The 100 best novels
written in English
No 06
The Life and Opinions of Tristram Shandy, Gentleman by Laurence Sterne
(1759)
Laurence Sterne's vivid novel caused delight and consternation when it first appeared and has lost little of its original bite
Robert McCrum
Monday 28 October 2013
Tristram Shandy and its author, Laurence Sterne, are so intensely modern in mood and attitude, so profanely alert to the nuances of the human comedy, and so engaged with the narrative potentiality of the genre that it comes as something of a shock to discover that the novel was published during the seven years war. In other words, it appeared during the annus mirabilis of that prototype of international warfare that saw stunning British military victories in India, Canada and the Caribbean, and established the first British empire that would send the English language around the world. Some of the raw ebullience of the national mood is mirrored in the slightly mad pages of this uniquely entertaining novel.
"Shandy" is a word of obscure origin meaning "crack-brained, half-crazy". Tristram himself says he is writing a "civil, nonsensical, good-humoured Shandean book". As such, it became a huge bestseller in the 1760s. Sterne became a celebrity, and made a fortune, fulfilling a deep ambition. "I wrote, not to be fed but to be famous," he once said. Success had come late. Born in Ireland in 1713, Sterne spent much of his life as a country vicar near York. (In the novel, Parson Yorick is an ironical self-portrait.) His work had the difficulties often associated with original work. The first two volumes of Tristram Shandy were rejected by the London publisher, Robert Dodsley, but, when privately printed, quickly sold out.
Like all subsequent bestsellers, Sterne and his book became the subject of fierce literary argument. The novel was obscene, preposterous and infuriating, the opposite of what a novel should be. The author was a "coxcomb", a vain and deplorable impostor, deficient in the good taste of a true artist. The notorious Black Page (between chapters 12 and 13 of volume I) was a silly stunt. And so on. Dr Johnson expressed the critical consensus when, in 1776, he boomed: "Nothing odd will do long. Tristram Shandy did not last."
But the good doctor was wrong. Tristram Shandy is odd; and it did last. Furthermore, it continues to exert a great influence on successive generations of writers. In the 1980s, magical realists such as Salman Rushdie rediscovered Sterne. Peter Carey, the Booker prizewinner, even acknowledged an influence in the title of his novel, The Unusual Life of Tristan Smith.
The secret of Sterne's hold on his readers is that Tristram Shandy is a comic tour de force whose humour, of observation and incident, explodes on to every page from the hilarious moment, in chapter 1, when Tristram Shandy is almost not conceived in a bizarre episode of coitus interruptus. An abrupt vitality is Sterne's great contribution to the art of the novel. Adopting Fielding's omniscient third-person narrative, he cheerfully set about subverting any authorial omniscience by humorously reflecting on how little he, the author, knew of his characters or their predicaments. The critic Christopher Ricks captures Sterne's playfulness when he describes Tristram Shandy as "the greatest shaggy dog story in the language".
So what is it about ? The short answer is that it is about 600 pages (in my Penguin Classics edition), and that, despite its title, it fails to give the reader much of the life or any of the opinions of its hero. Shandy himself only gets born in volume IV. Much of the narrative is taken up by Unce Toby, a veteran of the wars against Louis XIV, and his obsession with siegecraft. When, at the end, Tristram's long-suffering mother asks, "Lord! what is all this story about?" Parson Yorick replies, "A COCK and a BULL – and one of the best of its kind I ever heard."
A Note on the Text:
The first two volumes were published in 1759 in York by Ann Ward (at Sterne's expense) having been turned down by Robert Dodsley. When the novel became a runaway success, Dodsley rushed out a second edition, with illustrations by Hogarth in April 1760, and then published volumes III and IV.
Sterne took a close interest in his publishers, and for the last volumes moved to Becket and De Hondt to get better terms. He enjoyed publishing his work serially, small octavo volumes of fewer than 200 pages. The full-length Tristram Shandyconveys none of the delight that the 18th-century reader could expect, collecting the novel, volume by volume from year to year.
Other Sterne Titles:
A Sentimental Journey Through France and Italy (1768)
THE 100 BEST NOVELS WRITTEN IN ENGLISH
001 The Pilgrim's Progress by John Bunyan (1678)
002 Robinson Crusoe by Danie Defoe (1719)
003 Gulliver's Travels by Jonathan Swift (1726)
004 Clarissa by Samuel Richardson (1748)
005 Tom Jones by Henry Fielding (1749)
007 Emma by Jane Austen (1816)
008 Frankenstein by Mary Shelley (1818)
009 Nightmare Abbey by Thomas Love Peacock(1818)
011 Sybil by Benjamin Disraeli (1845)
012 Jane Eyre by Charlotte Brontë (1847)
013 Wuthering Heights by Emily Brontë (1847)
014 Fair by William Thackeray (1848)
015 David Copperfield by Charles Dickens (1850)
016 The Scarlet Letter by Nathaniel Hawthorne (1850)
017 Moby-Dick by Herman Melville (1851)
019 The Moonstone by Wilkie Collins (1868)
020 Little Women by Louisa May Alcott (1868-9)
021 Middlemarch by George Eliot (1871-2)
023 The Adventures of Huckleberry Finn by Mark Twain (1884/5)
024 Kidnapped by Robert Louis Stevenson (1886)
025 Three Men in a Boat by Jerome K Jerome (1889)
026 The Sign of Four by Arthur Conan Doyle (1890)
027 The Picture of Dorian Gray by Oscar Wilde (1891)
028 New Grub Street by George Gissing (1891)
029 Jude the Obscure by Thomas Hardy (1895)
030 The Red Badge of Courage by Stephen Crane (1895)
031 Dracula by Bram Stoker (1897)
032 Heart of Darkness by Joseph Conrad (1899)
033 Sister Carrie by Theodore Dreiser (1900)
034 Kim by Rudyard Kipling (1901)
035 The Call of the Wild by Jack London (1903)036 The Golden Bowl by Henry James (1904)
037 Hadrian the Seventh by Frederick Rolfe (1904)
038 The Wind in the Willows by Kenneth Grahame (1908)
039 The History of Mr Polly by HG Wells (1910)040 Zuleika Dobson by Max Beerbohm (1915)
041 The Good Soldier by Ford Madox Ford (1915)
042 The Thirty-Nine Steps by John Buchan (1915)
043 The Rainbow by DH Lawrence (1915)
044 Of Human Bondage by W Somerset Waugham (1915)
045 The Age of Innocence by Edith Warthon (1920)
046 Ulysses by James Joyce (1922)
047 Babbitt by Sinclair Lewis (1922)
048 A Pasage to India by EM Forster (1922)
049 Gentlemen Prefer Blondes by Anita Loss ( 1925)
050 Mrs Dalloway by Virginia Woolf (1925)
051 The Great Gatsby by F Scott Fitzgerald (1925)
053 The Sun Also Rises by Ernest Hemingway (1926)
055 As I Lay Dying by William Faulkner (1930)
070 Nineteen Eighty-Four by George Orwell (1949)
071 The End of the Affair by Graham Greene (1951)
072 The Catcher in the Rye by Salinger (1951)
073 The Adventures of Augie March by Saul Bellow (1953)
074 Lord of the Flies by William Golding (1954)
075 Lolita by Vladimir Nabokov (1955)
076 On the Road by Jack Kerouac (1957)
077 Voss by Patrick White (1957)
078 To Kill a Mockingbird by Harper Lee (1960)
080 Catch-22 by Joseph Heller (1961)
081 The Golden Notebook by Doris Lessing (1962)
082 A Clockwork Orange by Anthony Burgess (1962)
083 A Single Man by Christopher Isherwood (1964)
084 In Cold Blood by Truman Capote (1966)085 The Bell Jar by Sylvia Plath (1966)
086 Portnoy's Complaint by Philip Roth (1969)
088 Rabbit Redux by John Updike (1971)
089 Song of Solomon by Toni Morrison (1977)
090 A Bend in the River by VS Naipaul (1979)
091 Midnight’s Children by Salman Rushdie (1981)
095 The Beginning of Spring by Penelope Fitzgerald (1988)
095 The Beginning of Spring by Penelope Fitzgerald (1988)
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