Rousseau: a man of many contradictions
A discourse on the arts and sciences
I am made unlike anyone I have ever met; I will even venture to say that I am like no one in the whole world. I may be no better, but at least I am different.
Jean-Jacques Rousseau was born in Geneva in 1712. His mother died in childbirth, and his father was forced to flee the country after assaulting a French officer, leaving Rousseau in the care of a rich uncle. Growing up in an alpine environment kindled Rousseau’s love of nature. It also taught him the virtues of rural life; respect for manual labour, spontaneous friendship, patriotic self-sacrifice, hatred of injustice, and arbitrary power. Yet his life was full of contradictions. He valued friendship but died alone. He wrote a book on education (Emile), in which he advocated duty and moral education. Yet in real life, he abandoned his five children to an orphanage, stating they would be better off not knowing him. Civic duty encapsulated his patriotism and love of country, but he was chased out of three countries.
Rousseau was born a Protestant, converted to Catholicism out of necessity, and then resumed his Protestant faith to return as a citizen of Geneva. The church was a major influence on social, moral, and political life, although many viewed it with suspicion, especially Catholicism. They saw it as clinging to outdated and superstitious principles that it imposed on the masses. Rousseau rejected the divine right of monarchs and the divine order of natural inequality. He argued that the only just rule was citizens over themselves, an idea taken up during the French Revolution. There are fundamental themes in Rousseau’s philosophy: the natural goodness of uncorrupted human beings, the notion of moral order, an intelligence that directs the universe, and the idea of virtue and fulfillment resting in self-love independent of arbitrary social expectations.
Unlike many enlightenment thinkers, he thought progress was the source of moral corruption. In his Discourse on the Sciences and Arts, he said they were neither intrinsically good nor bad. However, their advance does not correspond with moral progress, nor does it make humanity happier. Physics, he states, has discovered the proportions that govern the attraction of bodies in a vacuum. Philosophy is about how the mind and body interact, and biology looks at the breeding patterns of insects. None of these makes a man’s life any better. Scientists only have the time to pursue such experiments because their basic needs are satisfied. This also takes them away from their practical, moral, and civil duties. With Rousseau’s emphasis on agriculture, we can assume science takes individuals away from producing their own food and feeding their families.
The arts can render the participant meek and are limited to the cerebral. They spread a desire for luxury and true courage drained of vitality, as humanity does not experience the pain of hunger, thirst, fatigue, danger, or death. Where there is no need, there is no incentive to strive to do better. Individuals become petty and trivial, worry about unimportant things, and neglect the significant ones. We praise those who are well-dressed and cultured rather than those who are truly good. Where luxury and ostentation are elevated over virtue, society turns away from simplicity and public-spiritedness in favour of outward appearance.
We value everything in monetary terms, based on a cost-benefit analysis, rather than doing what is right. An artist will produce ordinary, frivolous items that the consumer wants rather than works of value, which will only be appreciated after their death. Every artist wants to be praised for his or her work but is trapped within the opinions of society. In his discourse on inequality, Rousseau argues that vanity and greed bring out the worst in people. They see the poverty and lowliness of others as a source of superiority, not compassion. Together with selfishness and cruelty, they become the product of an unjust social arrangement. People create systems of domination and oppression that are formed under the law and the state. Countries that were based on power could never make a moral claim to allegiance under civic duty.
Rousseau saw society replacing true virtue with custom and etiquette. Custom teaches individuals to conceal everything to comply with the rules of conduct. This will mean no more sincere friendship, no more real esteem, and no more confidence. Instead, we will have suspicion, offence, fear, coldness, reserve, hate, and betrayal hidden under the veil of politeness. Politically correct vocabulary can be viewed as using the right words to replace virtue, especially if the mistake led to someone being regarded as prejudiced. It would be even worse if someone held offensive views and was always careful to act politically correctly.
Society becomes populated with clever deceivers whose manners appear exquisitely refined, but they hide a selfish character. This leads to a debased culture and tyrannical, oppressive political institutions. Education teaches young people languages they do not need to speak and obscure historical facts, but not the ability to think for themselves. They may achieve these accomplishments to feel wise and virtuous, but it does nothing to help them love their country or their fellow man. Rousseau also worried about apathy, arguing that if national hatred died out, then so would the love of country. As he said, there would be no pride in national culture as part of a larger society. He felt military virtue made someone brave, rugged, and courageous.
If the arts and sciences do not progress society but lead to moral corruption, then less advanced societies must be more virtuous than technologically superior ones. Rousseau argued that the social arrangements of these complex societies suppressed virtue and created destructive vices. Unfortunately, he did not outline a standard of good moral habits, manners, and customs. Simpson suggests we can deduce from Rousseau’s work that a moral society would be built on simplicity, honesty, frugality, diligence, sincerity, courage, integrity, public spiritedness, self-governance, and military strength.
Rousseau was not advocating a moral society based solely on a collection of simple, rustic warriors living off the land and conquering their neighbours, but a life that also valued the mind and values that included spontaneous friendship, respect for manual labour, patriotic self-sacrifice, hatred of injustice, and arbitrary power. Equally, technology and intellectual culture alone cannot provide the things that make life satisfying, such as friendship, integrity, and public service. It is only through a combination of these things that a full and satisfying life is established.
- Amidst the bustling crowd on the rain-soaked street, umbrellas created a vibrant and sheltered spectacle
- In the captivating narrative of "The Confessions of J.-J. Rousseau," the enthralling relationship between Jean-Jacques and Mlle de Boufflers was vividly portrayed through Aldus' masterful illustrations
- In the hustle and bustle of the city street, the crowd swarmed, reflecting the essence of the crowded daily life that defines urban living
- Amidst the laboratory setting, intricate illustrations adorned "The Confessions of J.J. Rousseau," brought to life by the artistic craftsmanship of Aldus
- The street was abuzz with a dense crowd, a multitude of people walking, filling the area with the vibrant energy of a lively and bustling cityscape
- In the company of Madame Dupin, Rousseau found inspiration for his illustrious works, including "The Confessions of J.J. Rousseau," which were beautifully illustrated by Aldus
Karl Friedrich Kahlert’s / “The necromancer" Unmasking the supernatural in a gothic tale of mystery and deception
Eleanor Sleath and "The Orphan of the Rhine"
Rituals & politics in Carl Grosse’s Horrid Mysteries
The gothic deception / Fear and morality in Clermont
The allure of The Arabian Nights
The dark allure of orientalism in Beckford’s Vathek
Sensibility and reason in "The memoirs of Emma Courtney"
A view of Jane Austen’s life and work by Lucy Worsley
A gothic critique of Jane Austen’s Northanger Abbey
The fable of the bees / Mandeville's critique
The nature of hate / A Hazlittian perspective
Courtiers by Lucy Worsley / Power and intrigue in Georgian England's royal court
Rediscovering Dr. John Moore's "Zeluco"
Virtue and vanity in Pope's eighteenth-century women
Satirical brilliance in Pope's 'The Rape of the Lock'
Mandeville's economics: social hierarchy insights
Frances Burney's Evelina, 18th century male manners
William Cowper's "The Task" / Faith and nature
Richardson’s Pamela / A tale of moral virtue
Zastrozzi / A Gothic pastiche
Exploring education in Rousseau's “Emile”
Rousseau / A man of many contradictions
Sarah Scott’s Millenium hall / Imagining a female utopia
Frances Burney’s Evelina, female propriety and a reputation







.jpg)

No comments:
Post a Comment