F is for Freud
British painter, born 1922
Lucian Freud bio
"A painter's tastes must grow out of what so obsesses him in life that he never has to ask himself what it is suitable for him to do in art."
"A painter's tastes must grow out of what so obsesses him in life that he never has to ask himself what it is suitable for him to do in art."
- Lucian Freud
From Whitehot Magazine:
Freud has produced stunning figurative paintings and portraits for over sixty years, but these lesser known etchings reveal a much more delicate approach to his subjects than his oil paintings. In this interesting mix of paintings and prints spanning six decades, Starr Figura, the curator, has engineered a fascinating glimpse at the bones behind Freud’s paintings. His first etchings were produced in the 1940’s after which he abandoned the technique for over thirty years, returning to the plates in the 1980’s. In spite of Freud’s use of color in his oil paintings, his subjects are always bleak. For Freud, the hard reality of an image is far more interesting than anything imagined. Etching, a process in which a reverse image is scratched with special needles on copper plates, is a technique that lends itself to Freud’s relentless eye. His vision is as exact and uncompromising as the hairline etches in these black and white prints. The result is powerful and a little disturbing, as though things are being magnified when we asked for no such thing. Freud is foremost a portraitist, and his unerring and often unflattering images speak of the immense depths behind the simplest objects and things. Few contemporary artists can claim the ability to capture a human emotion so precisely and so unflinchingly. His occasional forays into non human subjects show similar ability, whether it is the dense flora of his garden or the exquisite form of his dog, Pluto, which is one of the finest etchings on display.
Self-portrait with Black Eye
c. 1978
Girl With a White Dog 1951-52
Double Portrait
1985-86
"I paint people not because of what they are like, not exactly in spite of what they are like, but how they happen to be."
Lucian Freud
"Full, saturated colours have an emotional significance I want to avoid."
Lucian Freud
Gaz
1997
(This self-portrait by Lucian Freud nursing a black eye after a brawl with a taxi driver has sold for £2.8 million at auction)
Lucian Freud's paintings are not easy met up-close and personal, as they mostly found in private collections. People appear to want to keep Freud's work close to them. They are profoundly personal and original images. Freud's viewpoint on the human figures he captures on canvas certainly makes him, in my book, one of the greatest living figurative painters in the world. PS
1985-86
"I paint people not because of what they are like, not exactly in spite of what they are like, but how they happen to be."
Lucian Freud
"Full, saturated colours have an emotional significance I want to avoid."
Lucian Freud
1997
"I am only interested in painting the actual person, in doing a painting of them, not in using them to some ulterior end of art. For me, to use someone doing something not native to them would be wrong. "
Lucian Freud
Interior A
"When I make a painting, I paint as if it is the only painting I am working on. Or, further, I paint as if it is the only painting that I have ever made. Or, even further still, I paint as if it is the only painting that anyone ever has made."
- Lucian Freud
Two Men
1987-88
Lying by the Rags1989-90
The Artist's Daughter and her Husband
Portrait of Bruce Bernard
Lucian Freud
"When I make a painting, I paint as if it is the only painting I am working on. Or, further, I paint as if it is the only painting that I have ever made. Or, even further still, I paint as if it is the only painting that anyone ever has made."
- Lucian Freud
1987-88
"The paintings that really excite me have an erotic element or side to them irrespective of subject matter. "
Lucian Freud
Lucian Freud
'
Lucian Freud's paintings are not easy met up-close and personal, as they are mostly found in private collections. People appear to want to keep Freud's work close to them. They are profoundly personal and original images. Freud's viewpoint on the human figures he captures on canvas certainly makes him, in my book, one of the greatest living figurative painters in the world.
Sources
WhiteHot Magazine
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