Hadrian The Seventh
by Frederick Rolfe
1904
One day George Arthur Rose, hack writer and minor priest, discovers that he has been picked to be Pope. He is hardly surprised and not in the least daunted. “The previous English pontiff was Hadrian the Fourth,” he declares. “The present English pontiff is Hadrian the Seventh. It pleases Us; and so, by Our own impulse, We command.” Hadrian is conceived in the image of his creator, Fr. Rolfe, whose aristocratic pretensions (he called himself Baron Corvo), religious obsession, and anarchic and self-aggrandizing sensibility have made him known as one of the great English eccentrics. Fr. Rolfe endured a lifetime of indignities and disappointments. However, in the hilarious and touching pages of this, his finest novel, he triumphs.
The prologue introduces us to George Arthur Rose (a transparent double for Rolfe himself): a failed candidate for the priesthood denied his vocation by the machinations and bungling of the Roman Catholic ecclesiastical machinery, and now living alone with his yellow cat.
Rose is visited by two prominent churchmen, one a Cardinal Archbishop. The two propose to right the wrongs done to him, ordain him a priest, and take him to Rome where the Conclave to elect the new Pope has reached deadlock. When he arrives in Rome he finds that the Cardinals have been inspired, divinely or otherwise, to offer him the Papacy. He accepts, and since the only previous English Pope was Adrian (or Hadrian) IV, he takes the name Hadrian VII.
The novel develops with this unconventional, chain-smoking Englishman peremptorily reforming the Church and the early 20th-century world, against inevitable opposition from the established Roman Catholic hierarchy, rewarding his friends and trouncing his enemies. Generally he gets his way by charm or doggedness, and of course by being much cleverer than all those round him; but his short reign is brought to an end when he is assassinated by a Pope-hating Scotsman, or possibly Ulsterman, and the world breathes a sigh of relief.
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