‘The triumph of Ernaux’s approach… is to cherish commonplace emotions while elevating the banal expression of them… A monument to passions that defy simple explanations.’
— New York Times
‘A work of lyrical precision and diamond-hard clarity.’
— New Yorker
‘All this – the suffering and anxiety of waiting, the brief soulagement of lovemaking, the lethargy and fatigue that follow, the renewal of desire, the little indignities and abjections of both obsession and abandonment – Ernaux tells with calm, almost tranquillized matter-of-factness [that] feels like determination, truth to self, clarity of purpose.’
— Washington Post
‘I devoured – not once, but twice – Fitzcarraldo’s new English edition of Simple Passion, in which the great Annie Ernaux describes the suspended animation of a love affair with a man who is not free. Every paragraph, every word, brought me closer to a state of purest yearning…’
‘Simple Passion...delivers a heart-rending story of a scorching love affair, down to the tiny details, in just 48 pages. It’s a little masterpiece.’
‘What mesmerises here, as elsewhere in Ernaux’s oeuvre, is the interplay between the solipsistic intensity of the material and its documentary, disinterested, almost egoless presentation. Reminiscent of the poet Denise Riley’s Time Lived, Without its Flow, a study of how grief mangles chronology, Simple Passion is a riveting investigation, in a less tragic key, into what happens to one’s experience of time in the throes of romantic obsession.’
‘A stunning story, despite its detachment and the careful exclusions of any excess, that pulsates with the very passion Ernaux so truthfully describes... Small, but abundantly wise.’
— Kirkus
‘This meditation on the eccentricities of half-requited love, crisp and cool when outlining its absurd mental gymnastics, feels correct in this slim-volumed form… First published in 1991, the timeline is date-specific, taking in stories such as the Ceaușescu assassinations and ending at the outbreak of the first Gulf war, but at root these descriptions are eternally contemporary, with millennia of writing on the brainfog of romance in Simple Passion’s slipstream.’
‘To be devoured in one sitting.’
— Lucy Popescu, The Tablet
‘Ernaux’s slim yet incisive examination of a woman’s two-year relationship with a married man, the latest in Fitzcarraldo’s excellent series of new editions from one of France’s greatest contemporary writers.’
‘Annie Ernaux is one of my favorite contemporary writers, original and true. Always after reading one of her books, I walk around in her world for months.’
— Sheila Heti, author of Motherhood
‘The author of one of the most important oeuvres in French literature, Annie Ernaux’s work is as powerful as it is devastating, as subtle as it is seething.’
— Édouard Louis, author of The End of Eddy
‘Ernaux has inherited de Beauvoir’s role of chronicler to a generation.’
— Margaret Drabble, New Statesman
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