Sunday, December 4, 2022

Book Review 005 / Tom Jones by Henry Fielding

 


Tom Jones 

by Henry Fielding 

1749


John Pistelli
3 February 2021

For a 900-page novel, Tom Jones’s famously well-made plot can be summarized briefly. The titular hero is a foundling raised in the ideal country estate of the benevolent Mr. Allworthy. There Tom’s natural goodness and high spirits are checked by several challenges: the rival but empty ideologies of his two flawed tutors, the brutal cleric Thwackum and the dry philosopher Square; the enmity of his scheming cousin Blifil; and eventually his own immoderacy or imprudence, when he impregnates Molly Seagrim, daughter of his dissolute servant-friend, Black George. In the midst of these adventures, he falls gradually in love with the daughter of the neighboring estate, the auroral Sophia Western, whose drunken, vulgar, alcoholic, hunting-obsessed Tory father and arrogant, cosmopolitan, semi-learned, cynical Whig aunt will unfortunately never let her marry a bastard foundling and instead wish to wed her to the odious Blifil.

Saturday, December 3, 2022

Book Review 006 / The Life and Opinions of Tristram Shandy by Laurence Sterne




The Life and Opinions of Tristram Shandy 

by Laurence Sterne

 1759




Laurence Sterne’s The Life and Opinions of Tristram Shandy, Gentleman is an innovative, digressive, challenging, humorous and philosophical investigation into the relationship between literature and life.

Book Review 007 / Emma by Jane Austen

 



Emma

by Jane Austen 

1816




John Pistelli
3 August 2019

She knew the limitations of her own powers too well to attempt more than she could perform with credit; she wanted neither taste nor spirit in the little things which are generally acceptable, and could accompany her own voice well.
—Jane Austen, Emma

Jane Austen’s detractors always attack the whole premise of her aesthetic: its circumscription. The anti-Janeites, from Romantics like Charlotte Brontë and Ralph Waldo Emerson to Marxists like Raymond Williams and Edward Said, are forever complaining that she leaves too much out—the natural world, the spiritual world, the human body, the Napoleonic Wars, the capitalist system, the British Empire. As Virginia Woolf writes in her Common Reader essay on Austen:

Book Review 008 / Frankenstein by Mary Shelley

 


Frankenstein by Mary Shelley 

1818




John Pistelli
31 October 2021

About a book as over-familiar as this—and accompanied by infinitudes of scholarship, criticism, adaptation, and continuation, much of which I don’t intend to consult—there is everything and nothing to say. In two decades, I’ve read it three times, one time in the 1831 version, twice in the 1818 first edition (now preferred by critics), and I even taught it once. I find it elusive, better and worse than it should be, a work of intermittent Shakespearean power linking tragic drama and Gothic romance to modern horror and science fiction, alternating with the dull effusions of the sentimental novel and Romantic travelogue—in fact, it’s such a fantasia on Romantic themes (the sublime and the beautiful, the power of imagination, the solitary outcast, social injustice, the faults of the Enlightenment, domestic utopia, incest and parricide) that this subject of endless secondary sources almost seems to count as secondary literature itself. It was written by a 19-year-old in a radical milieu and is an unmistakable rebuke to radicalism, a reproof that only grew more definite with the novel’s later and more moralized revision.

Book Review 009 / Nightmare Abbey by Thomas Love Peacock

 




Nightmare Abbey

by Thomas Love Peacok 1818

 




Bring some Madeira

ByThomas Keymer

Nightmare Abbey 
by Thomas Love Peacock, edited by Nicholas A. Joukovsky.
Cambridge, 297 pp., £84.99, December 2016
Crotchet Castle 
by Thomas Love Peacock, edited by Freya Johnston and Matthew Bevis.
Cambridge, 328 pp., £79.99, December 2016

Book Review 010 / The Narrative of Arthur Gordon Pym of Nantucket by Edgar Allan Poe

 




The Narrative of Arthur Gordon Pym of Nantucket

by Edgar Allan Poe 1838 




John Pistelli
22 October 2016

Calm block fallen down here from some dark disaster
—Stéphane Mallarmé, “The Tomb of Edgar Poe”

Edgar Allan Poe must have the strangest legacy in modern literature: he invented both pulp fiction and the literary avant-garde.

While these two tendencies may—in their shared commitments to sensationalism and formalism—be allies in a high-low war against the middle mind (exemplified in literature by the realist novel and the expressive lyric), it is quite a feat to have birthed them both. But Poe codified several important popular genres that would later flourish in the era of mass literacy and mass media (horror, detective fiction, science fiction) and thereby influenced such proto-pulp and pulp writers as Doyle, Stevenson, Wells, and Lovecraft. At the same time, his theoretical insistence on a “pure” (i.e., non-mimetic) literary writing designed to affect the reader through the manipulation of form and surface, not to mention his depiction of disordered psychological states and waking dream-worlds, bequeathed a legacy to modernism and the avant-garde through Baudelaire and the French Symbolists and Decadents as well as such other admirers as Dostoevsky, Wilde, and Kafka.

Friday, December 2, 2022

Book Review 011 / Sybil by Benjamin Disraeli


Sybil 

by Benjamin Disraeli

 1845




APRIL 4, 2017 


Disraeli was one of Queen Victoria’s favourite Prime Ministers. He was a consummate politician & a world-class flatterer, fond of calling Her Majesty his Faerie Queen & referring to “we authors, Ma’am” when discussing the Queen’s published Journals. Disraeli wrote several novels, mostly when he was a hard-up young man. Sybil is probably the most famous because it is one of a group of novels known as the Condition of England novels. Mostly written in the 1840s, these novels explored the effects of the Industrial Revolution in Britain & included Frances Trollope’s Michael Armstrong, the Factory Boy, Dickens’s Hard Times & Elizabeth Gaskell’s Mary Barton & North and SouthSybil is also famous for this quote, which seemed to encapsulate the situation in Britain at the time. Charles Egremont, brother of the Earl of Marney, is speaking to a stranger whom he has met wandering in the ruins of Marney Abbey on his family’s estate.

Book Review 012 / Jane Eyre by Charlotte Bronte



Jane Eyre

by Charlotte Bronte 1847




3 June 2016


I think a case can be made for ‘Jane Eyre’ as the definitive nineteenth century novel. It has it all:

Romance – the scene in chapter 22 when Rochester teasingly proposes to Jane, and she slowly comes to realise he is serious, is as touching and effective as anything in Austen, and the final reconciliation in Ferndean House between Jane and the blinded Rochester would bring a tear to the eye of the hardest heart (but perhaps not St John Rivers).

Book Review 013 / Wuthering Heights by Emily Brontë

 





Wuthering Heights

by Emily Brontë

1847






14 May 2016


Wuthering Heights’ has over 22,000 reviews on Goodreads alone; one has to wonder what else I could possibly add to that overwhelming weight of opinion and consideration?

The dark and gothic tale is constructed with a complex variety of framing structures – at one point the narrative is told by Mr Lockwood, the tenant of Thrushcross Grange, recounting the story told him by Nelly Dean, the housekeeper of the Grange and the Heights, who in turn recounts details of a message from Isabella Heathcliff (nee Linton). People drop dead with alarming frequency, and nurture dark passions to the grave and beyond. The novel opens in 1801 with Lockwood’s neighbourly visit to the Heights, and the story is then told in a series of flashbacks/reprises. This means we have a clear picture of how things are going to end – until the final closing chapters, at least.

Book Review 014 / Vanity Fair by William Thackeray

 



Vanity Fair

by William Makepeace Thackeray

1848


“Vanity Fair is a very vain, wicked, foolish place, full of all sorts of humbugs and falsenesses and pretensions.”

Thackeray’s ‘Vanity Fair’ draws its name from ‘The Pilgrim’s Progress’. It was published in nineteen monthly instalments, and as with many Victorian novels shows some evidence of padding – the scenes in continental Europe at the end of the novel in particular were quite obvious word-count filling.

Book Review 015 / David Copperfield by Charles Dickens

 





David Copperfield

by Charles Dickens

 1850




The novel celebrates humanity while exposing Victorian society's ills




Esther Lombardi
Updated on January 14, 2020

"David Copperfield" is probably the most autobiographical novel by Charles Dickens. He uses many incidents of his childhood and early life to create a considerable fictional achievement.

"David Copperfield" also stands as a midpoint in Dickens' oeuvre and is at least somewhat indicative of Dickens' work. This novel contains a complicated plot structure, a concentration on the moral and social worlds, and some of Dickens' most wonderful comic creations. "David Copperfield" is a broad canvas on which the great master of Victorian fiction uses his entire palette. Unlike many of his other novels, however, "David Copperfield" is written from the point of view of its titular character, looking back on the ups and downs of his long life.

Thursday, December 1, 2022

Book Review 016 / The Scarlet Letter by Nathaniel Hawthorne

 


The Scarlet Letter 

by Nathaniel Hawthorne

 1850




John Pistelli
6 April 2017

This short 1850 historical novel, written by a middle-aged and modestly successful short story writer and lately deposed customs inspector, tells a tale of crime and punishment in Puritan Boston. Its heroine, Hester Prynne, has committed adultery before the story begins; it opens with her exposure, along with her illegitimate baby, Pearl, on the town pillory. There she is spied by her husband, lately arrived in America after having sent her on ahead from Europe years before. She vows to him and to the community to keep her paramour’s identity a secret, even as her husband disguises himself as a doctor and enters the life of the colony under the name Roger Chillingworth.

Book Review 017 / Moby-Dick by Herman Melville

 


Moby-Dick

by Herman Melville 1851


John Pistelli
11 December 2016

In his 1850 manifesto-essay in praise of Nathaniel Hawthorne, “Hawthorne and His Mosses,” Herman Melville scorns the Anglophile polish and traditionalism of Washington Irving, then considered the greatest American fiction writer, and affirms instead that “it is better to fail in originality than to succeed in imitation. He who has never failed somewhere, that man cannot be great. Failure is the true test of greatness.” This credo of the modern or even modernist writer from Blake to Beckett is the first step to approaching Moby-Dick, a novel sufficiently original that its contemporaries did not know how to value it. Even at this late date, online reviewers complain about its miscellaneousness and bizarre structure and generic variety; in this, they echo the earliest reviews, included in this Norton Critical Edition, that called the novel “an ill-compounded mixture of romance and matter-of-fact” and “a singular medley of naval observation, magazine article writing, satiric reflection on the conventionalisms of civilized life, and rhapsody run mad.” At least we no longer charge Melville with blasphemy or lunacy.

Book Review 018 / Alice in Wonderland by Lewis Carroll / The never-ending adventures


Alice's Adventures in Wonderland

 by Lewis Carroll

 1865


Alice in Wonderland: the never-ending adventures



Since its publication 150 years ago, Alice’s Adventures in Wonderland has kept a powerful grip on the public imagination. Robert Douglas-Fairhurst explores the origins and afterlife of Lewis Carroll’s famous creation



Robert Douglas-Fairhurst
Friday 20 March 2015


One of the strangest creatures Alice meets in Wonderland is the Caterpillar, who languidly asks her “Who are you?” and receives the uncertain reply: “I – I hardly know, sir, at present – at least I know who I was when I got up this morning, but I think I must have been changed several times since then.” Alice’s confusion is understandable – over the course of her adventures she is variously mistaken for a housemaid, a serpent, a volcano, a flower and a monster. Today the Caterpillar’s question would be even harder to answer. Who is Alice?

Book Review 019 / The Moonstone by Wilkie Collins

 


The Moonstone 

by Wilkie Collins

 1868

'The Moonstone' Is A Hidden Gem Of A Detective Novel

Chitra Banerjee Divakaruni
4 August 2013

I was about 12 when I first encountered The Moonstone — or a Classics Illustrated version of it — digging through an old trunk in my grandfather's house on a rainy Bengali afternoon. I loved the Classics Illustrated series (the graphic novels of my youth that simplified famous novels for children), presenting us with swashbuckling plotlines, and heroes and villains that were unmistakably, unashamedly, what they were supposed to be.

Book Review 020 / The Little Women by Louisa May Alcott





The Little Women by Louisa May Alcott

 1868-9


The Lie of Little Women




Peering into the secrets of Louisa May Alcott’s real life sheds light on her treasured coming-of-age tale.