Monday, September 30, 2024

James G. Todd / The Trial by Kafka

 


Franz Kafka's The Trial: Josef K's End1977


THE TRIAL 

BY FRANZ KAFKA

Illustrations by James G. Todd



Franz Kafka's The Trial: Josef K. Meets Painter1977




Franz Kafka's The Trial: Leni's Kiss1977

Kafka’s Sirens (Revisiting a Jewish Generation)

 


El Lissitsky, ‘Announcer’, 1923 © Wikiart

 

Kafka’s Sirens (Revisiting a Jewish Generation)

What did Kafka’s work mean to the rising generation of German Jews who embraced it with fervor in the 1910s and 1920s? What experience of the modern European Jew was refracted for them in his writings? Faithful to Kafka’s heartfelt cry of “Psychology, Never Again!” Bruno Karsenti traces the profoundly modern path that Kafka traced out for this generation, a path that one could tread without nostalgia for a lost Orthodox world, but along which one draws strength from a tradition that cannot be silenced, even to the point that its silence moves us.



“Kafka kept asking himself: ‘How do we get through life?’” Interview with Reiner Stach

 


Kafka and his sister Ottla

 


“Kafka kept asking himself: ‘How do we get through life?’” Interview with Reiner Stach

In a magnificent biography, Reiner Stach brings to light, with scientific meticulousness and a rare narrative brilliance, a Kafka in colour, caught up in his intimate contradictions and those of his time.  In this first volume, devoted to the years 1910-1915, the reader follows step by step his discovery of Yiddish theatre, the consolidation of his vocation as a writer and his attempt to establish a love and marital bond with Felice Bauer through a monumental epistolary relationship. A meeting with Reiner Stach, who renews our vision of Kafka and our perception of the biographical genre.


Kafka’s K.

Franz Kafka, Author anonymous.


Kafka’s K.


Jean-Pierre Lefebvre is the author of the most recent French translations of Kafka’s short stories, novellas and novels, published in the Pléiade (the French Great Books collection) in 2018. He is currently editing Kafka’s diaries and letters for publication. For the first issue of the review K., we could not help but ask him what images and ideas came to him when he considered Kafka’s initial. He answered us as an astute translator and philologist, attentive to the subtle messages contained in names and words, and as a poet for whom Kafka’s work is a mental landscape to be contemplated.

Sunday, September 29, 2024

Etgar Keret / 600 Words or Less

Eggar Kerry


Etgar Keret: 600 Words or Less


Etgar Kerey
1 December 2023

Is it possible to tell the story of the Israeli-Palestinian conflict “in 600 words or less”, as an American media editor asked the Israeli writer Etgar Keret? Today, Keret says he feels unable to write. Although… By presenting, as he does today, a text – 600 words long – written 22 years ago, he demonstrates, in the “midst of the deterioration” of which we are contemporaries, the persistent feeling of being misunderstood by Israelis and Palestinians alike.

Maggie Smith Is Remembered by Harry Potter Co-Stars, Peers, and Fans in Moving Tributes

 

Maggie Smith


Maggie Smith Is Remembered by Harry Potter Co-Stars, Peers, and Fans in Moving Tributes


BY SOLCYRÉ BURGA AND REBECCA SCHNEID
UPDATED:  | ORIGINALLY PUBLISHED: 

Beloved British actor Maggie Smith, who stole hearts in her portrayal of Downton Abbey’s Violet Crawley and Harry Potter’s Professor Minerva McGonagall, died on the morning of Friday, Sept. 27, at the age of 89. 

Did Salinger Go Awry?

 


JD Salinger


Did Salinger Go Awry?

A boxed set for the writer’s centenary confirms him as the master of possibility

BY
ADAM KIRSCH
JANUARY 02, 2019


The first literary anniversary of 2019 will be one of the biggest: Jan. 1 marks the centenary of J.D. Salinger. (To mark the occasion, his four books are being reissued in a boxed set by Little Brown.) A hundred years seems like it ought to be a long time in literary history—Salinger is as distant from a child born in 2019 as he himself was from Herman Melville. Yet somehow he doesn’t feel as far removed from us as the other writers of his generation—figures like Saul Bellow, Norman Mailer, or John Updike, who also became famous in the post-World War II years. Our readerly accounts with those famous names are basically settled, but Salinger’s remains open; his achievement feels unsettled, incomplete.

The Bathtub Kabbalah of J.D. Salinger

 

JD Salinger


The Bathtub Kabbalah of J.D. Salinger

Two new biographical sketches depict the great recluse as agent of growth, emblem of permanent adolescence, and cipher

BY
ADAM KIRSCH
MAY 29, 2014


Kabbalah teaches that God created the universe by deliberately shrinking himself, withdrawing into himself in order to leave a space that Creation could fill. This idea, known as tzimtzum, has a weird pertinence to the life and work of J.D. Salinger—but then again, since Salinger himself was a kind of mystic, perhaps it’s not so weird. Nobody seems to know whether Salinger spent any of his years of retreat up in Cornish, N.H., reading Isaac Luria, the 16th-century Jewish sage who invented the idea of tzimtzum. His tastes seem to have run more toward Zen and Hindu mysticism, or even the Russian Orthodox Jesus Prayer, which famously obsesses Franny Glass: “If you keep saying the prayer over and over again—you only have to just do it with your lips at first—then eventually what happens, the prayer becomes self-active. Something happens after a while.”

Salinger / Rye Day

 


Rye Day

J.D. Salinger’s most famous book has its birthday

BY
ADAM CHANDLER


Today marks the anniversary of the publication of J.D. Salinger’s iconic book “The Catcher in the Rye.” The legacy of the book has been a cultural touchstone since it was first published. But as Louis Menand pointed out in an essay written around the time of the book’s 50th birthday in 2001, “The Catcher in the Rye” has come to mean more than that:

“The Catcher in the Rye” is a sympathetic portrait of a boy who refuses to be socialized which has become (among certain readers, anyway, for it is still occasionally banned in conservative school districts) a standard instrument of socialization. I was introduced to the book by my parents, people who, if they had ever imagined that I might, after finishing the thing, run away from school, smoke like a chimney, lie about my age in bars, solicit a prostitute, or use the word “goddam” in every third sentence, would (in the words of the story) have had about two hemorrhages apiece. Somehow, they knew this wouldn’t be the effect.



Supposedly, kids respond to “The Catcher in the Rye” because they recognize themselves in the character of Holden Caulfield. Salinger is imagined to have given voice to what every adolescent, or, at least, every sensitive, intelligent, middle-class adolescent, thinks but is too inhibited to say, which is that success is a sham, and that successful people are mostly phonies. Reading Holden’s story is supposed to be the literary equivalent of looking in a mirror for the first time. This seems to underestimate the originality of the book. Fourteen-year-olds, even sensitive, intelligent, middle-class fourteen-year-olds, generally do not think that success is a sham, and if they sometimes feel unhappy, or angry, or out of it, it’s not because they think most other people are phonies. The whole emotional burden of adolescence is that you don’t know why you feel unhappy, or angry, or out of it. The appeal of “The Catcher in the Rye,” what makes it addictive, is that it provides you with a reason. It gives a content to chemistry.

Despite his influence, many have seemingly been ambivalent to claim Jerome David Salinger, who was raised Jewish and bar-mitzvahed, or to list him among the Jewish greats like Roth, Bellow, Malamud, Ozick, and countless others.

While the (tale-tell) Jewish themes of isolation and ostracism were thick in his work, the identifiable Jewish experiences in Salinger’s characters were camouflaged. His biography may lend some insight. Consider that his grandfather was a rabbi and his father imported ham and kosher cheese for a living. Consider that his mother (Marie), though she was Irish-Catholic, pretended to be Jewish (Miriam) until after Salinger had his bar-mitzvah. Salinger was a mediocre student, but he excelled in the army, taking part in D-Day at Utah Beach and the Battle of the Bulge as well as liberating a concentration camp and earning the rank of Staff Sergeant. He even managed to befriend Ernest Hemingway while in Europe.

There’s plenty more to ponder about Salinger on Rye Day. It might be more fitting to do it alone.

After Baywatch: Moment in the Sun review

 


Review

After Baywatch: Moment in the Sun review – the Leonardo DiCaprio reveal is quite something

This documentary about the hit lifeguard drama famed for slow-mo shots in skimpy beachwear is oddly po-faced. It’s a shame given wild anecdotes about Playboy, being stoned – and turning down a Hollywood megastar


Rebecca Nicholson
Wed 18 Sep 2024 05.00 BST

Saturday, September 28, 2024

Kubrick’s Cruise Kidman Schnitzler Sex Sizzler



Kubrick’s Cruise Kidman Schnitzler Sex Sizzler

An excerpt from ‘Stanley Kubrick: American Filmmaker’: Dreaming, With ‘Eyes Wide Shut’

BY
DAVID MIKICS
AUGUST 10, 2020


A.I., the Aryan Papers, and Eyes Wide Shut all present characters who are locked into their roles and cannot be authentic: the robot boy who yearns to be accepted as real, the Jewish child forced to masquerade as a gentile, and the man Bill Harford who cannot quite dare to break through from dreaming about a sexual adventure to actually having one. Like Barry Lyndon, Bill remains on the outside looking in even when he’s at the center of the action.