry Crews because I still don’t know that I’ve read anyone quite like him.




