I
IT was said that a
new person had appeared on the sea-front: a lady with a little dog. Dmitri
Dmitritch Gurov, who had by then been a fortnight at Yalta, and so was fairly
at home there, had begun to take an interest in new arrivals. Sitting in
Verney's pavilion, he saw, walking on the sea-front, a fair-haired young lady
of medium height, wearing a béret; a white Pomeranian dog was running behind
her.
And afterwards he
met her in the public gardens and in the square several times a day. She was
walking alone, always wearing the same béret, and always with the same white
dog; no one knew who she was, and every one called her simply "the lady
with the dog."
"If she is
here alone without a husband or friends, it wouldn't be amiss to make her
acquaintance," Gurov reflected.
He was under forty,
but he had a daughter already twelve years old, and two sons at school. He had
been married young, when he was a student in his second year, and by now his
wife seemed half as old again as he. She was a tall, erect woman with dark
eyebrows, staid and dignified, and, as she said of herself, intellectual. She
read a great deal, used phonetic spelling, called her husband, not Dmitri, but
Dimitri, and he secretly considered her unintelligent, narrow, inelegant, was
afraid of her, and did not like to be at home. He had begun being unfaithful to
her long ago -- had been unfaithful to her often, and, probably on that
account, almost always spoke ill of women, and when they were talked about in
his presence, used to call them "the lower race."
It seemed to him
that he had been so schooled by bitter experience that he might call them what
he liked, and yet he could not get on for two days together without "the
lower race." In the society of men he was bored and not himself, with them
he was cold and uncommunicative; but when he was in the company of women he
felt free, and knew what to say to them and how to behave; and he was at ease
with them even when he was silent. In his appearance, in his character, in his
whole nature, there was something attractive and elusive which allured women
and disposed them in his favour; he knew that, and some force seemed to draw
him, too, to them.
Experience often
repeated, truly bitter experience, had taught him long ago that with decent
people, especially Moscow people -- always slow to move and irresolute -- every
intimacy, which at first so agreeably diversifies life and appears a light and
charming adventure, inevitably grows into a regular problem of extreme
intricacy, and in the long run the situation becomes unbearable. But at every
fresh meeting with an interesting woman this experience seemed to slip out of
his memory, and he was eager for life, and everything seemed simple and
amusing.
One evening he was
dining in the gardens, and the lady in the béret came up slowly to take the
next table. Her expression, her gait, her dress, and the way she did her hair
told him that she was a lady, that she was married, that she was in Yalta for
the first time and alone, and that she was dull there. . . . The stories told
of the immorality in such places as Yalta are to a great extent untrue; he
despised them, and knew that such stories were for the most part made up by
persons who would themselves have been glad to sin if they had been able; but when
the lady sat down at the next table three paces from him, he remembered these
tales of easy conquests, of trips to the mountains, and the tempting thought of
a swift, fleeting love affair, a romance with an unknown woman, whose name he
did not know, suddenly took possession of him.
He beckoned
coaxingly to the Pomeranian, and when the dog came up to him he shook his
finger at it. The Pomeranian growled: Gurov shook his finger at it again.
The lady looked at
him and at once dropped her eyes.
"He doesn't
bite," she said, and blushed.
"May I give
him a bone?" he asked; and when she nodded he asked courteously,
"Have you been long in Yalta?"
"Five
days."
"And I have
already dragged out a fortnight here."
There was a brief
silence.
"Time goes
fast, and yet it is so dull here!" she said, not looking at him.
"That's only
the fashion to say it is dull here. A provincial will live in Belyov or Zhidra
and not be dull, and when he comes here it's 'Oh, the dulness! Oh, the dust!'
One would think he came from Grenada."
She laughed. Then
both continued eating in silence, like strangers, but after dinner they walked
side by side; and there sprang up between them the light jesting conversation
of people who are free and satisfied, to whom it does not matter where they go
or what they talk about. They walked and talked of the strange light on the
sea: the water was of a soft warm lilac hue, and there was a golden streak from
the moon upon it. They talked of how sultry it was after a hot day. Gurov told
her that he came from Moscow, that he had taken his degree in Arts, but had a
post in a bank; that he had trained as an opera-singer, but had given it up,
that he owned two houses in Moscow. . . . And from her he learnt that she had
grown up in Petersburg, but had lived in S---- since her marriage two years
before, that she was staying another month in Yalta, and that her husband, who
needed a holiday too, might perhaps come and fetch her. She was not sure
whether her husband had a post in a Crown Department or under the Provincial
Council -- and was amused by her own ignorance. And Gurov learnt, too, that she
was called Anna Sergeyevna.
Afterwards he
thought about her in his room at the hotel -- thought she would certainly meet
him next day; it would be sure to happen. As he got into bed he thought how
lately she had been a girl at school, doing lessons like his own daughter; he
recalled the diffidence, the angularity, that was still manifest in her laugh
and her manner of talking with a stranger. This must have been the first time
in her life she had been alone in surroundings in which she was followed,
looked at, and spoken to merely from a secret motive which she could hardly
fail to guess. He recalled her slender, delicate neck, her lovely grey eyes.
"There's
something pathetic about her, anyway," he thought, and fell asleep.
II
A week had passed
since they had made acquaintance. It was a holiday. It was sultry indoors,
while in the street the wind whirled the dust round and round, and blew
people's hats off. It was a thirsty day, and Gurov often went into the
pavilion, and pressed Anna Sergeyevna to have syrup and water or an ice. One
did not know what to do with oneself.
In the evening when
the wind had dropped a little, they went out on the groyne to see the steamer
come in. There were a great many people walking about the harbour; they had
gathered to welcome some one, bringing bouquets. And two peculiarities of a
well-dressed Yalta crowd were very conspicuous: the elderly ladies were dressed
like young ones, and there were great numbers of generals.
Owing to the
roughness of the sea, the steamer arrived late, after the sun had set, and it
was a long time turning about before it reached the groyne. Anna Sergeyevna
looked through her lorgnette at the steamer and the passengers as though
looking for acquaintances, and when she turned to Gurov her eyes were shining.
She talked a great deal and asked disconnected questions, forgetting next
moment what she had asked; then she dropped her lorgnette in the crush.
The festive crowd
began to disperse; it was too dark to see people's faces. The wind had
completely dropped, but Gurov and Anna Sergeyevna still stood as though waiting
to see some one else come from the steamer. Anna Sergeyevna was silent now, and
sniffed the flowers without looking at Gurov.
"The weather
is better this evening," he said. "Where shall we go now? Shall we
drive somewhere?"
She made no answer.
Then he looked at
her intently, and all at once put his arm round her and kissed her on the lips,
and breathed in the moisture and the fragrance of the flowers; and he
immediately looked round him, anxiously wondering whether any one had seen
them.
"Let us go to
your hotel," he said softly. And both walked quickly.
The room was close
and smelt of the scent she had bought at the Japanese shop. Gurov looked at her
and thought: "What different people one meets in the world!" From the
past he preserved memories of careless, good-natured women, who loved cheerfully
and were grateful to him for the happiness he gave them, however brief it might
be; and of women like his wife who loved without any genuine feeling, with
superfluous phrases, affectedly, hysterically, with an expression that
suggested that it was not love nor passion, but something more significant; and
of two or three others, very beautiful, cold women, on whose faces he had
caught a glimpse of a rapacious expression -- an obstinate desire to snatch
from life more than it could give, and these were capricious, unreflecting,
domineering, unintelligent women not in their first youth, and when Gurov grew
cold to them their beauty excited his hatred, and the lace on their linen
seemed to him like scales.
But in this case
there was still the diffidence, the angularity of inexperienced youth, an
awkward feeling; and there was a sense of consternation as though some one had
suddenly knocked at the door. The attitude of Anna Sergeyevna -- "the lady
with the dog" -- to what had happened was somehow peculiar, very grave, as
though it were her fall -- so it seemed, and it was strange and inappropriate.
Her face dropped and faded, and on both sides of it her long hair hung down
mournfully; she mused in a dejected attitude like "the woman who was a
sinner" in an old-fashioned picture.
"It's
wrong," she said. "You will be the first to despise me now."
There was a
water-melon on the table. Gurov cut himself a slice and began eating it without
haste. There followed at least half an hour of silence.
Anna Sergeyevna was
touching; there was about her the purity of a good, simple woman who had seen
little of life. The solitary candle burning on the table threw a faint light on
her face, yet it was clear that she was very unhappy.
"How could I
despise you?" asked Gurov. "You don't know what you are saying."
"God forgive
me," she said, and her eyes filled with tears. "It's awful."
"You seem to
feel you need to be forgiven."
"Forgiven? No.
I am a bad, low woman; I despise myself and don't attempt to justify myself.
It's not my husband but myself I have deceived. And not only just now; I have
been deceiving myself for a long time. My husband may be a good, honest man,
but he is a flunkey! I don't know what he does there, what his work is, but I
know he is a flunkey! I was twenty when I was married to him. I have been
tormented by curiosity; I wanted something better. 'There must be a different
sort of life,' I said to myself. I wanted to live! To live, to live! . . . I
was fired by curiosity . . . you don't understand it, but, I swear to God, I
could not control myself; something happened to me: I could not be restrained.
I told my husband I was ill, and came here. . . . And here I have been walking
about as though I were dazed, like a mad creature; . . . and now I have become
a vulgar, contemptible woman whom any one may despise."
Gurov felt bored
already, listening to her. He was irritated by the naïve tone, by this remorse,
so unexpected and inopportune; but for the tears in her eyes, he might have
thought she was jesting or playing a part.
"I don't
understand," he said softly. "What is it you want?"
She hid her face on
his breast and pressed close to him.
"Believe me,
believe me, I beseech you . . ." she said. "I love a pure, honest
life, and sin is loathsome to me. I don't know what I am doing. Simple people
say: 'The Evil One has beguiled me.' And I may say of myself now that the Evil
One has beguiled me."
"Hush, hush! .
. ." he muttered.
He looked at her
fixed, scared eyes, kissed her, talked softly and affectionately, and by
degrees she was comforted, and her gaiety returned; they both began laughing.
Afterwards when
they went out there was not a soul on the sea-front. The town with its
cypresses had quite a deathlike air, but the sea still broke noisily on the
shore; a single barge was rocking on the waves, and a lantern was blinking
sleepily on it.
They found a cab
and drove to Oreanda.
"I found out
your surname in the hall just now: it was written on the board -- Von
Diderits," said Gurov. "Is your husband a German?"
"No; I believe
his grandfather was a German, but he is an Orthodox Russian himself."
At Oreanda they sat
on a seat not far from the church, looked down at the sea, and were silent.
Yalta was hardly visible through the morning mist; white clouds stood
motionless on the mountain-tops. The leaves did not stir on the trees,
grasshoppers chirruped, and the monotonous hollow sound of the sea rising up
from below, spoke of the peace, of the eternal sleep awaiting us. So it must
have sounded when there was no Yalta, no Oreanda here; so it sounds now, and it
will sound as indifferently and monotonously when we are all no more. And in
this constancy, in this complete indifference to the life and death of each of
us, there lies hid, perhaps, a pledge of our eternal salvation, of the
unceasing movement of life upon earth, of unceasing progress towards
perfection. Sitting beside a young woman who in the dawn seemed so lovely,
soothed and spellbound in these magical surroundings -- the sea, mountains,
clouds, the open sky -- Gurov thought how in reality everything is beautiful in
this world when one reflects: everything except what we think or do ourselves
when we forget our human dignity and the higher aims of our existence.
A man walked up to
them -- probably a keeper -- looked at them and walked away. And this detail
seemed mysterious and beautiful, too. They saw a steamer come from Theodosia,
with its lights out in the glow of dawn.
"There is dew
on the grass," said Anna Sergeyevna, after a silence.
"Yes. It's
time to go home."
They went back to
the town.
Then they met every
day at twelve o'clock on the sea-front, lunched and dined together, went for
walks, admired the sea. She complained that she slept badly, that her heart
throbbed violently; asked the same questions, troubled now by jealousy and now
by the fear that he did not respect her sufficiently. And often in the square
or gardens, when there was no one near them, he suddenly drew her to him and
kissed her passionately. Complete idleness, these kisses in broad daylight
while he looked round in dread of some one's seeing them, the heat, the smell
of the sea, and the continual passing to and fro before him of idle,
well-dressed, well-fed people, made a new man of him; he told Anna Sergeyevna
how beautiful she was, how fascinating. He was impatiently passionate, he would
not move a step away from her, while she was often pensive and continually
urged him to confess that he did not respect her, did not love her in the
least, and thought of her as nothing but a common woman. Rather late almost
every evening they drove somewhere out of town, to Oreanda or to the waterfall;
and the expedition was always a success, the scenery invariably impressed them
as grand and beautiful.
They were expecting
her husband to come, but a letter came from him, saying that there was
something wrong with his eyes, and he entreated his wife to come home as
quickly as possible. Anna Sergeyevna made haste to go.
"It's a good
thing I am going away," she said to Gurov. "It's the finger of
destiny!"
She went by coach
and he went with her. They were driving the whole day. When she had got into a
compartment of the express, and when the second bell had rung, she said:
"Let me look
at you once more . . . look at you once again. That's right."
She did not shed
tears, but was so sad that she seemed ill, and her face was quivering.
"I shall
remember you . . . think of you," she said. "God be with you; be
happy. Don't remember evil against me. We are parting forever -- it must be so,
for we ought never to have met. Well, God be with you."
The train moved off
rapidly, its lights soon vanished from sight, and a minute later there was no
sound of it, as though everything had conspired together to end as quickly as
possible that sweet delirium, that madness. Left alone on the platform, and gazing
into the dark distance, Gurov listened to the chirrup of the grasshoppers and
the hum of the telegraph wires, feeling as though he had only just waked up.
And he thought, musing, that there had been another episode or adventure in his
life, and it, too, was at an end, and nothing was left of it but a memory. . .
. He was moved, sad, and conscious of a slight remorse. This young woman whom
he would never meet again had not been happy with him; he was genuinely warm
and affectionate with her, but yet in his manner, his tone, and his caresses
there had been a shade of light irony, the coarse condescension of a happy man
who was, besides, almost twice her age. All the time she had called him kind,
exceptional, lofty; obviously he had seemed to her different from what he
really was, so he had unintentionally deceived her. . . .
Here at the station
was already a scent of autumn; it was a cold evening.
"It's time for
me to go north," thought Gurov as he left the platform. "High
time!"
III
At home in Moscow
everything was in its winter routine; the stoves were heated, and in the
morning it was still dark when the children were having breakfast and getting
ready for school, and the nurse would light the lamp for a short time. The
frosts had begun already. When the first snow has fallen, on the first day of
sledge-driving it is pleasant to see the white earth, the white roofs, to draw
soft, delicious breath, and the season brings back the days of one's youth. The
old limes and birches, white with hoar-frost, have a good-natured expression;
they are nearer to one's heart than cypresses and palms, and near them one
doesn't want to be thinking of the sea and the mountains.
Gurov was Moscow
born; he arrived in Moscow on a fine frosty day, and when he put on his fur
coat and warm gloves, and walked along Petrovka, and when on Saturday evening
he heard the ringing of the bells, his recent trip and the places he had seen
lost all charm for him. Little by little he became absorbed in Moscow life,
greedily read three newspapers a day, and declared he did not read the Moscow
papers on principle! He already felt a longing to go to restaurants, clubs,
dinner-parties, anniversary celebrations, and he felt flattered at entertaining
distinguished lawyers and artists, and at playing cards with a professor at the
doctors' club. He could already eat a whole plateful of salt fish and cabbage.
In another month,
he fancied, the image of Anna Sergeyevna would be shrouded in a mist in his
memory, and only from time to time would visit him in his dreams with a
touching smile as others did. But more than a month passed, real winter had
come, and everything was still clear in his memory as though he had parted with
Anna Sergeyevna only the day before. And his memories glowed more and more
vividly. When in the evening stillness he heard from his study the voices of
his children, preparing their lessons, or when he listened to a song or the
organ at the restaurant, or the storm howled in the chimney, suddenly
everything would rise up in his memory: what had happened on the groyne, and
the early morning with the mist on the mountains, and the steamer coming from
Theodosia, and the kisses. He would pace a long time about his room,
remembering it all and smiling; then his memories passed into dreams, and in
his fancy the past was mingled with what was to come. Anna Sergeyevna did not
visit him in dreams, but followed him about everywhere like a shadow and
haunted him. When he shut his eyes he saw her as though she were living before
him, and she seemed to him lovelier, younger, tenderer than she was; and he
imagined himself finer than he had been in Yalta. In the evenings she peeped
out at him from the bookcase, from the fireplace, from the corner -- he heard
her breathing, the caressing rustle of her dress. In the street he watched the
women, looking for some one like her.
He was tormented by
an intense desire to confide his memories to some one. But in his home it was
impossible to talk of his love, and he had no one outside; he could not talk to
his tenants nor to any one at the bank. And what had he to talk of? Had he been
in love, then? Had there been anything beautiful, poetical, or edifying or
simply interesting in his relations with Anna Sergeyevna? And there was nothing
for him but to talk vaguely of love, of woman, and no one guessed what it
meant; only his wife twitched her black eyebrows, and said:
"The part of a
lady-killer does not suit you at all, Dimitri."
One evening, coming
out of the doctors' club with an official with whom he had been playing cards,
he could not resist saying:
"If only you
knew what a fascinating woman I made the acquaintance of in Yalta!"
The official got
into his sledge and was driving away, but turned suddenly and shouted:
"Dmitri
Dmitritch!"
"What?"
"You were
right this evening: the sturgeon was a bit too strong!"
These words, so
ordinary, for some reason moved Gurov to indignation, and struck him as
degrading and unclean. What savage manners, what people! What senseless nights,
what uninteresting, uneventful days! The rage for card-playing, the gluttony,
the drunkenness, the continual talk always about the same thing. Useless
pursuits and conversations always about the same things absorb the better part
of one's time, the better part of one's strength, and in the end there is left
a life grovelling and curtailed, worthless and trivial, and there is no
escaping or getting away from it -- just as though one were in a madhouse or a
prison.
Gurov did not sleep
all night, and was filled with indignation. And he had a headache all next day.
And the next night he slept badly; he sat up in bed, thinking, or paced up and
down his room. He was sick of his children, sick of the bank; he had no desire
to go anywhere or to talk of anything.
In the holidays in
December he prepared for a journey, and told his wife he was going to
Petersburg to do something in the interests of a young friend -- and he set off
for S----. What for? He did not very well know himself. He wanted to see Anna
Sergeyevna and to talk with her -- to arrange a meeting, if possible.
He reached S---- in
the morning, and took the best room at the hotel, in which the floor was
covered with grey army cloth, and on the table was an inkstand, grey with dust
and adorned with a figure on horseback, with its hat in its hand and its head
broken off. The hotel porter gave him the necessary information; Von Diderits
lived in a house of his own in Old Gontcharny Street -- it was not far from the
hotel: he was rich and lived in good style, and had his own horses; every one
in the town knew him. The porter pronounced the name "Dridirits."
Gurov went without
haste to Old Gontcharny Street and found the house. Just opposite the house
stretched a long grey fence adorned with nails.
"One would run
away from a fence like that," thought Gurov, looking from the fence to the
windows of the house and back again.
He considered:
to-day was a holiday, and the husband would probably be at home. And in any
case it would be tactless to go into the house and upset her. If he were to
send her a note it might fall into her husband's hands, and then it might ruin
everything. The best thing was to trust to chance. And he kept walking up and
down the street by the fence, waiting for the chance. He saw a beggar go in at
the gate and dogs fly at him; then an hour later he heard a piano, and the
sounds were faint and indistinct. Probably it was Anna Sergeyevna playing. The
front door suddenly opened, and an old woman came out, followed by the familiar
white Pomeranian. Gurov was on the point of calling to the dog, but his heart
began beating violently, and in his excitement he could not remember the dog's
name.
He walked up and
down, and loathed the grey fence more and more, and by now he thought irritably
that Anna Sergeyevna had forgotten him, and was perhaps already amusing herself
with some one else, and that that was very natural in a young woman who had
nothing to look at from morning till night but that confounded fence. He went
back to his hotel room and sat for a long while on the sofa, not knowing what
to do, then he had dinner and a long nap.
"How stupid
and worrying it is!" he thought when he woke and looked at the dark
windows: it was already evening. "Here I've had a good sleep for some
reason. What shall I do in the night?"
He sat on the bed,
which was covered by a cheap grey blanket, such as one sees in hospitals, and
he taunted himself in his vexation:
"So much for
the lady with the dog . . . so much for the adventure. . . . You're in a nice
fix. . . ."
That morning at the
station a poster in large letters had caught his eye. "The Geisha"
was to be performed for the first time. He thought of this and went to the
theatre.
"It's quite
possible she may go to the first performance," he thought.
The theatre was
full. As in all provincial theatres, there was a fog above the chandelier, the
gallery was noisy and restless; in the front row the local dandies were
standing up before the beginning of the performance, with their hands behind
them; in the Governor's box the Governor's daughter, wearing a boa, was sitting
in the front seat, while the Governor himself lurked modestly behind the
curtain with only his hands visible; the orchestra was a long time tuning up;
the stage curtain swayed. All the time the audience were coming in and taking
their seats Gurov looked at them eagerly.
Anna Sergeyevna,
too, came in. She sat down in the third row, and when Gurov looked at her his
heart contracted, and he understood clearly that for him there was in the whole
world no creature so near, so precious, and so important to him; she, this
little woman, in no way remarkable, lost in a provincial crowd, with a vulgar
lorgnette in her hand, filled his whole life now, was his sorrow and his joy,
the one happiness that he now desired for himself, and to the sounds of the
inferior orchestra, of the wretched provincial violins, he thought how lovely
she was. He thought and dreamed.
A young man with
small side-whiskers, tall and stooping, came in with Anna Sergeyevna and sat
down beside her; he bent his head at every step and seemed to be continually
bowing. Most likely this was the husband whom at Yalta, in a rush of bitter
feeling, she had called a flunkey. And there really was in his long figure, his
side-whiskers, and the small bald patch on his head, something of the flunkey's
obsequiousness; his smile was sugary, and in his buttonhole there was some
badge of distinction like the number on a waiter.
During the first
interval the husband went away to smoke; she remained alone in her stall.
Gurov, who was sitting in the stalls, too, went up to her and said in a
trembling voice, with a forced smile:
"Good-evening."
She glanced at him
and turned pale, then glanced again with horror, unable to believe her eyes,
and tightly gripped the fan and the lorgnette in her hands, evidently
struggling with herself not to faint. Both were silent. She was sitting, he was
standing, frightened by her confusion and not venturing to sit down beside her.
The violins and the flute began tuning up. He felt suddenly frightened; it
seemed as though all the people in the boxes were looking at them. She got up
and went quickly to the door; he followed her, and both walked senselessly
along passages, and up and down stairs, and figures in legal, scholastic, and
civil service uniforms, all wearing badges, flitted before their eyes. They
caught glimpses of ladies, of fur coats hanging on pegs; the draughts blew on
them, bringing a smell of stale tobacco. And Gurov, whose heart was beating
violently, thought:
"Oh, heavens!
Why are these people here and this orchestra! . . ."
And at that instant
he recalled how when he had seen Anna Sergeyevna off at the station he had
thought that everything was over and they would never meet again. But how far
they were still from the end!
On the narrow,
gloomy staircase over which was written "To the Amphitheatre," she
stopped.
"How you have
frightened me!" she said, breathing hard, still pale and overwhelmed.
"Oh, how you have frightened me! I am half dead. Why have you come?
Why?"
"But do
understand, Anna, do understand . . ." he said hastily in a low voice.
"I entreat you to understand. . . ."
She looked at him
with dread, with entreaty, with love; she looked at him intently, to keep his
features more distinctly in her memory.
"I am so
unhappy," she went on, not heeding him. "I have thought of nothing
but you all the time; I live only in the thought of you. And I wanted to
forget, to forget you; but why, oh, why, have you come?"
On the landing above
them two schoolboys were smoking and looking down, but that was nothing to
Gurov; he drew Anna Sergeyevna to him, and began kissing her face, her cheeks,
and her hands.
"What are you
doing, what are you doing!" she cried in horror, pushing him away.
"We are mad. Go away to-day; go away at once. . . . I beseech you by all
that is sacred, I implore you. . . . There are people coming this way!"
Some one was coming
up the stairs.
"You must go
away," Anna Sergeyevna went on in a whisper. "Do you hear, Dmitri
Dmitritch? I will come and see you in Moscow. I have never been happy; I am
miserable now, and I never, never shall be happy, never! Don't make me suffer
still more! I swear I'll come to Moscow. But now let us part. My precious,
good, dear one, we must part!"
She pressed his
hand and began rapidly going downstairs, looking round at him, and from her
eyes he could see that she really was unhappy. Gurov stood for a little while,
listened, then, when all sound had died away, he found his coat and left the
theatre.
IV
And Anna Sergeyevna
began coming to see him in Moscow. Once in two or three months she left S----,
telling her husband that she was going to consult a doctor about an internal
complaint -- and her husband believed her, and did not believe her. In Moscow
she stayed at the Slaviansky Bazaar hotel, and at once sent a man in a red cap
to Gurov. Gurov went to see her, and no one in Moscow knew of it.
Once he was going
to see her in this way on a winter morning (the messenger had come the evening
before when he was out). With him walked his daughter, whom he wanted to take
to school: it was on the way. Snow was falling in big wet flakes.
"It's three
degrees above freezing-point, and yet it is snowing," said Gurov to his
daughter. "The thaw is only on the surface of the earth; there is quite a
different temperature at a greater height in the atmosphere."
"And why are
there no thunderstorms in the winter, father?"
He explained that,
too. He talked, thinking all the while that he was going to see her, and no
living soul knew of it, and probably never would know. He had two lives: one,
open, seen and known by all who cared to know, full of relative truth and of relative
falsehood, exactly like the lives of his friends and acquaintances; and another
life running its course in secret. And through some strange, perhaps
accidental, conjunction of circumstances, everything that was essential, of
interest and of value to him, everything in which he was sincere and did not
deceive himself, everything that made the kernel of his life, was hidden from
other people; and all that was false in him, the sheath in which he hid himself
to conceal the truth -- such, for instance, as his work in the bank, his
discussions at the club, his "lower race," his presence with his wife
at anniversary festivities -- all that was open. And he judged of others by
himself, not believing in what he saw, and always believing that every man had
his real, most interesting life under the cover of secrecy and under the cover
of night. All personal life rested on secrecy, and possibly it was partly on
that account that civilised man was so nervously anxious that personal privacy
should be respected.
After leaving his
daughter at school, Gurov went on to the Slaviansky Bazaar. He took off his fur
coat below, went upstairs, and softly knocked at the door. Anna Sergeyevna,
wearing his favourite grey dress, exhausted by the journey and the suspense,
had been expecting him since the evening before. She was pale; she looked at
him, and did not smile, and he had hardly come in when she fell on his breast.
Their kiss was slow and prolonged, as though they had not met for two years.
"Well, how are
you getting on there?" he asked. "What news?"
"Wait; I'll
tell you directly. . . . I can't talk."
She could not
speak; she was crying. She turned away from him, and pressed her handkerchief
to her eyes.
"Let her have
her cry out. I'll sit down and wait," he thought, and he sat down in an
arm-chair.
Then he rang and
asked for tea to be brought him, and while he drank his tea she remained
standing at the window with her back to him. She was crying from emotion, from
the miserable consciousness that their life was so hard for them; they could
only meet in secret, hiding themselves from people, like thieves! Was not their
life shattered?
"Come, do
stop!" he said.
It was evident to
him that this love of theirs would not soon be over, that he could not see the
end of it. Anna Sergeyevna grew more and more attached to him. She adored him,
and it was unthinkable to say to her that it was bound to have an end some day;
besides, she would not have believed it!
He went up to her
and took her by the shoulders to say something affectionate and cheering, and
at that moment he saw himself in the looking-glass.
His hair was
already beginning to turn grey. And it seemed strange to him that he had grown
so much older, so much plainer during the last few years. The shoulders on
which his hands rested were warm and quivering. He felt compassion for this
life, still so warm and lovely, but probably already not far from beginning to
fade and wither like his own. Why did she love him so much? He always seemed to
women different from what he was, and they loved in him not himself, but the
man created by their imagination, whom they had been eagerly seeking all their
lives; and afterwards, when they noticed their mistake, they loved him all the
same. And not one of them had been happy with him. Time passed, he had made their
acquaintance, got on with them, parted, but he had never once loved; it was
anything you like, but not love.
And only now when
his head was grey he had fallen properly, really in love -- for the first time
in his life.
Anna Sergeyevna and
he loved each other like people very close and akin, like husband and wife,
like tender friends; it seemed to them that fate itself had meant them for one
another, and they could not understand why he had a wife and she a husband; and
it was as though they were a pair of birds of passage, caught and forced to
live in different cages. They forgave each other for what they were ashamed of
in their past, they forgave everything in the present, and felt that this love
of theirs had changed them both.
In moments of depression
in the past he had comforted himself with any arguments that came into his
mind, but now he no longer cared for arguments; he felt profound compassion, he
wanted to be sincere and tender. . . .
"Don't cry, my
darling," he said. "You've had your cry; that's enough. . . . Let us
talk now, let us think of some plan."
Then they spent a
long while taking counsel together, talked of how to avoid the necessity for
secrecy, for deception, for living in different towns and not seeing each other
for long at a time. How could they be free from this intolerable bondage?
"How?
How?" he asked, clutching his head. "How?"
And it seemed as
though in a little while the solution would be found, and then a new and
splendid life would begin; and it was clear to both of them that they had still
a long, long road before them, and that the most complicated and difficult part
of it was only just beginning.
1899.
1899.
Short Stories
CHEKHOV / THE LADY WITH THE DOG
CHEKHOV / THE CHEMIT´S WIFE
CHEKHOV / THE CHORUS GIRL
CHEKHOV / THE KISS
CHEKHOV / THE FISH
CHEKHOV / DREAMS
CHEKHOV / NEIGBOURS
CHEKHOV / THE BEAUTIES
CHEKHOV / A JOKE
CHEKHOV / A WORK OF ART
CHEKHOV / IN THE DARK
CHEKHOV / OH THE PUBLIC
CHEKHOV / A TRIPPING TONGUE
CHEKHOV / THE NINNY
CHEKHOV / ANYUTA
CHEKHOV / THE CHEMIT´S WIFE
CHEKHOV / THE CHORUS GIRL
CHEKHOV / THE KISS
CHEKHOV / THE FISH
CHEKHOV / DREAMS
CHEKHOV / NEIGBOURS
CHEKHOV / THE BEAUTIES
CHEKHOV / A JOKE
CHEKHOV / A WORK OF ART
CHEKHOV / IN THE DARK
CHEKHOV / OH THE PUBLIC
CHEKHOV / A TRIPPING TONGUE
CHEKHOV / THE NINNY
CHEKHOV / ANYUTA
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