Image credits: Tom Newton
“I love a cape I just do, for every occasion,” says Anya Taylor-Joy. “I don’t think it’s only a special occasion thing. If I could wear a cape every day I would.” Which is lucky, because Jonathan Anderson caped her up to sit on the front row of hisdebut Dior womenswear show at Paris Fashion Week.
“I was just really drawn to it, and immediately, I thought of Catherine Deneuve in The Umbrellas of Cherbourg—that was the inspiration for the hair as well!” adds the actor.
Taylor-Joy has long been a Dior lady, delighting in its most feminine silhouettes, shimmering and sheer fabrics, and bow-adorned gowns. With Anderson, those ladylike aesthetics and exquisite details look to continue: Taylor-Joy wore a houndstooth cape with an arpeggiating hem, over a cropped white shirt that sculpted around her ribs, an ultra-flared black mini-skirt, and pointed black stilettos. Her icy blonde hair was done by longtime hairstylist Gregory Russell, who created a half-up, half-down look, affixed with a singular black ribbon. Makeup artist Georgie Eisdell used
“I really loved elements of the structure that Jonathan was putting forward,” Taylor-Joy said of the show, noting the more subversive, surprising elements that the new creative director brought to the elegant touchpoints of the house. “There was a veil that covered half the face, but instead of going from up to down, it went from down to up, and I thought that was really beautiful. There was a really great pair of jeans and a beautiful white capelet tied in a beautiful bow around the neck that I also coveted. And obviously the wing dress—that was gorgeous.”
Everyday life right now involves a lot of filming (her new movie Sacrifice—starring opposite Charli xcx, Chris Evans, and Salma Hayek Pinault—is forthcoming), so moments for dressing up are few and far between. “I am trying to make more of an effort in my down time, but I don't know, I usually structure it around something I really want to wear and then I will build the outfit up from that,” Taylor-Joy says.
But when in Paris, she’ll become a flâneuse. “I love to walk around! I tend to walk around at odd times, so I can be a bit more of a ghost in the city,” she shares. “Less people see me that way, and it’s just magical when you see places that are usually very crowded, empty. There is such cinema to that. So yeah—I love to haunt Paris at nighttime!”
See more from one of fashion and cinema’s favourite ghosts as she got ready for the Dior spring/summer 2026 show below.
“Enjoying the beauty of a terrace in Paris! I’ve been on night shoots for the last month so to see some actual sunlight was quite a treat for this vampire.”
“Le look.”
“Some of the gorgeous products used to get ready. As soon as I saw the cape I knew I wanted to pay homage to Catherine Deneuve in Les Parapluies de Cherbourg...If you haven’t done a deep dive of her looks in film and in life, you’re welcome.”
“The gorgeous Georgie and Gregory. I feel very lucky to work with the same team consistently. We all inspire each other so much and it helps that we spend most of our time cackling.”
![“I met Tom [Newton] in Cannes last year and loved his pictures—so when I heard he was in Paris, we had to have a reunion.”](https://content.api.news/v3/images/bin/7c95bf3a86671813ee377e6cdd14a110)
“I met Tom [Newton] in Cannes last year and loved his pictures—so when I heard he was in Paris, we had to have a reunion.”
“I”
“Love”
“Flowers. The weirder the better.”
“What I’ve been most excited about for Jonathan’s debut collection is the immense feel he brings to everything. There’s a grain to his work, a fit as though you’re stepping into a memory that hasn’t been made yet.”
“A few twirls and we’re off.”
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