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| ‘Creativity has never been morally pure’ … John William Waterhouse, Hylas and the Nymphs (1896) |
Why have mildly erotic nymphs been removed from a Manchester gallery? Is Picasso next?
Wed 31 Jan 2018
Hylas and the Nymphs is no masterpiece. But if it has to be removed from a gallery, will the nudes of Titian and Picasso be next? My, what a utopia
Hylas and the Nymphs is no masterpiece. But if it has to be removed from a gallery, will the nudes of Titian and Picasso be next? My, what a utopia
M
anchester Art Gallery says it has removed JW Waterhouse’s 1896 painting Hylas and the Nymphs from its displays “to prompt conversation”. Yet the conversation can only really be about one thing: should museums censor works of art on political grounds?
There can only be one answer if you believe in human progress.
To remove this work art from view is not an interesting critique but a crass gesture that will end up on the wrong side of history. This censorship belongs in the bin along with Section 28’s war on gay culture and the prosecution of Penguin Books for publishing Lady Chatterley’s Lover in 1960.
My, what a utopia these new puritans have in mind – a world that backtracks 60 years or more into an era of repression and hypocrisy. The great freedoms of modernity include, like it or not, freedom of sexual expression. Even a kinky old Victorian perv has his right to paint soft-porn nymphs.
Hylas and the Nymphs is no masterpiece. Its mildly erotic vision of a Greek myth is very silly, if you ask me, and if we were in front of it now I’d be poking fun. Yet we’d be looking, talking, perhaps arguing. Remove it and the conversation is killed stone dead. Culture falls silent as the grave.
This painting is pretty mild stuff compared with some truly great art that, by the same logic, should immediately be removed from Britain’s galleries. The Rokeby Venus by Velázquez clearly needs to return to the National Gallery stores, where this silken nude can lie on her sensual sheets without causing offence. Titian’s Diana and Actaeon also has to go – its display of female flesh is truly gratuitous. And there is just enough time for Tate Modern to cancel its forthcoming Picasso show, which is guaranteed to contain a jaw-dropping quantity of salivating sexist visions.
Creativity has never been morally pure. Not so long ago, in the 90s, art was deliberately shocking and some were duly shocked to visit galleries and be shown Myra Hindley, unmade beds and toy Nazis. Now the tables have turned, and it’s cool to be appalled by – in this case – art made over a century ago. I can’t pretend to respect such authoritarianism. It is the just the spectre of an oppressive past wearing new clothes – and if we fall for the disguise we sign away every liberal value.
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