Saturday, August 26, 2023

An Encounter in the Bronx by Fleur Jaeggy

 



An Encounter in the Bronx 

by Fleur Jaeggy

Translated from the Italian by Gini Alhadeff.


Fleur Jaeggy / Un encuentro en el Bronx


I

n a restaurant with Oliver, not far from his house. First a visit to his freezing house. He loathes the heat. Or perhaps, for mental or clinical reasons I cannot know, the heat simply stifles him. It made an impression on me, the degree to which he detests the heat. Maybe because although I like the Nordic sky, ice, snow, I am sensitive to the cold. I cover up in the daytime, I cover up before going to bed, I type wearing gloves with cutoff fingers. Oliver came here one winter. He opened the windows. He went out on the terrace. I stayed in the house wearing a coat, scarf, gloves. My hands get cold. My neck. I am cold in a way I’m tempted to call internal, a terrible word, but never mind. An internal cold. Whereas Oliver is always hot. I don’t think it’s merely a physical matter. Although he weighs more than I do. Until a few months ago I weighed less than ninety pounds. But I have known thin people who hated the heat. So it’s not just a question of how a body is constructed. Nor a question of blood. Nor do I think it’s a question of feelings. Mine can be quite cold, even when I ardently wish for heat. But not too much. Naturally it depends on what type of heat it is. One summer, in Thessaloniki, Greece, there were headlines in the papers, people were dying from the heat. I realized something was odd, and I was hot, too. But I wasn’t worn out. It was the day we went looking for Philip’s tomb. It was shut. But they let us in. When it’s that hot outside, I cover myself up. Another summer in Greece, in the Peloponnese, a nun mistook me for a nun. I was wearing something long, white, and a cut of linen on my head that fell down my back.

And so, at the restaurant with Oliver. There are fish in an aquarium. Oliver and Roberto talk. Oliver orders an immense steak. Next to us, a long table. A man at the head of the table. All around him, only women. Dressed in lace, jewelry, lacquered nails, really fantastic nails. Long dresses, tight corsets embroidered in rayon, silk, sparkling, pink, mauve, yellow, white. They all look like brides. Narrow wrists. Sparkling eyes. He’s the boss. Black. Elegant. Almost distant from his women. I look at them. And I look at the aquarium. I look at one fish, I don’t know which, but he is already a friend. Quite large eyes, always the same route, half the aquarium. He seems to respond to my gaze. I have the very precise impression that he understands I am talking to him. In silence. With affection. He knows he must die. He knows he’ll have nothing more from life. And he observes the clients at the restaurant. For a moment I think that his fate is not different from mine. We are both observing. I may have an advantage, some future, a little bit of time ahead of me. Before being killed. The fish is so intelligent. His eyes express love, I am not exaggerating. The clients go toward the aquarium, with a finger they point to the fish they want to eat. The fish that will be served at the table. They come to look at him up close. He is fresh. Because he is alive. Anyone can look. And they, the fish, ogle. I feel a certain kinship between the fish and me, especially with the one I remember very well. I remember his shape. His gaze. I can’t save him. I leave the restaurant after taking my leave of him. I speak a few words of affection. I move my lips. As he does. And goodbye.


HARPERS




DE OTROS MUNDOS

8 escritoras comparten su lista definitiva de lecturas para la cuarentena
La dulce crueldad de Fleur Jaeggy
Fleur Jaeggy / Suiza, infame y genial
Fleur Jaeggy / La agonía de los insectos
Fleur Jaeggy / Pétalos enfermos
El perturbador y depurado bisturí de Fleur Jaeggy / A propósito de 'El último de la estirpe'
Fleur Jaeggy / La flor del mal
Fleur Jaeggy / Sublime extrañeza
Fleur Jaeggy / Los hermosos años del castigo / Reseña de Enrique Vila-Matas
Claustrofóbica Fleur Jaeggy
Fleur Jaeggy / Las cosas desaparecen / Entrevista

CUENTOS
Fleur Jaeggy / Negde
Fleur Jaeggy / El último de la estirpe
Fleur Jaeggy / Agnes
Fleur Jaeggy / El velo de encaje negro
Fleur Jaeggy / Un encuentro en el Bronx
Fleur Jaeggy / La heredera
Fleur Jaeggy / La elección perfecta
Fleur Jaeggy / La sala aséptica
Fleur Jaeggy / Retrato de una desconocida
Fleur Jaeggy / Gato
Fleur Jaeggy / Ósmosis
Fleur Jaeggy / La pajarera

DANTE
Il doloroso incanto di Fleur Jaeggy
Fleur Jaeggy e Franco Battiato / Romanzi e canzoni «per anni beati»

DRAGON
The Austere Fiction of Fleur Jaeggy
Fleur Jaeggy’s Mourning Exercise
The Single Most Pristine Certainty / Fleur Jaeggy, Thomas Bernhard, and the Fact of Death
Close to Nothing / The autofictional parodies of Fleur Jaeggy
The Monumental Lonerism of Fleur Jaeggy
Sacred Inertia / Review of I Am the Brother of XX & These Possible Lives by Fleur Jaeggy
I Am the Brother of XX by Fleur Jaeggy review – otherworldly short stories

SHORT STORIES
The Black Lace Veil by Fleur Jaeggy
An Encounter in the Bronx by Fleur Jaeggy
The Heir by Fleur Jaeggy
The Perfect Choice by Fleur Jaeggy

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