Mrs. Dalloway in Bond Street by Virginia Woolf

Ben Brooksbank, Old Bond Street from Piccadilly, 1955

MRS DALLOWAY IN BOND STREET 

by Virginia Woolf

Virginia Woolf / La señora Dalloway en Bond Street

Mrs Dalloway said she would buy the gloves herself.

Big Ben was striking as she stepped out into the street. It was eleven o'clock and the unused hour was fresh as if issued to children on a beach. But there was something solemn in the deliberate swing of the repeated strokes; something stirring in the murmur of wheels and the shuffle of footsteps.

No doubt they were not all bound on errands of happiness. There is much more to be said about us than that we walk the streets of Westminster. Big Ben too is nothing but steel rods consumed by rust were it not for the care of H.M.'s Office of Works. Only for Mrs Dalloway the moment was complete; for Mrs Dalloway June was fresh. A happy childhood—and it was not to his daughters only that Justin Parry had seemed a fine fellow (weak of course on the Bench); flowers at evening, smoke rising; the caw of rooks falling from ever so high, down down through the October air—there is nothing to take the place of childhood. A leaf of mint brings it back: or a cup with a blue ring.

Poor little wretches, she sighed, and pressed forward. Oh, right under the horses' noses, you little demon! and there she was left on the kerb stretching her hand out, while Jimmy Dawes grinned on the further side.

A charming woman, poised, eager, strangely white-haired for her pink cheeks, so Scope Purvis, C.C.B., saw her as he hurried to his office. She stiffened a little, waiting for burthen's van to pass. Big Ben struck the tenth; struck the eleventh stroke. The leaden circles dissolved in the air. Pride held her erect, inheriting, handing on, acquainted with discipline and with suffering. How people suffered, how they suffered, she thought, thinking of Mrs Foxcroft at the Embassy last night decked with jewels, eating her heart out, because that nice boy was dead, and now the old Manor House (Durtnall's van passed) must go to a cousin.

'Good morning to you!' said Hugh Whitbread raising his hat rather extravagantly by the china shop, for they had known each other as children. 'Where are you off to?'

'I love walking in London,' said Mrs Dalloway. 'Really it's better than walking in the country!'

'We've just come up,' said Hugh Whitbread. 'Unfortunately to see doctors.'

'Milly?' said Mrs Dalloway, instantly compassionate.

'Out of sorts,' said Hugh Whitbread. 'That sort of thing. Dick all right?'

'First rate!' said Clarissa.

Of course, she thought, walking on, Milly is about my age—fifty, fifty-two. So it is probably that, Hugh's manner had said so, said it perfectly—dear old Hugh, thought Mrs Dalloway, remembering with amusement, with gratitude, with emotion, how shy, like a brother—one would rather die than speak to one's brother—Hugh had always been, when he was at Oxford, and came over, and perhaps one of them (drat the thing!) couldn't ride. How then could women sit in Parliament? How could they do things with men? For there is this extra-ordinarily deep instinct, something inside one; you can't get over it; it's no use trying; and men like Hugh respect it without our saying it, which is what one loves, thought Clarissa, in dear old Hugh.

She had passed through the Admiralty Arch and saw at the end of the empty road with its thin trees Victoria's white mound, Victoria's billowing motherliness, amplitude and homeliness, always ridiculous, yet how sublime, thought Mrs Dalloway, remembering Kensington Gardens and the old lady in horn spectacles and being told by Nanny to stop dead still and bow to the Queen. The flag flew above the Palace. The King and Queen were back then. Dick had met her at lunch the other day—a thoroughly nice woman. It matters so much to the poor, thought Clarissa, and to the soldiers. A man in bronze stood heroically on a pedestal with a gun on her left hand side—the South African war. It matters, thought Mrs Dalloway walking towards Buckingham Palace. There it stood four-square, in the broad sunshine, uncompromising, plain. But it was character, she thought; something inborn in the race; what Indians respected. The Queen went to hospitals, opened bazaars—the Queen of England, thought Clarissa, looking at the Palace. Already at this hour a motor car passed out at the gates; soldiers saluted; the gates were shut. And Clarissa, crossing the road, entered the Park, holding herself upright.

June had drawn out every leaf on the trees. The mothers of Westminster with mottled breasts gave suck to their young. Quite respectable girls lay stretched on the grass. An elderly man, stooping very stiffly, picked up a crumpled paper, spread it out flat and flung it away. How horrible! Last night at the Embassy Sir Dighton had said, 'If I want a fellow to hold my horse, I have only to put up my hand.' But the religious question is far more serious than the economic, Sir Dighton had said, which she thought extraordinarily interesting, from a man like Sir Dighton. 'Oh, the country will never know what it has lost,' he had said, talking of his own accord, about dear Jack Stewart.

She mounted the little hill lightly. The air stirred with energy. Messages were passing from the Fleet to the Admiralty. Piccadilly and Arlington Street and the Mall seemed to chafe the very air in the Park and lift its leaves hotly, brilliantly, upon waves of that divine vitality which Clarissa loved. To ride; to dance; she had adored all that. Or going long walks in the country, talking, about books, what to do with one's life, for young people were amazingly priggish—oh, the things one had said! But one had conviction. Middle age is the devil. People like Jack'll never know that, she thought; for he never once thought of death, never, they said, knew he was dying. And now can never mourn—how did it go?—a head grown grey...From the contagion of the world's slow stain,...have drunk their cup a round or two before...From the contagion of the world's slow stain! She held herself upright.

But how jack would have shouted! Quoting Shelley, in Piccadilly, 'You want a pin,' he would have said. He hated frumps. 'My God Clarissa! My God Clarissa!'—she could hear him now at the Devonshire House party, about poor Sylvia Hunt in her amber necklace and that dowdy old silk. Clarissa held herself upright for she had spoken aloud and now she was in Piccadilly, passing the house with the slender green columns, and the balconies; passing club windows full of newspapers; passing old Lady Burdett-Coutts' house where the glazed white parrot used to hang; and Devonshire House, without its gilt leopards; and Claridge's, where she must remember Dick wanted her to leave a card on Mrs Jepson or she would be gone. Rich Americans can be very charming. There was St James's Palace; like a child's game with bricks; and now—she had passed Bond Street—she was by Hatchard's book shop. The stream was endless—endless endless. Lords, Ascot, Hurlingham—what was it? What a duck, she thought, looking at the frontispiece of some book of memoirs spread wide in the bow window, Sir Joshua perhaps or Romney; arch, bright, demure; the sort of girl—like her own Elizabeth—the only real sort of girl. And there was that absurd book, Soapy Sponge, which Jim used to quote by the yard; and Shakespeare's Sonnets. She knew them by heart. Phil and she had argued all day about the Dark Lady, and Dick had said straight out at dinner that night that he had never heard of her. Really, she had married him for that! He had never read Shakespeare! There must be some little cheap book she could buy for Milly—Cranford of course! Was there ever anything so enchanting as the cow in petticoats? If only people had that sort of humour, that sort of self-respect now, thought Clarissa, for she remembered the broad pages; the sentences ending; the characters—how one talked about them as if they were real. For all the great things one must go to the past, she thought. From the contagion of the world's slow stain...Fear no more the heat o' the sun...And now can never mourn, can never mourn, she repeated, her eyes straying over the window; for it ran in her head; the test of great poetry; the moderns had never written anything one wanted to read about death, she thought; and turned.

Omnibuses joined motor cars; motor cars vans; vans taxicabs, taxicabs motor cars—here was an open motor car with a girl, alone. Up till four, her feet tingling, I know, thought Clarissa, for the girl looked washed out, half asleep, in the corner of the car after the dance. And another car came; and another. No! No! No! Clarissa smiled good-naturedly. The fat lady had taken every sort of trouble, but diamonds! orchids! at this hour of the morning! No! No! No! The excellent policeman would, when the time came, hold up his hand. Another motor car passed. How utterly unattractive! Why should a girl of that age paint black round her eyes? And a young man, with a girl, at this hour, when the country— The admirable policeman raised his hand and Clarissa acknowledging his sway, taking her time, crossed, walked towards Bond Street; saw the narrow crooked street, the yellow banners; the thick notched telegraph wires stretched across the sky.

A hundred years ago her great-great-grandfather, Seymour Parry, who ran away with Conway's daughter, had walked down Bond Street. Down Bond Street the Parrys had walked for a hundred years, and might have met the Dalloways (Leighs on the mother's side) going up. Her father got his clothes from Hill's. There was a roll of cloth in the window, and here just one jar on a black table, incredibly expensive; like the thick pink salmon on the ice block at the fish monger's. The jewels were exquisite—pink and orange stars, paste, Spanish, she thought, and chains of old gold; starry buckles, little brooches which had been worn on sea-green satin by ladies with high head-dresses. But no good looking! One must economise. She must go on past the picture dealer's where one of the odd French pictures hung, as if people had thrown confetti—pink and blue—for a joke. If you had lived with pictures (and it's the same with books and music) thought Clarissa, passing the Aeolian Hall, you can't be taken in by a joke.

The river of Bond Street was clogged. There, like a Queen at a tournament, raised, regal, was Lady Bexborough. She sat in her carriage, upright, alone, looking through her glasses. The white glove was loose at her wrist. She was in black, quite shabby, yet, thought Clarissa, how extraordinarily it tells, breeding, self-respect, never saying a word too much or letting people gossip; an astonishing friend; no one can pick a hole in her after all these years, and now, there she is, thought Clarissa, passing the Countess who waited powdered, perfectly still, and Clarissa would have given anything to be like that, the mistress of Clarefield, talking politics, like a man. But she never goes anywhere, thought Clarissa, and it's quite useless to ask her, and the carriage went on and Lady Bexborough was borne past like a Queen at a tournament, though she had nothing to live for and the old man is failing and they say she is sick of it all, thought Clarissa and the tears actually rose to her eyes as she entered the shop.

'Good morning,' said Clarissa in her charming voice. 'Gloves,' she said with her exquisite friendliness and putting her bag on the counter began, very slowly, to undo the buttons. 'White gloves,' she said. 'Above the elbow,' and she looked straight into the shop-woman's face—but this was not the girl she remembered? She looked quite old. 'These really don't fit,' said Clarissa. The shop-girl looked at them. 'Madame wears bracelets?' Clarissa spread out her fingers. 'Perhaps it's my rings.' And the girl took the grey gloves with her to the end of the counter.

Yes, thought Clarissa, if it's the girl I remember, she's twenty years older...There was only one other customer, sitting sideways at the counter, her elbow poised, her bare hand drooping, vacant; like a figure on a Japanese fan, thought Clarissa, too vacant perhaps, yet some men would adore her. The lady shook her head sadly. Again the gloves were too large. She turned round the glass. 'Above the wrist,' she reproached the grey-headed woman; who looked and agreed.

They waited; a clock ticked; Bond Street hummed, dulled, distant; the woman went away holding gloves. 'Above the wrist,' said the lady, mournfully, raising her voice. And she would have to order chairs, ices, flowers, and cloak-room tickets, thought Clarissa. The people she didn't want would come; the others wouldn't. She would stand by the door. They sold stockings—silk stockings. A lady is known by her gloves and her shoes, old Uncle William used to say. And through the hanging silk stockings quivering silver she looked at the lady, sloping shouldered, her hand drooping, her bag slipping, her eyes vacantly on the floor. It would be intolerable if dowdy women came to her party! Would one have liked Keats if he had worn red socks? Oh, at last—she drew into the counter and it flashed into her mind:

'Do you remember before the war you had gloves with pearl buttons?'

'French gloves, Madame?'

'Yes, they were French,' said Clarissa. The other lady rose very sadly and took her bag, and looked at the gloves on the counter. But they were all too large—always too large at the wrist.

'With pearl buttons,' said the shop-girl, who looked ever so much older. She split the lengths of tissue paper apart on the counter. With pearl buttons, thought Clarissa, perfectly simple—how French!

'Madame's hands are so slender,' said the shop-girl, drawing the glove firmly, smoothly, down over her rings. And Clarissa looked at her arm in the looking-glass. The glove hardly came to the elbow. Were there others half an inch longer? Still it seemed tiresome to bother her perhaps the one day in the month, thought Clarissa, when it's an agony to stand. 'Oh, don't bother,' she said. But the gloves were brought.

'Don't you get fearfully tired,' she said in her charming voice, 'standing? When d'you get your holiday?'

'In September, Madame, when we're not so busy.'

When we're in the country thought Clarissa. Or shooting. She has a fortnight at Brighton. In some stuffy lodging. The landlady takes the sugar. Nothing would be easier than to send her to Mrs Lumley's right in the country (and it was on the tip of her tongue). But then she remembered how on their honeymoon Dick had shown her the folly of giving impulsively. It was much more important, he said, to get trade with China. Of course he was right. And she could feel the girl wouldn't like to be given things. There she was in her place. So was Dick. Selling gloves was her job. She had her own sorrows quite separate, 'and now can never mourn, can never mourn,' the words ran in her head. 'From the contagion of the world's slow stain,' thought Clarissa holding her arm stiff, for there are moments when it seems utterly futile (the glove was drawn off leaving her arm flecked with powder)—simply one doesn't believe, thought Clarissa, any more in God.

The traffic suddenly roared; the silk stockings brightened. A customer came in.

'White gloves,' she said, with some ring in her voice that Clarissa remembered.

It used, thought Clarissa, to be so simple. Down down through the air came the caw of the rooks. When Sylvia died, hundreds of years ago, the yew hedges looked so lovely with the diamond webs in the mist before early church. But if Dick were to die tomorrow, as for believing in God—no, she would let the children choose, but for herself, like Lady Bexborough, who opened the bazaar, they say, with the telegram in her hand—Roden, her favourite, killed—she would go on. But why, if one doesn't believe? For the sake of others, she thought, taking the glove in her hand. The girl would be much more unhappy if she didn't believe.

'Thirty shillings,' said the shop-woman. 'No, pardon me Madame, thirty-five. The French gloves are more.'

For one doesn't live for oneself, thought Clarissa.

And then the other customer took a glove, tugged it, and it split.

'There!' she exclaimed.

'A fault of the skin,' said the grey-headed woman hurriedly. 'Sometimes a drop of acid in tanning. Try this pair, Madame.'

'But it's an awful swindle to ask two pound ten!'

Clarissa looked at the lady; the lady looked at Clarissa.

'Gloves have never been quite so reliable since the war,' said the shop-girl, apologising, to Clarissa.

But where had she seen the other lady?—elderly, with a frill under her chin; wearing a black ribbon for gold eyeglasses; sensual, clever, like a Sargent drawing. How one can tell from a voice when people are in the habit, thought Clarissa, of making other people—'It's a shade too tight,' she said—obey. The shop-woman went off again. Clarissa was left waiting. Fear no more she repeated, playing her finger on the counter. Fear no more the heat o' the sun. Fear no more she repeated. There were little brown spots on her arm. And the girl crawled like a snail. Thou thy worldly task hast done. Thousands of young men had died that things might go on. At last! Half an rich above the elbow; pearl buttons; five and a quarter. My dear slow coach, thought Clarissa, do you think I can sit here the whole morning? Now you'll take twenty-five minutes to bring me my change!

There was a violent explosion in the street outside. The shop-women cowered behind the counters. But Clarissa, sitting very upright, smiled at the other lady. 'Miss Anstruther!' she exclaimed.

---

A WOMAN'S COLLEGE FROM OUTSIDE

The feathery-white moon never let the sky grow dark; all night the chestnut blossoms were white in the green, and dim was the cow-parsley in the meadows. Neither to Tartary nor to Arabia went the wind of the Cambridge courts, but lapsed dreamily in the midst of grey-blue clouds over the roofs of Newnham. There, in the garden, if she needed space to wander, she might find it among the trees; and as none but women's faces could meet her face, she might unveil it blank, featureless, and gaze into rooms where at that hour, blank, featureless, eyelids white over eyes, ringless hands extended upon sheets, slept innumerable women. But here and there a light still burned.

A double light one might figure in Angela's room, seeing how bright Angela herself was, and how bright came back the reflection of herself from the square glass. The whole of her was perfectly delineated—perhaps the soul. For the glass held up an untrembling image—white and gold, red slippers, pale hair with blue stones in it, and never a ripple or shadow to break the smooth kiss of Angela and her reflection in the glass, as if she were glad to be Angela. Anyhow the moment was glad the bright picture hung in the heart of night, the shrine hollowed in the nocturnal blackness. Strange indeed to have this visible proof of the rightness of things; this lily floating flawless upon Time's pool, fearless, as if this were sufficient—this reflection. Which meditation she betrayed by turning, and the mirror held nothing at all, or only the brass bedstead, and she, running here and there, patting, and darting, became like a woman in a house, and changed again, pursing her lips over a black book and marking with her finger what surely could not be a firm grasp of the science of economics. Only Angela Williams was at Newnham for the purpose of earning her living, and could not forget even in moments of impassioned adoration the cheques of her father at Swansea; her mother washing in the scullery: pink frocks out to dry on the line; tokens that even the lily no longer floats flawless upon the pool, but has a name on a card like another.

A. Williams—one may read it in the moonlight; and next to it some Mary or Eleanor, Mildred, Sarah, Phoebe upon square cards on their doors. All names, nothing but names. The cool white light withered them and starched them until it seemed as if the only purpose of all these names was to rise martially in order should there be a call on them to extinguish a fire, suppress an insurrection, or pass an examination. Such is the power of names written upon cards pinned upon doors. Such too the resemblance, what with tiles, corridors, and bedroom doors, to dairy or nunnery, a place of seclusion or discipline, where the bowl of milk stands cool and pure and there's a great washing of linen.

At that very moment soft laughter came from behind a door. A prim-voiced clock struck the hour—one, two. Now if the clock were issuing his commands, they were disregarded. Fire, insurrection, examination, were all snowed under by laughter, or softly uprooted, the sound seeming to bubble up from the depths and gently waft away the hour, rules, discipline. The bed was strewn with cards. Sally was on the floor. Helena in the chair. Good Bertha clasping her hands by the fire-place. A. Williams came in yawning.

'Because it's utterly and intolerably damnable,' said Helena.

'Damnable,' echoed Bertha. Then yawned.

'We're not eunuchs.'

'I saw her slipping in by the back gate with that old hat on. They don't want us to know.'

'They?' said Angela. 'She.'

Then the laughter.

The cards were spread, falling with their red and yellow, faces on the table, and hands were dabbled in the cards. Good Bertha, leaning with her head against the chair, sighed profoundly. For she would willingly have slept, but since night is free pasturage, a limitless field, since night is unmoulded richness, one must tunnel into its darkness. One must hang it with jewels. Night was shared in secret, day browsed on by the whole flock. The blinds were up. A mist was on the garden. Sitting on the floor by the window (while the others played), body, mind, both together, seemed blown through the air, to trail across the bushes. Ah, but she desired to stretch out in bed and to sleep! She believed that no one felt her desire for sleep; she believed humbly—sleepily—with sudden nods and lurchings, that other people were wide awake. When they laughed all together a bird chirped in its sleep out in the garden, as if the laughter...

Yes, as if the laughter (for she dozed now) floated out much like mist and attached itself by soft elastic shreds to plants and bushes, so that the garden was vaporous and clouded. And then, swept by the wind, the bushes would bow themselves and the white vapour blow off across the world.

From all the rooms where women slept this vapour issued, attaching itself to shrubs, like mist, and then blew freely out into the open. Elderly women slept, who would on waking immediately clasp the ivory rod of office. Now smooth and colourless, reposing deeply, they lay surrounded, lay supported, by the bodies of youth recumbent or grouped at the window; pouring forth into the garden this bubbling laughter, this irresponsible laughter: this laughter of mind and body floating away rules, hours, discipline: immensely fertilising, yet formless, chaotic, trailing and straying and tufting the rose-bushes with shreds of vapour.

'Ah,' breathed Angela, standing at the window in her night-gown. Pain was in her voice. She leant her head out. The mist was cleft as if her voice parted it. She had been talking, while the others played, to Alice Avery, about Bamborough Castle; the colour of the sands at evening; upon which Alice said she would write and settle the day, in August, and stooping, kissed her, at least touched her head with her hand, and Angela, positively unable to sit still, like one possessed of a wind-lashed sea in her heart, roamed up and down the room (the witness of such a scene) throwing her arms out to relieve this excitement, this astonishment at the incredible stooping of the miraculous tree with the golden fruit at its summit—hadn't it dropped into her arms? She held it glowing to her breast, a thing not to be touched, thought of, or spoken about, but left to glow there. And then, slowly putting there her stockings, there her slippers, folding her petticoat neatly on top, Angela, her other name being Williams, realised—how could she express it?—that after the dark churning of myriad ages here was light at the end of the tunnel; life; the world. Beneath her it lay—all good; all lovable. Such was her discovery.

Indeed, how could one then feel surprise if, lying in bed, she could not close her eyes?—something irresistibly unclosed them—if in the shallow darkness chair and chest of drawers looked stately, and the looking-glass precious with its ashen hint of day? Sucking her thumb like a child (her age nineteen last November), she lay in this good world, this new world, this world at the end of the tunnel, until a desire to see it or forestall it drove her, tossing her blankets, to guide herself to the window, and there, looking out upon the garden, where the mist lay, all the windows open, one fiery-bluish, something murmuring in the distance, the world of course, and the morning coming, 'Oh,' she cried, as if in pain.