Saturday, August 26, 2023

The Heir by Fleur Jaeggy


The Heir

Translated from Italian by Gini Alhadeff

 

Fleur Jaeggy / La heredera


Hannelore, a girl without a fixed residence, is the only witness to a fire in the apartment of Fraulein von Oelix. A modest, gray afternoon. Vitreous. The fraulein is a kind woman, wilted and very lonely. And solitude had made her even kinder, she practically apologized. Lonely people are often afraid to let their solitude show. Some are ashamed. Families are so strong. They have all of advertising on their side. But a person alone is nothing but a shipwreck. First they cast it adrift, then they let it sink. Fraulein von Oelix lives in a lovely apartment. The fraulein eats little, is strictly vegetarian. Hannelore has just returned from shopping. She is ten years old. She follows the fraulein’s orders with precision and good cheer. She is happy to be of service. She is attached to her. That afternoon, the air was becoming stifling. “I am about to faint,” said Fraulein von Oelix. It was a lucky thing that the girl was there. So calm, tranquil, not gripped by panic. She would call the firefighters. Flames are swift. Around the fraulein the flames were spinning, as though playing. Hannelore put a wool turban on her head. Her hands are covered in rags, as though they were boxing gloves. She is playing, too. She ducked the flames nimbly, she was using a wool blanket as a shield. The adorable little warrior. The apartment is semi-destroyed. The girl did not call the firefighters. The portraits fall. The fire, Hannelore thinks, shows its vocation to annihilate. The word vocation, she said to the flames in a knowing tone, regards you, fire, because everything has a primordial force that triggers our actions. Fire is not the criminal. It is God who sends the flames into the apartment with its Biedermeier furniture. There are images with a heart in the shape of a flame. It was He who started the fire. Souls are dangerous. Often enflamed. The girl felt like preaching, but breathing was labored. The flames excited her. She runs from room to room, drunk with danger. Who is she to impede a destructive destiny? Only God can. God ordered the total destruction of the house. She knows that. There is something larger above us all, in hidden places that command the flames to take possession of every life pulse. She is indigent, the daughter of unknown parents, without prospects. She cannot beseech. She has nothing. How can she pray for grace? Those who have nothing, nothing at all, don’t ask. She doesn’t even have a past. Or a birthday. She sprang from trash and to trash will return. She sprang from the swamps of the dead. And to the swamps she will return. That is why the fraulein took her in. Why then put out flames willed by supreme design? And then she was having fun. For the first time, in her miserable existence. For us, creatures of the streets, instinct is our dwelling. And a total disregard for the good. And often, when it feels like it, evil is the best form that the highest good can take.

An Encounter in the Bronx by Fleur Jaeggy

 



An Encounter in the Bronx 

by Fleur Jaeggy

Translated from the Italian by Gini Alhadeff.


Fleur Jaeggy / Un encuentro en el Bronx


I

n a restaurant with Oliver, not far from his house. First a visit to his freezing house. He loathes the heat. Or perhaps, for mental or clinical reasons I cannot know, the heat simply stifles him. It made an impression on me, the degree to which he detests the heat. Maybe because although I like the Nordic sky, ice, snow, I am sensitive to the cold. I cover up in the daytime, I cover up before going to bed, I type wearing gloves with cutoff fingers. Oliver came here one winter. He opened the windows. He went out on the terrace. I stayed in the house wearing a coat, scarf, gloves. My hands get cold. My neck. I am cold in a way I’m tempted to call internal, a terrible word, but never mind. An internal cold. Whereas Oliver is always hot. I don’t think it’s merely a physical matter. Although he weighs more than I do. Until a few months ago I weighed less than ninety pounds. But I have known thin people who hated the heat. So it’s not just a question of how a body is constructed. Nor a question of blood. Nor do I think it’s a question of feelings. Mine can be quite cold, even when I ardently wish for heat. But not too much. Naturally it depends on what type of heat it is. One summer, in Thessaloniki, Greece, there were headlines in the papers, people were dying from the heat. I realized something was odd, and I was hot, too. But I wasn’t worn out. It was the day we went looking for Philip’s tomb. It was shut. But they let us in. When it’s that hot outside, I cover myself up. Another summer in Greece, in the Peloponnese, a nun mistook me for a nun. I was wearing something long, white, and a cut of linen on my head that fell down my back.

I Am the Brother of XX by Fleur Jaeggy review – otherworldly short stories




I Am the Brother of XX by Fleur Jaeggy review – otherworldly short stories

Dark stories of madness, loss and murder from a Swiss-Italian master of the short form

It’s a quarter-century since Fleur Jaeggy’s novel Sweet Days of Discipline, of which Joseph Brodsky said, “Reading time … four hours. Remembering time ... the rest of one’s life.” Swiss-Italian Jaeggy, a master of the short form, again creates something unforgettable with these otherworldly stories, translated by Gini Alhadeff. They frame haunting, dreamlike moments: a 13th-century woman senses the taste of “Christ’s foreskin … tender as egg skin and very sweet”; an orphan burns alive the aristocrat who took her in “for the blasted glory of it”; a family is cursed by a possessed mandrake root. Told in Jaeggy’s characteristically jagged prose, these dark stories of madness, loss and murder are urgent and evocative. Central to each are surreal images reminiscent of paintings by Leonora Carrington or Max Ernst: “her hands, like the claws of a crustacean, clutched at a little mound of dust”. This is an intensely beautiful and original collection that bristles with a strange and often disturbing magic.

THE GUARDIAN





DE OTROS MUNDOS

8 escritoras comparten su lista definitiva de lecturas para la cuarentena
La dulce crueldad de Fleur Jaeggy
Fleur Jaeggy / Suiza, infame y genial
Fleur Jaeggy / La agonía de los insectos
Fleur Jaeggy / Pétalos enfermos
El perturbador y depurado bisturí de Fleur Jaeggy / A propósito de 'El último de la estirpe'
Fleur Jaeggy / La flor del mal
Fleur Jaeggy / Sublime extrañeza
Fleur Jaeggy / Los hermosos años del castigo / Reseña de Enrique Vila-Matas
Claustrofóbica Fleur Jaeggy
Fleur Jaeggy / Las cosas desaparecen / Entrevista

CUENTOS
Fleur Jaeggy / Negde
Fleur Jaeggy / El último de la estirpe
Fleur Jaeggy / Agnes
Fleur Jaeggy / El velo de encaje negro
Fleur Jaeggy / Un encuentro en el Bronx
Fleur Jaeggy / La heredera
Fleur Jaeggy / La elección perfecta
Fleur Jaeggy / La sala aséptica
Fleur Jaeggy / Retrato de una desconocida
Fleur Jaeggy / Gato
Fleur Jaeggy / Ósmosis
Fleur Jaeggy / La pajarera

DANTE
Il doloroso incanto di Fleur Jaeggy
Fleur Jaeggy e Franco Battiato / Romanzi e canzoni «per anni beati»

DRAGON
The Austere Fiction of Fleur Jaeggy
Fleur Jaeggy’s Mourning Exercise
The Single Most Pristine Certainty / Fleur Jaeggy, Thomas Bernhard, and the Fact of Death
Close to Nothing / The autofictional parodies of Fleur Jaeggy
The Monumental Lonerism of Fleur Jaeggy
Sacred Inertia / Review of I Am the Brother of XX & These Possible Lives by Fleur Jaeggy
I Am the Brother of XX by Fleur Jaeggy review – otherworldly short stories

SHORT STORIES
The Black Lace Veil by Fleur Jaeggy
An Encounter in the Bronx by Fleur Jaeggy
The Heir by Fleur Jaeggy
The Perfect Choice by Fleur Jaeggy

Friday, August 25, 2023

The True Story Behind 'The Wolf of Wall Street'


The_Wolf_of_Wall_Street-poster-4

The True Story Behind 'The Wolf of Wall Street'

What's the deal with the real Jordan Belfort?


Martin Scorsese’s The Wolf of Wall Street is a darkly comedic portrayal of unrestrained Wall Street hedonism and greed that ranks among the maestro’s greatest works of the last decade. Like all narrative films based on true stories, a few liberties were taken with Jordan Belfort’s life and crimes, such as using Jonah Hill’s Donnie Azoff character as a stand-in for multiple real-life friends of Belfort’s. Overall though, the film is remarkably accurate and certainly conveys the underlying truths of Belfort’s 2007 memoir, which was the primary source material for the film. Although the film is 3 hours long, some details and interesting subplots were unable to make the final cut. As we explore the real-life stories of some of the film’s principal characters, we’ll see where Scorsese’s film diverted from the truth, and we’ll understand the additional context that helps add complexity to this remarkable, hilarious, and tragic story.

Pink is political / How ‘Barbie’ blends activism, entertainment, and business as usual

 

Barbie

A Barbie digital billboard in New York City.ANADOLU AGENCY (ANADOLU AGENCY VIA GETTY IMAGES)


Pink is political: How ‘Barbie’ blends activism, entertainment, and business as usual

Greta Gerwig’s feminist fantasy-comedy is taking the box office by storm, but the film’s success is also its politics, which go only so far as the Mattel corporation will allow: ‘A movie that ridiculed Barbie would have been disastrous for the brand’

Noah Benalal

July 17, 2023

For some time now, and until further notice, pink means Barbie, whether it’s really about Barbie or not. Ever since the movie about Mattel’s most iconic toy doll began its impressive advertising campaign, the world has been flooded in waves of pink — a tide that has managed to swamp more than just the land of cinema. In the span of merely a few months, we have witnessed the #Barbiecore trend on Tik-Tok, with users creating their own Barbie-inspired outfits and pink-themed aesthetics, and pink-carpet photoshoots taking place around the world with celebrities ransacking the vintage archives of major fashion houses to dress in the spirit of the famous doll. Scores of adoring fans have dug up their most chic and beloved garments from childhood — pink outfits abandoned in adolescence and rediscovered thanks to Barbie — eagerly consuming the advertisements and products launched by Mattel and collaborators, like Barbie lipstick and Ken underwear. And on top of all the pop culture hullabaloo, Barbie has entered the world of politics too: while the right criticizes her for promoting a “woke agenda,” liberals and leftists like Spain’s Second Deputy Prime Minister Yolanda Díaz are flocking to the film and sharing their enthusiasm for Barbie’s feminist agenda on social media.

Revisiting Fargo

 


Revisiting Fargo

Classic Coen brothers film goes “north of normal”

Fargo

Photo: Maximum Film / Alamy
In all its quirkiness, the classic Coen brothers film Fargo gave new meaning to the concept of dark humor.

John Smistad
Olympia, Wash.

With Editor-in-chief Lori Ann Reinhall’s recent trip to Fargo, N.D., it seemed only natural to revisit the classic film Fargo—a film that left a deep impression on many, with its weird and wacky depiction of Upper Midwest Scandinavian-American culture, this film truly takes you “north of normal” in its uniquely quirky way. John Smistad, the ever-enthusiastic Quick Flick Critic, provides an entertaining and insightful review.

Synopsis: Slimy car salesman Jerry Lundegaard’s inept crime falls apart due to his and his idiotic henchmen’s bungling. Oh, and the keen persistent police work of the sly and very pregnant Marge Gunderson.

I first saw Fargo after it was released on VHS (Remember those, barn?). I remember liking it. I just forgot how much.

Having seen the film again only serves to further fortify my admiration and respect for the Coen brothers, Joel and Ethan, as enormously gifted and super quirky filmmakers.

Bret Easton Ellis: ‘I connected with Quentin Tarantino’

Bret Easton Ellis






The 

Books

 0f my 

life


Bret Easton Ellis: ‘I connected with Quentin Tarantino’


The US author on discovering Stephen King, being inspired by Joan Didion, and losing himself in film criticism


Bret Easton Ellis

25 AUGUST 2023


My earliest reading memory
The Poky Little Puppy by Janette Sebring Lowrey, illustrated by Gustaf Tenggren. I was probably four or five, and I read it with my mother in my parents’ bedroom. I still remember the drawings today as if I were back in the safety of childhood.

My favourite book growing up
Salem’s Lot by Stephen King. I read a lot of horror and SF and fantasy when I was a kid but placing vampires in a recognisable and completely realistic world was singularly terrifying, and I went back again and again.

The book that changed me as a teenager
The Sun Also Rises by Ernest Hemingway. I read it in my early teens the night before we were going to discuss it in an English class – and then read it immediately again. After staying up all night, I realised the possibilities of the novel and there was no going back to the books of my childhood. It was a before-and-after experience.

The writer who changed my mind
The New Yorker film critic Pauline Kael, who pulled me out of the burgeoning middlebrow world of my youth and showed me how trash and pop could also be invigorating and vital art and nothing to feel guilty about.

The book that made me want to be a writer
Slouching Towards Bethlehem by Joan Didion. After I read this collection of essays I understood what a sentence could do. It was the book through which I discovered how style and voice sells everything – style and voice is the meaning.

The author I came back to
Charles Dickens, who I was taught way too young – who gives a 12-year-old David Copperfield? I had other painful experiences with him when I was a teenager. I came back to Dickens in my late 40s and was stunned by the scope and genius and the pure readability of his greatest work.

The book I reread
F Scott Fitzgerald’s The Great Gatsby, every 10 years or so, ever since I first read it in high school. It feels different each time and keeps reaffirming itself as the key American novel of the 20th century.

The book I could never read again
Probably something by Robert Ludlum, whose mammoth super-violent bestselling thrillers from the 1970s were a staple with my father (The Gemini Contenders, The Holcroft Covenant) and later with me – dense, tightly plotted, often gory, cinematic. I was fascinated then but picked one up a couple of years ago and could barely get through a chapter. Plot isn’t enoug

The book I discovered later in life

Well, there are many of them but one of the most profound was Edith Wharton’s The House of Mirth – I have no idea why I hadn’t come to it earlier. It seems that everyone I know had read it decades ago and I only discovered it in my 50s.

The book I am currently reading
World’s Fair by EL Doctorow. I bought it in 1985 and found it when I was cleaning out the library at my mother’s house – it was one of those rare hardbacks that for some reason had never been cracked. I’m also reading Quentin Tarantino’s Cinema Speculation. I have never connected more intimately with a book about movies – we’re the same age and our childhood moviegoing experiences are almost identical.

My comfort read
David Thomson’s The New Biographical Dictionary of Film. I can open it at any page and become completely immersed in it. The first time I read it was a profound education. The hundreds of times I’ve flowed through it – or parts of it – have been pure pleasure. I agree as often as I disagree with his takes on movies, directors and actors, but it’s always informative and completely transporting.

 The Shards by Bret Easton Ellis is published by Swift (£25).

THE GUARDIAN




THE BOOKS OF MY LIFE

2021
The books of my life / Amanda Gorman / ‘I wanted my words to re-sanctify the steps of the Capitol’Mary Beard / ‘Virgil was a radical rap artist of the first century BC’
Stephen King: ‘I loved Lord of the Flies the way kids love Harry Potter’
Gabriel Byrne: ‘I’ve never played Hamlet, but in many ways I am him’
Curtis Sittenfeld / ‘Sweet Valley High is not respected – but I found the books riveting’
Elif Shafak / ‘Reading Orlando was like plunging into a cold but beautifully blue sea’
Jason Reynolds / “Reading rap lyrics made me realise that poetry could be for me”
Michael Rosen / ‘My comfort read? Great Expectations’
Siri Hustvedt / ‘I responded viscerally to De Beauvoir’s The Second Sex’
Alan Garner / ‘The Chronicles of Narnia are atrociously written’
Rose Tremain / ‘My comfort reads are MasterChef cookbooks’
Oliver Jeffers / ‘Catch-22 was the first time I had a physical reaction to a book’
Penelope Lively / ‘Beatrix Potter seemed so exotic, unlike my world of palm trees’


2022
David Baddiel / The book that changed me? John Berger’s Ways of Seeing
David Baddiel / The book that changed me? John Berger’s Ways of Seeing
Edmund White / ‘My earliest reading memory is a lady toad with a nasty temper’
David Mitchell / ‘If I need cheering up, Jamie Oliver’s recipes usually help’
Isabel Allende / ‘I have been displaced most of my life’
Barbara Kingsolver / ‘Middlemarch is about everything, for every person, at every age’


2023
Richard Ford / ‘I don’t read for comfort. Comfort I source elsewhere’
Bret Easton Ellis: ‘I connected with Quentin Tarantino’
Lauren Groff / ‘Virginia Woolf’s Flush is delightfully bananas’
Natalie Haynes / ‘I couldn’t stop reading Stephen King - even at the top of the Eiffel Tower’
Richard Armitage / ‘I used to stand on the Lord of the Rings to reach the top shelf in my wardrobe’

2024
Mieko Kawakami / “Franz Kafka es mi lectura reconfortante”

2025
Niall Williams / ‘When I first read Chekhov, I thought: “He’s not so great”’
Graham Norton / ‘The Bell Jar changed how I felt about books’


Thursday, August 24, 2023

The difficult reconciliation of the memory of World War II with mass tourism in the Netherlands



The difficult reconciliation of the memory of World War II with mass tourism in the Netherlands

Residents of the Dutch estate portrayed in the TV series ‘Band of Brothers,’ produced by Steven Spielberg and Tom Hanks, will install a fence and charge for photos to stem the flow of tourists


ISABEL FERRER
THE HUGUE, JUNE 28, 2023

In uniform, with his helmet resting on his side and a slight smile on his face. This is how U.S. Major Richard Dick Winters posed in 1944 under the archway at the entrance to an estate in the east of the Netherlands. The complex is called Schoonderlogt and is located in the village of Elst, in the Betuwe region. The Allied troops called the area The Island and the fighting there lasted 198 days during World War II. Winters and his men, members of Easy Company, transcended the realm of military memory thanks to a television series released in 2001: Band of Brothers (HBO), co-produced by filmmaker Steven Spielberg and actor Tom Hanks. British actor Damian Lewis plays Winters, and the image of him, posing in the same place as the U.S. officer, has become so famous over time that the owners of the property are going to install a fence and charge for photos to stem the flow of tourists.

Wes Anderson on his new film ‘Asteroid City,’ AI and all those TikTok videos

 


Jason Schwartzman, from left, director Wes Anderson, Scarlett Johansson, and Tom Hanks at the premiere of the film 'Asteroid City'
 at the 76th international film festival, Cannes, southern France, Tuesday, May 23, 2023.
JOEL C RYAN



Wes Anderson on his new film ‘Asteroid City,’ AI and all those TikTok videos

Anderson says he’s never even seen a Tik Tok, Anytime anyone responds to his films, he says, “is a nice, lucky thing”

AP

CANNES, May 23, 2023

When Wes Anderson comes down from Paris for the Cannes Film Festival in the south of France, he and his actors don’t stay in one of Cannes’ luxury hotels but more than an hour down the coast and well outside the frenzy of the festival.

Tom Hanks / Writer by trade

 

Tom Hanks


Tom Hanks: Writer by trade

The actor’s recently published first novel, ‘The Making of Another Major Motion Picture Masterpiece,’ is a love letter to shooting movies, the camaraderie of film crews and a liberal, multiethnic United States


Gregorio Belinchón

Madrid, August 13, 2023

Tom Hanks is now an author. He has just written a novel, The Making of Another Major Motion Picture Masterpiece, which comes after a previous collection of short stories, Uncommon Type: Some Stories (2017). And what is the two-time Oscar winner going to talk about? Well, Hollywood, film shoots and the murky times the film industry is experiencing. And about the America in which Hanks seems to feel increasingly alone every day and, as such, becomes an aspiration that is far from reality: a multiethnic America that repays hard work and talent with promotions and decent salaries. The best that can be said about Hanks’s novel is that it oozes Hanks from every angle and that it is fluidly written. But that also weighs the book down: Hanks has not written a satire but believes in his work and, like a prestigious director, has retained control over the final editing.

Wednesday, August 23, 2023

Two Women By Tove Ditlevsen

Two Women on a Wharf, 1949
by Willem de Kooning

 


Two Women 

by Tove Ditlevsen

W

hen Britta was depressed, nervous, and restless like this, so not even a complete reorganization of all the furniture in the house, or the preparation of a complicated dinner, could help her, there were only two things that could alleviate her suffering: a visit to either the beauty parlor or the doctor. Sometimes both. The beauty parlor first, of course.