Wednesday, August 31, 2022

Biographies / Alexander Trocchi

 

Alexander Trocchi

Alexander Trocchi

1925 - 1984

The biography of Alexander Trocchi suggests a life of many parts: writer, artist, husband, father, activist, heroin-addict, revolutionary. Trocchi was born in Glasgow in 1925 to an Italian father and a Scottish mother. He attended Glasgow University from 1942-43 before joining the Royal Navy from 1943-46. Perhaps unsurprisingly, military life didn’t suit him and he returned to University to study philosophy. In the late 1940s he moved to Paris, where he edited the avante-garde literary journal Merlin, which published, amongst others, the work of Samuel Beckett and Jean-Paul Sartre. It was in Paris that Trocchi began his own writing career under the auspices of Maurice Girodias’s infamous Olympia Press. His early fiction is concerned with the erotic, some might say pornographic, and much of this early work was banned in Britain, France and America.


In the late 1950s Trocchi left Paris for the U.S, finally settling in New York. It was at this time that Trocchi began his experimentations in drug culture as part of the ‘turn-on, tune-in, drop-out’ generation and was briefly imprisoned in New York for his associations with illegal drug taking. It was at this time too that Trocchi wrote Cain’s Book telling of his sexual misadventures and heroin highs during his time living on the Hudson River. French existentialism (a philosophy which asserts that Man is a free agent, unbound by God, and that he must accept responsibility for his actions in a seemingly meaningless universe) and the New York and San Francisco ‘beat scene’ (which stressed the values of non-conformity, freedom and experimentation), made a profound impact on Trocchi’s writing. His novels deal with human isolation in a society marked by moral ambivalence and alienation.

Platform by Michel Houellebecq / Excerpt

 



Platform
by Michel Houellebecq
Excerpt

Rowan Somerville's top 10 of good sex in fiction


1


Father died last year. I don’t subscribe to the theory that we only become truly adult when our parents die; we never become truly adult.

I wrote the story of O

 




I wrote the story of O

It's an erotic classic yet it was written anonymously by a shy, intellectual French woman in honour of her secret lover. Fifty years on, Geraldine Bedell goes in search of Dominique Aury, one of the first women to write frankly about sex

Geraldine Bedell
Sunday 25 July 2004

F

ifty years ago, an extraordinary pornographic novel appeared in Paris. Published simultaneously in French and English, Story of O portrayed explicit scenes of bondage and violent penetration in spare, elegant prose, the purity of the writing making the novel seem reticent even as it dealt with demonic desire, with whips, masks and chains.

Bad sex award goes to novelist Rowan Somerville

Rowan Somerville. Photograph: Dave M Benett


Bad sex award goes to novelist Rowan Somerville

This article is more than 11 years old
Lurid insect imagery secures prize for The Shape of Her, just ahead of Alastair Campbell, who was disqualified for wanting to win

Maev Kennedy
Tue 30 Nov 2010 10.49 GMT

 

With one killer sentence using the image of a butterfly collector – "like a lepidopterist mounting a tough-skinned insect with a too blunt pin he screwed himself into her" – the novelist Rowan Somerville demolished all comers and secured this year's coveted Literary Review Bad Sex award.

Tuesday, August 30, 2022

Alan Hollinghurst on Edmund White's gay classic A Boy’s Own Story



REREADING

Alan Hollinghurst on Edmund White's gay classic A Boy’s Own Story

A Boy’s Own Story chronicles a teenager’s journey to adulthood in the 1950s midwest


Alan Hollinghurst
Friday 10 June 2016

 

ABoy’s Own Story is both a masterpiece in the literature of adolescence and a pivotal book in the history of gay writing, opening up the landscape of teenage homosexuality with revelatory frankness. “What if,” its narrator wonders, “I could write about my life exactly as it was? What if I could show it in all its density and tedium and its concealed passion, never divined or expressed?” The “realism” of the 19th-century fiction he devours seems to him a kind of fantasy, creating a “parallel life”, “tinglingly far-fetched”. Could there be a new realism that faithfully depicted the inner and outer worlds he actually lived in? In the midwest of the 1950s the growing-up of a young gay man is a vulnerable, marginal, barely visible thing, riven by confusion, self-hatred and doubt. Edmund White’s novel, doing justice to all this confusion, tingles none the less with its own excitement: the value, and novelty, the sheer teeming interest, of telling the truth. More than 30 years on, in a culture in which sexual truth-telling is ubiquitous, it retains its power to startle: in the tense insouciance with which it describes a 14-year-old’s lust for his father, or his earning money to pay for a hustler; or in the hair-raising betrayal that brings the novel to its close, a wilful act towards which we see the whole narrative has been moving with an awful logic.

Rowan Somerville's top 10 of good sex in fiction

 



Rowan Somerville's top 10 of good sex in fiction

From Bram Stoker to Vladimir Nabokov, the novelist selects the best writing about a subject 'central to much of our lives and indeed life itself'

Rowan Somerville
Wed 15 Dec 2010 12.21 GMT

Rowan Somerville is the author of two novels, The End of Sleep and this year's The Shape of Her, described by the Economist as "deceptively simple in plot and singularly musical in its voice, it is a study of the place where our past has become our present. A summer read to be kept – and visited in the dark days of winter..." Last month, the novel followed authors including John Updike and Norman Mailer in winning the Literary Review's Bad Sex in fiction award.

"Most adults are interested in sex. I am. My father was, and said as much to me when he was 92. I suspect that you are too. You're reading this after all. Being so central to much of our lives and indeed life itself, it is a valid and important topic for fiction.

"The challenge of writing about sex is to evoke the physicality, the yearning, the counterpoint between magnificent operatic grandiosity and ludicrous bestial grunting – without resorting to cliché. As the American author Elizabeth Benedict wrote: 'A good sex scene is not always about good sex, but it is always an example of good writing.' As an enthusiastic reader and a writer too, my opinion is that it doesn't matter how weird things get as long as it remains original and feels authentic.

"Some of the sex in the books below works as a device for revealing the state of society, some is a device for characterisation; a way of revealing truths about characters that they themselves may not be able to see – but most of it is just about desire, lust and sex itself."

10. Platform by Michel Houellebecq (2003)

Strange perhaps to begin this list with a book I really dislike – but churlish I feel to leave it out when it is such a reflection of contemporary views. Bleak, cold and mechanical, it's sex in a world without spirit with a faint possibility of redemption through heartless shagging.



9. The Story of O by Pauline Réage (1954)

A male fantasy of total female submission. It was hugely popular but also despised for its objectification of woman – the protagonist is called "O" – no more than a letter, a zero, an orifice. Half a century later it is discovered to be the work of a woman, Anne Desclos, who wrote not for publication but for the pleasure of her lover. It's fascinating: erotic, intense, in parts repellent, frequently pornographic and ultimately self-annihilating.




8. A Boy's Own Story by Edmund White (1982)

Aficionados the world over will laugh at my tentative and no doubt outdated steps into fiction about gay sex, but as a (so far) straight man this was my introduction. Beautiful language, powerful story; saucy too if you can let yourself go.



7. Thongs by Alexander Trocchi (1955)

I bought this because it was meant to be disgusting and then found it to be much more than that. I was disappointed and later inspired – although it is pretty grubby. It was published by the Olympia Press – a Parisian publishing company specialising in erotica and the avant-garde. Five of the 10 books on this list were first published by this extraordinary house along with a host of classics such as Naked Lunch, Tropic of Cancer and The Ginger Man .






6. Dracula by Bram Stoker (1897)

This Victorian classic has never been out of print, spawning dozens of books, films and more recently all those camp US teen dramas where sexual passion is faintly camouflaged as bloodlust. The original is a superb gothic tale of repressed sexuality and the savagery of its release. Strange today, that a society can gaze calmly at surgically enhanced teenagers ripping out each others throats and gorging on blood but one naked breast in the American Superbowl and moral panic erupts.



5. Lady Chatterley's Lover by DH Lawrence (1928)

Has to go in. Since everything's already been said about this, let's hear from a great poet: "Sexual intercourse began / In nineteen sixty-three (which was rather late for me) / Between the end of the "Chatterley" ban/ And The Beatles' first LP." (Philip Larkin "Annus Mirabilis")




4. The Bloody Chamber by Angela Carter (1979)

Short stories retelling traditional tales and uncovering the sexual politics within. Her sentences reclaim and radicalise patriarchal language: "her cunt a split fig below the great globes of her buttocks". Funny, original, and brilliant.



3. The Story of the Eye by Georges Bataille (1928)

Unnerving, delicious, completely wrong, provocative, unbridled, surreal, graphically erotic, boundless and imaginative, indulgent and beautiful. What more can I say?

2. The Crimson Petal and the White by Michel Faber (2002)

A work of art by our greatest living writer. The 19th century seen through a fiercely modern cinematic lens. Faber tears the gauze and the drawers off Victorian England with his skilful prose and virtuoso structure. Behold the wonderful heroine Sugar – complex, flaky of skin, keen of mind – ready to do what no one else will. A big book in every sense. Essential.



1. Lolita by Vladimir Nabokov (1955)

Although about a sociopath's utterly self-serving "love" for a minor this is also one of the greatest novels in the English language. The force of the writing is unparalleled. The balance of humour and horror, sex and satire, irony and delusion is extraordinary, and to me, without flaw. Just as the narrator and protagonist Humbert Humbert seduces Lolita through deceit and thus reveals himself, so we too are seduced, deceived and revealed to ourselves with an artistry and uncompromising cruelty that is an appropriate and profoundly moral commentary on society.

THE GUARDIAN



50 Fascinating Works of Angela Carter Fan Art

 

“The Company of Wolves,” by Emily W. Martin


50 Fascinating Works of Angela Carter Fan Art

Cats & Keys, Blood & Breasts, Wolves & Women

Emily Temple
March 30, 2017

Angela Carter is one of those rare writers who has not only readers but fans. That is, those who not only love her work but who also use it to self-identify, who make it a part of their lives, and in this case, who make art about it. There is a lot of Angela Carter fan art out there. Perhaps you would like to see some of it. NB: I’m using the term “fan art” here to refer to work by amateur artists and illustrators as well as established ones, so long as the the artwork in question was never actually used as official art for any of Carter’s books. They read the book; they made the art. There may, it’s true, be a particularly good selection of Carter fan art online because of the 2012 competition, hosted by the Folio Society, to illustrate a new edition of The Bloody Chamber—the winner, Igor Karash, had his art used as the cover and interior illustrations for the book. As it has been published, Karash’s work is not included below—but many of his fellow contestants and finalists are, and I’ve noted these where the artist has identified them as such. Enjoy scrolling through the great artwork below, and if it inspires you to go back and re-read The Bloody Chamber, well, so much the better.

Monday, August 29, 2022

Frankissstein by Jeanette Winterson review / An inventive reanimation




BOOK OF THE DAY 

Frakissstein by Jeanette Winterson review – an inventive reanimation


This reimagining of a classic shifts our view of humanity in a darkly entertaining style


Johanna Thomas-Corr
Mon 20 May 2019 07.00 BST


A

t an advanced stage of a prolific career, Jeanette Winterson has had a surge of inventiveness. Frankissstein, her playful reanimation of Mary Shelley’s 1818 classic, gamely links arms with the zeitgeist. It’s a book about artificial intelligence and gender fluidity that also harks back to themes Winterson has been writing about for the past 30 years: love and desire, transformation and the unwritten meanings of the body.

Saturday, August 27, 2022

Lucia Berlin / Memories of Mexico

 

Lucia Berlin with her sons Jeff and Mark Mirador Hotel Acapulco Mexico November 1961.

Lucia Berlin with her sons Jeff and Mark, Mirador Hotel, Acapulco, Mexico, November, 1961.

 
Photograph by Buddy Berlin / Literary Estate of Lucia Berlin

Memories of Mexico



Lucia Berlin was a writer whose work went under-read for much of her life. For many readers, “A Manual for Cleaning Women,” a collection of selected stories published in 2015, eleven years after her death, at the age of sixty-eight, was the first introduction to stories that, as Lydia Davis, long an admirer of Berlin’s, observed, “are electric, they buzz and crackle as the live wires touch.”

Friday, August 26, 2022

Lucia Berlin’s Harrowing, Radiant Fiction




Illustration: Celina Pereira


Lucia Berlin’s Harrowing, Radiant Fiction

Having lived a hard life, the late author refused to erase her female characters—or the brutality that deranges them.

There’s a mountain recluse who appears twice in Lucia Berlin’s prose, once in a story from her 2015 collection, A Manual for Cleaning Women, and once in an autobiographical scrap from a new book, Welcome Home: A Memoir With Selected Photographs and Letters. She describes meeting the man when she was a little girl; her father had befriended him and, before the snows began, would visit with Berlin in tow, lugging stacks of magazines with them through the woods. While the men talked, Berlin was given a task: tearing out the pages of the magazines and using them to wallpaper the man’s cabin.

Evening in Paradise / More Stories by Lucia Berlin / Review





BOOK OF THE DAY
Evening in Paradise: More Stories by Lucia Berlin – review

A second posthumous selection of stories by the feted American author of A Manual for Cleaning Women shines with compassion and dark wit

Johanna Thomas-Corr
Tuesday 20 November 2018

A

14-year-old girl in Chile is seduced by a wealthy widower moments after their carriage plunges into an icy stream. A pregnant woman murders her wealthy husband’s heroin dealer in Mexico while her children sleep upstairs. An old lady hurls abuse at her party guests from the roof of her house in Texas.

Lucia Berlin / Lost in the Louvre




Evening in Paradise is a collection of previously uncompiled stories from the short-story master and literary sensation, Lucia Berlin. After reading them, Dwight Garner of The New York Times wrote, “Berlin probably deserved a Pulitzer Prize.” The stories take us from Texas to Chile, Mexico to New York City—with Berlin finding beauty in the darkest places and darkness in the seemingly pristine. Evening in Paradise is an essential piece of Berlin’s oeuvre, and a stunning follow-up to her bestselling A Manual for Cleaning Women.

Thursday, August 25, 2022

Very Cold People by Sarah Manguso review / A masterclass in unease

 




Very Cold People by Sarah Manguso review – a masterclass in unease

The American writer’s first novel applies her spare, elliptical style to a creepy coming-of-age tale set in Massachusetts

Johanna Thomas-Corr
Tue 26 Apr 2022 07.00 BST

When I finished Very Cold People, I felt my whole body unclench. In the process of reading this creepy coming-of-age tale, I seemed to have trapped a nerve in my shoulder – it’s that tense. It’s a novel in which nothing very much happens for about 100 pages but small objects – Barbie dolls, Girl Scout sashes, bubble gum, nail polish, a knitted scarf – assume vast significance, and small kindnesses feel overwhelming. When a friend tips candy into the hand of the narrator, Ruthie, she says: “I couldn’t believe how much she was giving me. Just giving it to me, when she could have eaten it herself.” Any act of generosity feels too good to be true.